Stephen Fry

THE CHRISTMAS STORY

Music by Thomas Hewitt Jones, narrated by Stephen Fry

Scottish Session Orchestra, Choristers of St Martin-in-the-Fields, directed by Andrew Earis 

An orchestral retelling of the Christmas Story, as told by the Gospel of Luke, narrated by acclaimed actor, broadcaster, comedian, presenter, writer and national treasure Stephen Fry, with the Scottish Session Orchestra and Choristers of St Martin-in-the-Fields, directed by Andrew Earis.

Written as a dramatic retelling of the Nativity, the journey to the manger is depicted through symphonic orchestration, dramatic underscore and soaring melody. The final culmination of the piece is a warm, life-affirming rendition of ‘Silent Night’ with choir and orchestra, during which audiences and congregations are invited to sing along with the melody line. Scored for Narrator, Orchestra and Choir joining for the last movement, it is a rich, multicoloured musical setting of the Christmas story according to Luke’s Gospel.

Composer Thomas Hewitt Jones says, ‘The Christmas Story’ was commissioned in 2019 by Canto Deo choirs and orchestra in Denver, Colorado. I have always been extremely passionate about the excitement of Christmas, and the feeling of rebirth that comes afresh each year. Therefore, when Canto Deo approached me earlier that year with a view to commissioning a through-composed orchestral setting of the beautiful text from Luke’s Gospel (King James version), I was delighted to accept. I through-composed the piece from start to finish, and the result is, I hope, a very warm, emotive, Hollywood-esque depiction of the enchanting Nativity story that has inspired so many generations. When the opportunity came to make this recording with the fantastic Scottish Session Orchestra, I approached national treasure Stephen Fry, with whom I had the pleasure of working during the London 2012 Olympics, and was delighted that he gave the text a customarily poignant reading. The work finishes with a quietly passionate rendition of ‘Silent Night’, sung by the Choral Scholars of St Martin-in-the-Fields, conducted by Andrew Earis.

The Christmas Story is available now on all major streaming platforms. The orchestral score is published in the UK by Stainer & Bell https://stainer.co.uk/shop/hl454/

 

(Stephen Fry image by Elliott Spencer)

ONWARD WE GO

Music by Thomas Hewitt Jones set to words by Canon Gordon Giles

The Children’s choir of St Stephen’s, Dulwich

Caroline Lenton-Ward, conductor, with Oliver Lallemant (piano), Jill Valentine (viola), Jernej Albreht (clarinet), Joe Downard (bass guitar) and Simon Hewitt Jones (violin)

Release date: 2 November

Label: Vivum Music Ltd


The Children’s choir of St Stephen’s, Dulwich conducted by Caroline Lenton-Ward, sing this new nativity carol by Thomas Hewitt Jones with words by Gordon Giles. Written as a tuneful, warm and nostalgic tribute to the Christmas story, Onward We Go is scored for the children’s touchingly young voices with piano, electric bass and instrumentalists. The carol may be sung in procession in church or as part of a nativity play.

Thomas Hewitt Jones says “I have great fondness for St Stephen’s Dulwich, which played an important part in my formative musical education, and it is extremely fulfilling to write music for them and to see the next generations of young singers coming through.”

Caroline Lenton-Ward says, “The Choristers were delighted to record and film ‘Onward We Go’ by Thomas Hewitt Jones, and enjoyed every second of the process and behaved like true professionals! Many of them are from the Kingswood Estate, a Southwark Council Housing Estate with very high levels of deprivation and a very high diversity of ethnic backgrounds. There is a wide ethnic, social, and religious mix, including Muslim twins who sing at the Sunday eucharist, and several choristers with special educational needs. The choir offers a safe space for children to sing and be creative, which is good for wellbeing as well as providing a musical education, which is often very poorly provided in schools due to funding cuts. Judging by the uptake so far, St Stephen’s seems to be filling this gap.”

Canon Gordon Giles says, “This carol was written in Rochester in the summer of 2023, to a tune that Thomas had more or less written.  Thus the text evolved with the music, which is a delightful way of collaborating.  The theme is that of children singing on their way to visit the manger, a happy band of little pilgrims wanting to show the new born king their love and to worship him. Their gift is simply to offer love. As the song progresses they draw nearer, passing the shepherds seeing the angels’ light, and the Kings (Magi) with their gifts, all of which are offered to Christ as loving tribute.  After these three journeying verses, the children have arrived, and find that by bringing love, it is in fact the infant Christ who has called them so that he can show them his love.  In giving they receive.  This is the cause of faith, hope and joy which has called young and old into his kingly presence today, just as it always has done.  It is the core of Christmas, that we give gifts of love, because we have received love.

Onward We Go is released on the major streaming platforms. The sheet music, published by Stainer & Bell, is available in both printed and digital formats https://stainer.co.uk/shop/cn72/

THE FAIRY QUEEN by Henry Purcell

at Wyke House, Wyke Champflower, Somerset BA10 0PW

Saturday 1st July from 6pm

Amy Carson, soprano

Emily Vine, soprano

Thomas Hobbs, tenor

Timothy Dickinson, bass-baritone

Sunset Sounds presents a semi-staged performance of Purcell’s The Fairy Queen with a live orchestral ensemble in the picturesque gardens of Wyke House, in the village of Wyke Champflower, Somerset.

The performance will be interspersed with poetry readings inspired by themes in the opera, and by ‘A Midsummer Night’s Dream’. Of course, ‘The Fairy Queen’ isn’t really an opera at all, rather a semi-opera, intended to be performed alongside a retelling of Shakespeare’s story. Essentially, the performers have made selections from Purcell’s music and created their own “libretto” with the readings.

Staged entirely outdoors, the performance will move between two different areas of the garden with a picnic interval. It is a chance to enjoy “country house opera” in an intimate, relaxed and informal setting surrounded by the beautiful Somerset countryside. Audience members are invited to bring a picnic, a blanket and a chair. Some straw bale seating will be provided. It promises to be a really magical evening, as performers and audience move from one space to another, and fire pits are lit as the sun goes down.

All four singers perform internationally and are based in Somerset, and the performance is intended to celebrate the many talented musicians who have made the South-West of England their home. The instrumental ensemble is Music for AWhile, led by Margaret Faultless, who is currently leading the Orchestra of the Age of Enlightenment in ‘Don Giovanni’ at Glyndebourne.

Clockwise from top left: Amy Carson, Thomas Hobbs, Emily Vine, Margaret Faultless, Timothy Dickinson

Wyke House is the home of Will and Poppy Tuke, who first opened the gardens to the public for Sunset Sounds Opera Gala in 2021. In 2022, the Tukes hosted two performances of ‘Acis & Galatea’ in a reduced edition featuring three soloists including tenor Hugo Hymas.

Tickets £35

Booking link https://www.eventbrite.co.uk/e/the-fairy-queen-tickets-579123362567

 

 

BAGATELLES Piano Music by Bernard Hughes

Matthew Mills piano

Release date: 9th June 2023 | Divine Art Recordings (Divine Art DDX 21107)


This album presents the complete works of Bernard Hughes for solo piano, an eclectic collection covering a period of over 30 years. The oldest piece dates back to his teenage years and the most recent is a brand new suite, Partita Contrafacta, a quirky take on traditional Baroque dance forms. The rest of the music ranges from the large-scale Strettos and Striations to little occasional pieces written for the composer’s children. With such a varied range of music, there is something for everyone on this disc.

What makes this album truly special is the culmination of many years of collaboration between Hughes and Mills, who commissioned and premieres Partita Contrafacta on the disc. The two musicians have been working together for years, resulting in a deep understanding of each other’s artistic vision and an unparalleled ability to bring Hughes’ compositions to life on the piano.

Works

Song of the Walnut
Partita Contrafacta (suite in 7 movements)
Song of the Button
Bagatelles (12 movements)
Miniatures (11 movements)
Three Studies
O du Liebe meiner Liebe
Strettos and Striations
Cradle Song

Sample track:

Bernard Hughes says: “This album brings together pretty much all my music for solo piano written over the course of more than 30 years, the earliest from when I was still at school and the latest written just weeks before being recorded, in October 2022. The inspiration was my pianist and friend, Matthew Mills, who suggested the project and who has put untold hours into learning and animating the music, some of which is very straightforward, and lots of which is very much not.

And this variety is very much the point for me. As in all aspects of my compositional work, I don’t have a single piano ‘style’, but cut my cloth according to the occasion. Although there are several of techniques, textures and devices I return to over and again – as will be obvious to anyone listening straight through – there is also a huge range of approach, from music written for piano beginners up to the most virtuosic I could imagine, and from simple blink-and-you-miss-them melodies to ferocious, post-minimalist studies. In some cases, I don’t know what possessed me.”

Pianist Matthew Mills says: “I am very pleased to have done Bernard’s piano album. It’s a substantial milestone in a musical relationship that now goes back probably twenty years or so…. It really captures all facets of Bernard’s kaleidoscopic musical personality, and, having a close knowledge of the composer as well as the music, I think gives it a special resonance.

Pre-order BAGATELLES here

Bernard Hughes’ music has been performed by ensembles including the BBC Singers and the London Mozart Players at major British venues including the Royal Albert Hall and St Paul’s Cathedral. His music has won a number of awards both in the UK and internationally and is regularly broadcast on BBC Radio 3 in the UK. Bernard Hughes’s BBC commission Birdchant was premiered at the Proms festival in August 2021. This was the culmination of Bernard’s long relationship with the BBC Singers, which also included a major portrait concert in January 2020, leading to I Sing of Love being nominated for an Ivor Novello Composer Award. An album of Bernard Hughes’s choral music, I am the Song, performed by the BBC Singers, was released in 2016. His orchestral works for family concerts, Bernard & Isabel and The Knight Who Took All Day are frequently performed around Britain and were recorded by the Orchestra of the Swan on a release from February 2020. In 2015 he provided music for the comedy film Bill, a fantastical account of Shakespeare’s early years. A second album of choral music, Precious Things, sung by the Epiphoni Consort, was released in May 2022 and was described by Judith Weir as ‘choral music as we rarely hear it – generous, light-footed, surprising.’ Bernard lives in London where he is Composer-in-Residence at St Paul’s Girls’ School, a position he has held since 2015. He is a keen cricket fan, both as a watcher, a player and as chairman of Chiswick Cricket Club in London.

For almost three decades, Matthew Mills has enjoyed a busy and diverse freelance career as a pianist, composer, and conductor. With a repertoire encompassing music from five centuries, he has performed across the UK as a soloist, chamber musician, and accompanist, in addition to establishing a reputation as a sympathetic and creative dance accompanist.

A committed supporter of young composers and contemporary music, Matthew founded and directed a contemporary music ensemble at Royal Holloway, University of London, with whom, assisted by his own conducting students, he led workshops and performed works by student composers, as well as established twentieth-century names. He has enjoyed a long collaboration with the British composer Bernard Hughes, having given the first performance of his Bagatelles for piano and participated in the first performances of his chamber opera Dumbfounded! at the Riverside Studios, London.

Matthew studied at the Universities of Oxford and London, and at Trinity College of Music, London. His teachers have included Christopher Elton (piano), Daryl Runswick, Andrew Lovett, and Simon Holt (composition), and Gregory Rose (conducting). An award from Oxford University enabled a period of specialist study of contemporary piano repertoire with Rolf Hind, and he has appeared in masterclasses in composition with Michael Finnissy and George Benjamin, and in piano with John Lill and Rosalyn Tureck.

 

For further press information, interviews and review copies, please contact Frances Wilson