Award-winning British composer Thomas Hewitt Jones releases a new version of the much-loved hymn Abide With Me on the 80th anniversary of D-Day, the invasion of Normandy by Allied forces which marked a crucial turning point in the Second World War.
American troops arriving in Normandy on D-Day (National Geographic)
Originally written in 1847 by Scottish Anglican cleric Henry Francis Lyte, with words based on Luke 24: 13–35, ‘Abide with Me’ is a prayer for God to stay (“abide”) with the speaker through the trials and tribulations of life and death. Traditionally sung at remembrance events and services, and at funerals, it offers comfort to the bereaved and hope for the coming weeks. The hymn speaks to the universal human condition, and it is that feeling of hope and assurance which makes this hymn so special. It is most often sung to the tune “Eventide” by the English organist William Henry Monk.
Abide with me; fast falls the eventide; The darkness deepens; Lord with me abide. When other helpers fail and comforts flee, Help of the helpless, O abide with me.
This new version by Thomas Hewitt Jones is performed by the Scottish Session Orchestra, conducted by Adam Robinson, recorded remotely in Glasgow – with Thomas on solo cello and pipe organ from his home studio.
Composer Thomas Hewitt Jones says, “‘Abide with Me’ is such a well-loved tune which typically has resonances with wartime and remembrance. However, as my friend Gordon Giles, Canon at Rochester Cathedral, reminded me, the words also allude to the resurrection. As such, I think it can be seen as a song of great comfort in trying times. I have given it the unashamedly rich string treatment here, with nods to Vaughan Williams but also a couple of subtle harmonic twists. I have also showcased the Lammermuir pipe organ, which is in my studio, and it is wonderful to have the excuse to get the cello out again! I hope you enjoy this new take on the beloved melody.”
‘Abide with Me’ – arranged by Thomas Hewitt Jones (solo cello & organ), with the Scottish Session Orchestra conducted by Adam Robinson.
This new song by award-winning British composer Thomas Hewitt Jones and Gordon Giles, Canon Chancellor of Rochester Cathedral, was written with much love, compassion and optimism for anyone affected by this challenging disease now, or in the future. The lyrics reflect the poignancy of dementia while also reminding us of the importance of love and commitment, faith and togetherness. With wonderful vocals by Freddie Benedict, If One Day is nostalgic in mood, recalling music from the era of Frank Sinatra and Dean Martin.
Thomas Hewitt Jones says, ‘…a major motivator was my Uncle Alan, who had been a brass player in David Munrow’s early music consort and the London Philharmonic Orchestra, and who suffered this disease. During his gradual decline, until the end, he was able to play and sing music.’
Gordon Giles says, ‘There can hardly be anyone now who has not been affected in some way by dementia as a sufferer or as a friend, colleague or relative of someone who lives with it. While we have all had our own personal encounters with dementia, it is a national and global concern about which we should all care. Life is a journey and for some people it is a long journey which sometimes ends with a form of dementia, which might be Alzheimer’s Disease. The song picks up on that to some extent and reminds us that there is a lot of life that takes place before any diagnosis of dementia – much to celebrate – and through it all Faith, Hope and Love remain.If this song can provide comfort or help raise awareness, then Tommy and I will feel we have joined in in a small way with all those who work in research, treatment and care for all affected by this pernicious phenomenon.’
If One Day…. is available on all major streaming platforms. Proceeds from the sale of the single will be donated to UK dementia charities.
A SEASON TO SINGby British composer Joanna Forbes L’Estrangeis a brand new 40-minute work for SATB choir/organ or piano, inspired by Vivaldi’s The Four Seasons
Joanna Forbes L’Estrange
A Season To Sing will be published by the Royal School of Church Music (RSCM) in 2025, marking 300 years since the publication of The Four Seasons. This choral re-imagining of Vivaldi’s enduringly popular set of violin concertos weaves texts from poetry and the Bible on the subject of spring, summer, autumn and winter into Vivaldi’s much-loved melodies. It will also include a new setting by Joanna Forbes L’Estrange of Ecclesiastes 3:2 – To everything there is a season. With its seasonal theme, A Season To Sing can be performed at any time of the year, and is expected to become a firm favourite with choirs throughout the world.
Joanna Forbes L’Estrange recalls, “The Four Seasons is the first piece of music I can remember hearing from my childhood. I used to dance around the sitting room to it! I thought a great way to mark its 300th anniversary would be to make it possible for choirs to perform it. Vivaldi’s tunes are so magnificent they deserve to be sung!”
To make this commission possible, the RSCM is inviting choirs to contribute £300 ($500) each to participate in this project, for which each choir will:
have the opportunity to perform the piece before its general publication
meet Joanna Forbes L’Estrange for a Q&A session via zoom
be listed in the vocal score as one of the commissioning choirs
receive a limited-edition, hardback copy of the vocal score, signed by the composer
This exciting opportunity is open to all choirs, large and small, professional and amateur, and to individual supporters. Deadline for registering – 31 August 2024.
Joanna Forbes L’Estrange (b.1971) is a multifaceted musician who performs, composes, records, directs and produces music in a wide variety of genres. Her career began with seven years as soprano and Musical Director of the five-time Grammy® award-winning vocal group The Swingles, with whom she toured the world and produced six albums. Specialising in contemporary crossover music, Joanna is a regular soloist for Mass in Blue by Will Todd (which she recorded for the Convivium label) and Duke Ellington’s Sacred Concert. With the world’s leading orchestras and contemporary music ensembles she performs works by Steve Reich and Luciano Berio and has sung on over 300 film soundtracks.
One of the Royal School of Church Music’s best-selling composers, Joanna was commissioned to compose an anthem to mark the coronation of King Charles III. The Mountains Shall Bring Peace was sung by over 600 choirs around the world including in the USA, South Africa, Australia, New Zealand and throughout Europe and the UK. Her music has been performed and recorded by Tenebrae, The King’s Singers, The Swingles, The Military Wives Choirs, The National Youth Choir and London Voices. Television credits include Fleabag, which featured her 1940s-style song You Are, and Glee, which featured her Moonlight Sonata arrangement, written for and recorded by The Swingles.
Joanna has written many songs and choral pieces in support of equal opportunities for women: We Will Remember Them (for the Military Wives Choirs of Great Britain), A Woman (Wearing Bloomers) On A Wheel (made into a film by the National Youth Girls’ Choir), Suffragette March (part of a larger work, Freedom! The Power of Song, composed in collaboration with her husband Alexander L’Estrange), A place for us maids (commissioned to mark 40 years of female undergraduates at Trinity College, Cambridge), The Three Wise Women (commissioned to mark the 135th anniversary of St Swithun’s School, Winchester) and Byrd Song (commissioned to mark the 400th anniversary of the death of William Byrd). In 2018 Joanna founded the all-female vocal group AQUILA and, in the same year, made history by organising the first ever all-female recording session at Abbey Road Studios in London, recording her single Twenty-first-century Woman for International Women’s Day.
The Royal School of Church Music (RSCM) is the Salisbury-based, national, independent charity enabling the flourishing of church music. As the central ‘home’ of church music, RSCM provides relevant education, training and resources to its membership, the wider church, and beyond. It is committed to encouraging the best of music in worship, and to advocating music as a tool for growth of the church.
The RSCM supports thousands of member churches across the UK and worldwide through its international partners. In addition, it also supports many schools and Individual members, and its work is sustained by thousands of Friends, Regular Givers and other donors.
The RSCM is an open, life-long learning organisation, offering face-to-face and distance education and training through its programmes, published resources, courses and activities.
Founded by Sir Sydney Nicholson in 1927, the RSCM’s original emphases were English and choral. Now, in a diverse international context, the RSCM’s work is far broader and more diverse, and aims to make all its work ecumenical in purpose, nature and content.
His Majesty King Charles is the RSCM’S Royal Patron, and its president is The Most Revd and Rt Hon The Lord Archbishop of Canterbury. The organisation celebrates its centenary in 2027.
Award-winning British composer Thomas Hewitt Jones has written a brand new hymn especially for the Royal School of Church Music’s Big Hymn Sing for Music Sunday. With words by Dr Gordon Giles, Canon Chancellor of Rochester Cathedral, Sing to the Lord, a new song of creation is a wonderfully rousing hymn in five verses, with a soaring descant in the final verse.
Thomas Hewitt Jones says, “Gordon Giles and I have had enormous fun writing this new hymn for the RSCM’s Music Sunday. It celebrates in words and music the joy of singing together in a spiritual context – one of the most uplifting things that any of us can do. I’ve written tune in E-flat major, which is a very warm key, and there are one or two harmonic surprises which I hope reward both singer and listener alongside Gordon’s beautiful text. Here’s to us all lifting our voices together for the fantastic cause of encouraging and protecting the value of singing together – and thinking beyond ourselves – both now and in the future.”
Gordon Giles says, “With this hymn specially written for music Sunday, inspired by Thomas’ magnificent tune, I wanted to write a set of words which ebbed and flowed, rose and fell with the arc of the tune, and which not only drew on scripture but enabled us to sing about singing and its purpose in worship – to praise God. Drawing on the theology of Dietrich Bonhoeffer (who was an accomplished pianist) and Paul Tillich, I wanted to reference the idea of God not just as ground of our being, but ground bass – the metaphorically musical foundation of all the spiritual counterpoint that our lives weave above and around the fundamental concept of God as creator, saviour and inspirer of everything, including faith, hope and love.
There is also something essentially trinitarian about the harmony of earth and heaven, expressed in the triad – the three-in-one chord, which is both the basic structure and harmonic variation of music with endless and eternal possibilities. The harmonies we make and sing with our God-given voices are expressions of both divine and musical trinities of melody, harmony and counterpoint all working together yet sounding as one.”
Music Sunday, which this year takes place on Sunday 9th June, is an annual event presented by the Royal School of Church Music (RSCM) to celebrate and give thanks for the music and musicians that enhance worship in such a meaningful and powerful way. Participating churches in 2023 included Winchester Cathedral, Llandaff Cathedral, Peterborough Cathedral, Dulwich College Chapel Choir, and St Michael and All Angels in Colombo, Sri Lanka.
This year the RSCM is encouraging churches to put on a Big Hymn Sing For Music Sunday and it has created resource pack which can be downloaded from the RSCM’s website. Churches are encouraged to do something special – it might be their own Big Hymn Sing for Music Sunday, holding a special service, using special prayers, putting on a concert or having a social event. Above all, Music Sunday is about celebrating church music and the work of all church musicians.
The other hymns in the RSCM’s Music Sunday Big Hymn Sing resource pack were selected following a public vote and include well-known, much-loved hymns such as Dear Lord and Father of Mankind, Guide Me, O Thou Great Redeemer and Love Divine, All Loves Excelling.
Full details of the Big Hymn Sing for Music Sunday, including the downloadable hymn pack and a toolkit to help plan and advertise events, can be found here: https://www.rscm.org.uk/whats-on/music-sunday/
In a transformed landscape in the aftermath of Covid, the RSCM is reaching out with a vision to involve churches and communities nationwide, as well as overseas, to celebrate the role of church music in worship and the dedication of all church musicians. The RSCM, as an educational charity, supports the church and church musicians to make the best of music in worship, and RSCM Music Sunday is a powerful way to provide a positive solution for everyone to come together to celebrate. From extended services to afternoon teas; from recitals to cake sales; from sponsored hymns to small churches joining together, there are so many ways to join in.
The Royal School of Church Music
The Royal School of Church Music (RSCM) is the Salisbury-based, national, independent charity enabling the flourishing of church music. As the central ‘home’ of church music, RSCM provides relevant education, training and resources to its membership, the wider church, and beyond. It is committed to encouraging the best of music in worship, and to advocating music as a tool for growth of the church.
The RSCM supports thousands of member churches across the UK and worldwide through its international partners. In addition, it also supports many schools and Individual members, and its work is sustained by thousands of Friends, Regular Givers and other donors.
The RSCM is an open, life-long learning organisation, offering face-to-face and distance education and training through its programmes, published resources, courses and activities.
Founded by Sir Sydney Nicholson in 1927, the RSCM’s original emphases were English and choral. Now, in a diverse international context, the RSCM’s work is far broader and more diverse, and aims to make all its work ecumenical in purpose, nature and content.
Her Majesty Queen Elizabeth was RSCM’S Royal Patron from 1952 until her death in 2022, and its president is The Most Revd and Rt Hon The Lord Archbishop of Canterbury. The organisation celebrates its centenary in 2027.
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