Guest post by Christine Kammer


I hear this sentence from friends and colleagues all the time. Why add another obligation to our busy lives when we are in our thirties or forties? Many people seem to believe that taking lessons and practising the piano, violin or flute takes too much time and energy. They may be afraid that it could turn out to be a lonely and frustrating activity. And yet, I chose a different path… When I started taking piano lessons again several years ago at the age of 35, I didn’t know any other adult amateur musicians. An extrovert by nature, I soon started looking for like-minded people. And I discovered a wealth of possibilities: online music forums, piano summer courses – a whole new world opened up. For years, I spent lovely summer weeks together with other piano enthusiasts at workshops in Tuscany, France and Scotland. To meet fellow musicians in my home town Vienna, I founded the “Vienna Piano Meetup”. Since 2014, we have been meeting regularly to play for each other, informally and in a friendly atmosphere. And we’re not just pianists: some of us found their flute or violin partners via our group. I was thrilled to discover that there are similar activities all over the world. Over the years, our group has had visitors from Hong Kong, Canada and the UK – and I joined piano meetups when I visited cities like New York. In times of social distancing, many of these amateur music groups continue to socialise online. Occasionally, professional musicians discover our little get-togethers. Whenever they come along, they seem impressed by our spirit. What we do is not about competition – we welcome musicians at any level and encourage everybody to play. It is purely about sharing our love for music. “I envy you guys. You make music just for fun, without any purpose“, a stressed orchestral violist once said to me. In return, I can say that my admiration for any professional musician has grown tremendously since I started learning an instrument myself. Over the years, I have expanded my musical activities: Together with a software engineer and amateur flutist, I founded the non-profit association MUSEDU. We organise workshops and events for hobby musicians, like a cello workshop for beginners or a visit to a violin maker‘s studio. We offer a bilingual platform where local music teachers can promote their music lessons. And I enjoy sharing my thoughts on life as an amateur musician and other topics in our music blog. Learning an instrument takes time – that is certainly true. But it brings endless joy, energy and inspiration in return. And many new and interesting social contacts, if we‘re up for it. I‘m truly glad to have started this adventure! In fact, just earlier this year, I took up a second instrument – the lovely cello. Why wait until we’re retired?


Christine Kämmer is an intermediate pianist and beginning cellist with a degree in Asian Studies and Philosophy. In 2017, she founded the non-profit association MUSEDU in Vienna, Austria, together with amateur flutist Matthias König. musedu.at/en

 


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I was delighted to rejoin the London Piano Meetup Group (a friendly and supportive group for adult amateur pianists in London which I co-founded in 2013) for the March performance event. We met in the airy upstairs studio at Peregrine’s Pianos where we had the opportunity to play a medium-sized August Förster grand piano (one of the many attractions of the group is the chance to play different pianos). There was, as usual, a varied range of repertoire from Scarlatti to contemporary British composer Cheryl Frances-Hoad, with some impressive and enjoyable Chopin, Debussy, Rachmaninov, Bach, Howells, Liszt, Mayerl and even a drop of “cocktail jazz” (‘A Nightingale Sang in Berkeley Square’). Afterwards, we repaired to The Clerk and Well pub for a jolly lunch and lively piano chat.

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Upstairs studio at Peregrine’s Pianos

The original motivation for forming the group remains very strong – to provide a supportive and relaxed environment for adult pianists to meet, play for one another, share repertoire and socialise. I’ve made some very good friends via the group, as have others, and it was very nice to reconnect with old friends and make new ones too. The popularity of the group – and others like it – is an indication of how many pianists there are in and around London who enjoy the opportunity to meet and explore new or familiar repertoire. The chance to exchange ideas about practising, taking exams, performing, teachers and teaching, courses, concerts and more is also very important, and many people use the informal performance opportunities as a place to run repertoire by a friendly audience ahead of an exam, diploma, competition or festival performance.

Being sympathetic towards nervous players is a crucial component in creating a “safe place” where nervous or inexperienced players can perform without fear of criticism or negative comments: everyone’s performance receives warm applause and appreciation.

For further information about the London Piano Meetup Group or to join the mailing list to be kept informed about upcoming events, please email londonpianomeetup@gmail.com or find the group on Facebook

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