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A SEASON TO SING by British composer Joanna Forbes L’Estrange is a brand new 40-minute work for SATB choir/organ or piano, inspired by Vivaldi’s The Four Seasons

Joanna Forbes L’Estrange

A Season To Sing will be published by the Royal School of Church Music (RSCM) in 2025, marking 300 years since the publication of The Four Seasons. This choral re-imagining of Vivaldi’s enduringly popular set of violin concertos weaves texts from poetry and the Bible on the subject of spring, summer, autumn and winter into Vivaldi’s much-loved melodies. It will also include a new setting by Joanna Forbes L’Estrange of Ecclesiastes 3:2 – To everything there is a season. With its seasonal theme, A Season To Sing can be performed at any time of the year, and is expected to become a firm favourite with choirs throughout the world.

Joanna Forbes L’Estrange recalls, “The Four Seasons is the first piece of music I can remember hearing from my childhood. I used to dance around the sitting room to it! I thought a great way to mark its 300th anniversary would be to make it possible for choirs to perform it. Vivaldi’s tunes are so magnificent they deserve to be sung!” 

To make this commission possible, the RSCM is inviting choirs to contribute £300 ($500) each to participate in this project, for which each choir will: 

  • have the opportunity to perform the piece before its general publication
  • meet Joanna Forbes L’Estrange for a Q&A session via zoom
  • be listed in the vocal score as one of the commissioning choirs
  • receive a limited-edition, hardback copy of the vocal score, signed by the composer

This exciting opportunity is open to all choirs, large and small, professional and amateur, and to individual supporters. Deadline for registering – 31 August 2024.

To find out more, please visit

https://www.rscmshop.com/features/a-season-to-sing

Joanna Forbes L’Estrange (b.1971) is a multifaceted musician who performs, composes, records, directs and produces music in a wide variety of genres. Her career began with seven years as soprano and Musical Director of the five-time Grammy® award-winning vocal group The Swingles, with whom she toured the world and produced six albums. Specialising in contemporary crossover music, Joanna is a regular soloist for Mass in Blue by Will Todd (which she recorded for the Convivium label) and Duke Ellington’s Sacred Concert. With the world’s leading orchestras and contemporary music ensembles she performs works by Steve Reich and Luciano Berio and has sung on over 300 film soundtracks.

One of the Royal School of Church Music’s best-selling composers, Joanna was commissioned to compose an anthem to mark the coronation of King Charles III. The Mountains Shall Bring Peace was sung by over 600 choirs around the world including in the USA, South Africa, Australia, New Zealand and throughout Europe and the UK. Her music has been performed and recorded by Tenebrae, The King’s Singers, The Swingles, The Military Wives Choirs, The National Youth Choir and London Voices. Television credits include Fleabag, which featured her 1940s-style song You Are, and Glee, which featured her Moonlight Sonata arrangement, written for and recorded by The Swingles.

Joanna has written many songs and choral pieces in support of equal opportunities for women: We Will Remember Them (for the Military Wives Choirs of Great Britain), A Woman (Wearing Bloomers) On A Wheel (made into a film by the National Youth Girls’ Choir), Suffragette March (part of a larger work, Freedom! The Power of Song, composed in collaboration with her husband Alexander L’Estrange), A place for us maids (commissioned to mark 40 years of female undergraduates at Trinity College, Cambridge), The Three Wise Women (commissioned to mark the 135th anniversary of St Swithun’s School, Winchester) and Byrd Song (commissioned to mark the 400th anniversary of the death of William Byrd). In 2018 Joanna founded the all-female vocal group AQUILA and, in the same year, made history by organising the first ever all-female recording session at Abbey Road Studios in London, recording her single Twenty-first-century Woman for International Women’s Day.

www.joannaforbeslestrange.com

The Royal School of Church Music

The Royal School of Church Music (RSCM) is the Salisbury-based, national, independent charity enabling the flourishing of church music. As the central ‘home’ of church music, RSCM provides relevant education, training and resources to its membership, the wider church, and beyond. It is committed to encouraging the best of music in worship, and to advocating music as a tool for growth of the church.

The RSCM supports thousands of member churches across the UK and worldwide through its international partners. In addition, it also supports many schools and Individual members, and its work is sustained by thousands of Friends, Regular Givers and other donors.

The RSCM is an open, life-long learning organisation, offering face-to-face and distance education and training through its programmes, published resources, courses and activities.

Founded by Sir Sydney Nicholson in 1927, the RSCM’s original emphases were English and choral. Now, in a diverse international context, the RSCM’s work is far broader and more diverse, and aims to make all its work ecumenical in purpose, nature and content.

His Majesty King Charles is the RSCM’S Royal Patron, and its president is The Most Revd and Rt Hon The Lord Archbishop of Canterbury. The organisation celebrates its centenary in 2027.

www.rscm.org.uk

Registered charity no: 312828   

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Award-winning British composer Thomas Hewitt Jones has written a brand new hymn especially for the Royal School of Church Music’s Big Hymn Sing for Music Sunday. With words by Dr Gordon Giles, Canon Chancellor of Rochester Cathedral, Sing to the Lord, a new song of creation is a wonderfully rousing hymn in five verses, with a soaring descant in the final verse.

Thomas Hewitt Jones says, “Gordon Giles and I have had enormous fun writing this new hymn for the RSCM’s Music Sunday. It celebrates in words and music the joy of singing together in a spiritual context – one of the most uplifting things that any of us can do. I’ve written tune in E-flat major, which is a very warm key, and there are one or two harmonic surprises which I hope reward both singer and listener alongside Gordon’s beautiful text. Here’s to us all lifting our voices together for the fantastic cause of encouraging and protecting the value of singing together – and thinking beyond ourselves – both now and in the future.”

Gordon Giles says, “With this hymn specially written for music Sunday, inspired by Thomas’ magnificent tune, I wanted to write a set of words which ebbed and flowed, rose and fell with the arc of the tune, and which not only drew on scripture but enabled us to sing about singing and its purpose in worship – to praise God. Drawing on the theology of Dietrich Bonhoeffer (who was an accomplished pianist) and Paul Tillich, I wanted to reference the idea of God not just as ground of our being, but ground bass – the metaphorically musical foundation of all the spiritual counterpoint that our lives weave above and around the fundamental concept of God as creator, saviour and inspirer of everything, including faith, hope and love.

There is also something essentially trinitarian about the harmony of earth and heaven, expressed in the triad – the three-in-one chord, which is both the basic structure and harmonic variation of music with endless and eternal possibilities.  The harmonies we make and sing with our God-given voices are expressions of both divine and musical trinities of melody, harmony and counterpoint all working together yet sounding as one.”

Music Sunday, which this year takes place on Sunday 9th June, is an annual event presented by the Royal School of Church Music (RSCM) to celebrate and give thanks for the music and musicians that enhance worship in such a meaningful and powerful way. Participating churches in 2023 included Winchester Cathedral, Llandaff Cathedral, Peterborough Cathedral, Dulwich College Chapel Choir, and St Michael and All Angels in Colombo, Sri Lanka.

This year the RSCM is encouraging churches to put on a Big Hymn Sing For Music Sunday and it has created resource pack which can be downloaded from the RSCM’s website. Churches are encouraged to do something special – it might be their own Big Hymn Sing for Music Sunday, holding a special service, using special prayers, putting on a concert or having a social event. Above all, Music Sunday is about celebrating church music and the work of all church musicians.

The other hymns in the RSCM’s Music Sunday Big Hymn Sing resource pack were selected following a public vote and include well-known, much-loved hymns such as Dear Lord and Father of Mankind, Guide Me, O Thou Great Redeemer and Love Divine, All Loves Excelling.

Full details of the Big Hymn Sing for Music Sunday, including the downloadable hymn pack and a toolkit to help plan and advertise events, can be found here: https://www.rscm.org.uk/whats-on/music-sunday/

In a transformed landscape in the aftermath of Covid, the RSCM is reaching out with a vision to involve churches and communities nationwide, as well as overseas, to celebrate the role of church music in worship and the dedication of all church musicians. The RSCM, as an educational charity, supports the church and church musicians to make the best of music in worship, and RSCM Music Sunday is a powerful way to provide a positive solution for everyone to come together to celebrate. From extended services to afternoon teas; from recitals to cake sales; from sponsored hymns to small churches joining together, there are so many ways to join in.  

The Royal School of Church Music

The Royal School of Church Music (RSCM) is the Salisbury-based, national, independent charity enabling the flourishing of church music. As the central ‘home’ of church music, RSCM provides relevant education, training and resources to its membership, the wider church, and beyond. It is committed to encouraging the best of music in worship, and to advocating music as a tool for growth of the church.

The RSCM supports thousands of member churches across the UK and worldwide through its international partners. In addition, it also supports many schools and Individual members, and its work is sustained by thousands of Friends, Regular Givers and other donors.

The RSCM is an open, life-long learning organisation, offering face-to-face and distance education and training through its programmes, published resources, courses and activities.

Founded by Sir Sydney Nicholson in 1927, the RSCM’s original emphases were English and choral. Now, in a diverse international context, the RSCM’s work is far broader and more diverse, and aims to make all its work ecumenical in purpose, nature and content.

Her Majesty Queen Elizabeth was RSCM’S Royal Patron from 1952 until her death in 2022, and its president is The Most Revd and Rt Hon The Lord Archbishop of Canterbury. The organisation celebrates its centenary in 2027.

www.rscm.org.uk

Registered charity no: 312828   

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The Royal School of Church Music (RSCM) marks the centenary of Charles Villiers Stanford’s death with a series of special events

Charles Villiers Stanford, one of the great choral composers of the late 19th/early 20th century, died on 29 March 1924. As executors of the Stanford estate, the RSCM publishes a vast range of Stanford’s music, available from RSCM Music Direct. To mark the centenary of Stanford’s death, the RSCM is planning a number of special events.

STANFORD SINGING BREAK 12-14 July, Queens’ College, Cambridge

An exclusive singing weekend in Stanford’s honour, to be held 12–14 July at Queens’ College Cambridge, where he was organ scholar. This is a unique opportunity to sing some of Stanford’s best known (and lesser known) works in glorious Cambridge surroundings, including Trinity College Chapel (where Stanford was organist) and Great St Mary’s Church. This course will particularly focus on the wonderful inheritance of Anglican Choral music, with RSCM Director Hugh Morris as conductor. 

The RSCM holds a number of Stanford manuscripts, and there will be an exclusive session for members of the course to view them, along with an informative lecture on the life and works of the composer given by Stanford expert Jeremy Dibble (University of Durham) on the Saturday evening.  On the Friday evening there will be a special, illustrated organ recital featuring Stanford organ works, given by Anthony Gritten.

There will also be meals to share social time together, as well as time to explore the delights of Cambridge in summer. 

The course is suitable for experienced, adult (18+) choral singers working at or above RSCM Silver Award level or equivalent (which expects a reasonable level of music reading and independence as a singer); and places may be limited in some voice parts to ensure a balanced choir. Interactive learning resources will be available through the RSCM Choral Coach app, and a full set of music in a commemorative presentation folder will be available to all participants.

Full details/booking https://www.rscmshop.com/features/stanford-singing-break

Illustrated organ recital by Anthon Gritten, Queens’ College chapel, Friday 12 July, 7.30pm

This illustrated recital will span Stanford’s entire compositional life, from an early work of c.1875 through to his final works of the 1920s. At the centre of the recital is one of his large-scale masterpieces for organ, the Sonata no. 4 in C minor ‘Celtica’ op. 153, written at the end of the First World War. In addition to complete performances of these five pieces, the event will discuss aspects of Stanford’s compositional language, including his use of hymn tunes, the impact of his Irish heritage, the shape of his sonata thinking, and the influence of other composers on his music.

Book tickets

Lecture with Jeremy Dibble, Queens’ College, Saturday 13 July, 7.30pm

Charles Villiers Stanford is justifiably renowned for his brilliantly original church music, but he is perhaps less well known for the extraordinary range of other work he composed across his highly creative life. This lecture will explore some of that repertoire, including extracts from his operas, symphonies, choral works, songs and partsongs, to offer a fresh appreciation of his unrivalled composition for the Anglican liturgy. 

Book tickets

www.rscm.org.uk

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Choirs are invited to join the RSCM’s Sing for the King project

The Royal School of Church Music (RSCM) announces ‘Sing for the King’, a special choral music commission from acclaimed British singer and composer Joanna Forbes L’Estrange to celebrate the Coronation of King Charles III on 6 May 2023.

The Mountains shall bring peace uses words from the Psalms, including ‘Give the King they judge, O God’, ‘The mountains shall bring peace’; and ‘Sing to the Lord a new song’, and is suitable for all choirs in a range of settings. It has enough grandeur for large choirs to sing on formal occasions, while its accessible melodic sweep lends an intimacy that will be enjoyed by smaller groups and gatherings.

Following its very successful and popular Platinum Project to commemorate the late Queen’s Platinum Jubilee, the RSCM is once again inviting choirs across the UK, the Commonwealth and beyond to join in song to celebrate the Coronation of King Charles III by learning and singing The Mountains shall bring peace.

There are two versions of the music – one for SATBS choir and organ/piano and one for union voices with piano. The accompaniments are interchangeable and those choirs not wishing to learn the full five-minute piece can still join in the project by learning the broad, hymn-like melody of the closing section, making it appealing for young or less experience singers.

Choirs and choral groups are invited to share their rehearsals and performances on social media using the hashtag #singfortheking

RSCM Director Hugh Morris says: “We were delighted that in 2022 many hundreds of choirs were united in singing a piece specially written for the late Queen’s Platinum Jubilee. Now, in 2023, we hope that even more will want to learn Joanna’s The Mountains shall bring peace and join with choirs from around the world to celebrate the first Coronation in 70 years.”

Composer Joanna Forbes L’Estrange says: “I was keen to find words which reflected not only King Charles’s faith but also something of his passion for the natural world and his love of the outdoors. When I think of our former Prince of Wales, I picture him walking in the Welsh mountains or in the Scottish Highlands. I’m also all too aware that this Coronation is taking place during a very turbulent time for our country and our planet and so I was searching for words which would in some way give us all hope for the future. Central to the commission brief was a big, singable tune, the kind of memorable melody which anyone and everyone can enjoy singing at the tops of their voices.”

The Mountains shall bring peace is available from the RSCM’s webshop (www.rscmshop.com) at £24.95 (RSCM members £19.95) for the downloadable music pack (this includes ALL versions, and is licenced to the purchasing choir/institution so can be shared with all choir members) and £2.95 for printed copies (£2.21 for RSCM Members). Full learning resources, including performance backing tracks, will be available from the RSCM’s dedicated Sing for the King website, which also includes further information about the project, a social media wall, and an interactive map showing where choirs can register their performance (www.rscm.org.uk/singfortheking)

Follow the project on social media using hashtag #singfortheking

Taster of the music here

www.rscm.org.uk

For further press information / interviews, please contact Frances Wilson  frances_wilson66@live.com