I first encountered the piano music of British composer Peter Seabourne in 2016 when he kindly sent me the scores and recordings of his Steps Volumes 2, 3, 4 and 5. Conceived and organised as “a pianist’s Winterreise”, the music is remarkably varied yet highly accessible and recalls the piano music of Debussy, Janacek, Prokofiev and Messiaen in its piquant harmonies, lyricism, and rhythmic adventurousness. Seabourne describes the series as “a compositional travelling companion” and the collection works more like a cycle rather than a progressional series such as Bartok’s Mikrokosmos.
Although composed over ten years ago, the pieces which comprise Steps Volume 1 have now been released (on the Sheva label), performed by Korean pianist Minjeong Shin. The first volume is not intended as a cycle, but rather a set of pieces in the manner of Grieg’s ‘Lyric Pieces’ or Janacek’s ‘On An Overgrown Path’, for example, and the works have evocative titles, many of which are drawn from poetry by Emily Dickenson, Sylvia Plath, Rilke and Swinburne. The range of expression, character and emotional power of these pieces is impressive, hinting at a lively, inquisitive and all-encompassing attitude to creating music (as the composer says himself, “I am with Mahler: music should contain all of life!“), and the broad scope of the music, together with its inherent expressivity, lyricism and romanticism, makes it immediately appealing. There are atmospheric etudes, aphoristic miniatures, expansive character pieces, and intimate, poetic preludes. Minjeong Shin’s sensitive response to the shifting moods and myriad soundscapes reveals the music’s astonishing variety and virtuosity.
The CD’s comprehensive booklet was written by the composer himself and contains detailed programme notes for each work, together with biographical information on performer and composer.
In Steps Volume 1, and indeed in the other volumes in the cycle, Peter Seabourne has created contemporary piano music which is accessible and appealing to professional and amateur pianists alike (he has also made the score readily available via his website), and it is most gratifying to have such a varied contribution to the ever-growing repertory of new music for piano.