Concerts by Canadian pianist Marc-André Hamelin are always challenging and exciting: a fearless approach to repertoire and unusual programme juxtapositions, combined with insightful musicianship, all underpinned by formidable technique create some of the most compelling musical experiences, and Hamelin’s latest Wigmore Hall offering was no exception.
Leighton House has to be one of my most favourite houses in London. Tucked away in a quiet, tree-lined residential road close to Holland Park and Kensington High Street, it is the former home and studio of leading Victorian painting, Frederic, Lord Leighton. Created as a “private palace of art” to showcase Leighton’s fine collection of paintings, sculpture and decorative art, the house was also a place where the artistic and cultural denizens of London, and beyond, could gather for soirées, lectures and other events. Read my full review for One Stop Arts here
The excellent International Piano Series at the Southbank Centre continued with a fine recital of music by Haydn, Bartók, Debussy and Chopin by acclaimed and very popular (judging by the full house) Norwegian pianist Leif Ove Andsnes.
In this age of flashy piano pyrotechnics and daring designer concert outfits, Andsnes comes across as refreshingly understated……..read my full review here
Austrian pianist Till Fellner played a selection of well-known and well-loved piano music by Haydn, Schumann and Liszt in an engaging lunchtime recital at London’s Wigmore Hall. Read my review for Bachtrack.com here
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