The coronavirus is forcing us to practice social distancing and self-isolation. As I joked on Twitter the other day, musicians, and especially pianists, have been self-isolating for years!

The pianist’s life is, by necessity, lonely. One of the main reasons pianists spend so much time alone is that we must practise more than other musicians because we have many more notes and symbols to decode, learn and upkeep. This prolonged solitary process may eventually result in a public performance, at which we exchange the loneliness of the practise room for the solitude of the concert platform.

However, despite the need for frequent sequestration to get the work done, regular interaction with colleagues and students alleviates the loneliness and reminds us of the life beyond the keyboard and the importance of forging musical partnerships, professionally and socially. And in concert-giving, there is also the important connection and interaction with audiences.

With coronavirus sweeping the world, the concert halls and conservatoires are closed and we are being told to exercise social distancing and self-isolation to protect ourselves and our families and friends from this virus. Around my social networks in the days since the UK government ordered that we “stay at home”, many of my musician friends and colleagues have been posting details of how they intended to cope with this new way of making and sharing music. Some are excited about the prospect of weeks, maybe months, of enforced isolation as an opportunity to learn new repertoire, ready for when the concert halls and venues reopen and the music can be shared with live audiences once more. Others are exploring ways to give concerts online via platforms like YouTube. Unfortunately, neither of these activities make money and the sad truth of the musician’s working life is that it is very fragile. Most musicians are self-employed and many live almost hand-to-mouth, meagre concert fees (only the most internally-renowned musicians can command large fees) often supplemented by teaching which offers regular income.

Without concert bookings, many musicians feel marooned as the main focus of their daily lives is removed in one fell swoop. It’s all very well saying you’re going to learn the Saint-Saens Piano Concerto or the complete Liszt Transcendental Etudes, but without concert bookings it’s very hard to feel motivated.

“You’ve got more time to practice now!” people outside the profession might declare, and while this may be true, it’s not very helpful as musicians face the prospect of months without work, no fees, and the attendant anxiety which this brings.

For the amateur musician, by contrast, this is a time for extra, guilt-free practising; but for the professional musician it is rather more problematic. “I’ve really only dabbled at the keyboard” wrote one of my clients, a concert pianist, in an email a couple of days ago. The week before all this kicked off, he and I were discussing the next round of promotion for his concerts, which will, in all probability, be cancelled. And without concerts, the professional musician loses a significant motivation to keep working.

I think it’s important to exercise some self-care and not feel guilty about not working (by which I mean practising) as much during these strange, surreal and uncertain days, and especially not to compare oneself to others who may be busy with livesteam concerts, videocasting and daily broadcasts of Bach…. This time may serve to remind musicians how their lives are often lived at full tilt, and so perhaps this is an opportunity to slow down, pause and reflect?

In the meantime, stay safe and well.

ETkJ4QJWoAUZeZv

 

The concert halls are closed but the music goes on, and many musicians are turning to video-casts and livestreamed concerts to share their music with others. Here are a couple you might like to subscribe:

Fenella Humphreys, violin

https://www.youtube.com/channel/UC_JlM05leyWyMXxUjiZBn6w


Carducci String Quartet

https://www.youtube.com/channel/UCNe2mg8zBdHR6OPzIbKm1qg/feed


If you are livestreaming concerts and would like to be featured on this site, please contact The Cross-Eyed Pianist

I would like to offer what support I can via this blog and my social media networks to musician friends and colleagues, music teachers and others in the profession who are going to find the next months very challenging indeed.

Here is what I would like to do:

  1. Share details of forthcoming CD releases, and other material.
  2. Share videos and audio clips
  3. Share articles and other resources which others in our community may find helpful and supportive
  4. Stay connected with the musical community via my social networks

Separately, over on my piano teaching blog, I’m launching a forum called Coffee Shop Conversations. This was inspired by a friend of mine, an adult amateur pianist to whom I give occasional piano lessons and who always has plenty of queries for me surrounding repertoire, practising, piano exams and more.

Please feel free to contact me here or via Twitter to submit material for inclusion.

More support for musicians from my friend and fellow blogger Adrian ‘Specs’ here

Meanwhile, stay well everyone and let’s keep in touch.

img_2281Fran The Cross-Eyed Pianist