In this video from the Wigmore Hall, internationally-acclaimed double bass player Leon Bosch talks openly about his musical life and, with painful honesty, his early life growing up in South Africa, where, as a teenager, he was jailed for engaging in anti-apartheid activism.
I Musicanti, an ensemble formed in 2013 by double bass player Leon Bosch (formerly principal double bass with the Academy of St Martin-in-the-Fields Orchestra), launched their triptych of concerts at St John’s Smith Square with an afternoon recital featuring the world premiere of a new work by South African composer Matthijs van Dijk as the centrepiece. This arresting piece was bookended by Mozart’s Piano Quartet No. 2 in E flat, K493 and Schubert’s evergreen Quintet in A D667, the ‘Trout’.
I Musicanti includes artists who are all distinguished performers, who play in and with the best orchestras in the world, as soloists and chamber musicians. Sunday’s line up featured pianist Peter Donohoe, cellist Richard Harwood, violinist Tamás András and violist Robert Smissen, with Leon Bosch on double bass.
St John’s Smith Square (SJSS) is now my favourite London venue, alongside Wigmore Hall, and while I and my concert companion were waiting for the recital to begin (there was a slight hiatus due to some mysteriously missing piano music, which was, luckily, found!) we perused the SJSS programme of forthcoming concerts and decided what we would like to hear next….. It really is a lovely venue, with a fine acoustic for chamber music, solo piano, choral and orchestral music, and its staff are friendly and helpful.
This elegant programme was guaranteed to dispel any lingering post-Christmas blues. The Mozart was elegantly-turned, warm and affectionate, while the Schubert rippled along as cheerfully as the eponymous fish, all holiday melodies and sunlit rhythms, with some charming interplay between the piano and the other instrumentalists. Peter Donohoe’s touch was bright and joyful, as befits the character of the music. Throughout the concert, there was a very palpable sense of all the musicians thoroughly enjoying both the music and the act of performing together, creating a lovely atmosphere in the venue. When I commented on this to Leon Bosch after the concert, he declared “I can choose who I work with” and he must be applauded for selecting musicians who display not only equal talent but also a shared sense of purpose and musical friendship.
The new work by Matthijs van Dijk, But All I Wanna Do Is Dance, was composed as a response to the extraordinary and unsettling events of 2016 which seem, in the composer’s own words, to have unleashed “a never-ending wave of anger, frustration, hate and bigotry in all shapes and sizes – all issues that need to be addressed, of course, and, once one is aware of them, unable to ignore”. The work is not intended as “a joyous declaration”, but rather a plea against the enormity of world events, an elegy to our inner child, and a wish to be allowed to forget what is going on, if only momentarily.
A haunting solo on the viola begins the work before it begins to open up with the addition of the piano and the rest of the ensemble. This meditative section is interrupted by febrile rhythms, suggesting lively dancing but always tempered with a sense of frustration and a yearning for the innocence of childhood, a time when one didn’t really know or understand what was happening in the world…..
I Musicanti returns to St John’s Smith Square on 5 March with an afternoon concert featuring another world premiere by South African composer Werner Bosch. Further details here