A regular commentator on this blog has asked me to write more on amateur pianism. Here are some honest and occasionally light-hearted thoughts on the joys and frustrations of being an amateur pianist.
Alan Rusbridger’s book ‘Play It Again’ (published in 2013) shone a delightful and inspirational light on the world of amateur pianism, but people have been playing the piano at home and with friends for almost as long as keyboard instruments have been in existence. In the nineteenth century, when advances in design and production significantly reduced the cost of manufacturing pianos, an upright piano in the parlour was the norm for family entertainment, much as the PlayStation or smart TV is today (sadly).
Probably the single most positive aspect of being an amateur pianist is not having to make a living from playing the instrument. Recently, I have begun to paid for solo performances and accompanying, which puts me in the hallowed category of “professional pianist”, but my main income comes from piano teaching, and I wouldn’t have it any different, to be honest. Not having to earn a living from playing the piano means one can truly indulge one’s passion for it. (Indeed, the word “amateur”comes from the Old French meaning “lover of” from the Latin amator.) All the amateur pianists I meet and know play the piano because they love it and care passionately about it.
That is not to say that professionals don’t love the piano too – of course they do, otherwise they wouldn’t do it, but a number of concert pianists whom I’ve interviewed for the Meet the Artist series have expressed a certain frustration at the demands of the profession – producing programmes to order, the travelling, the expectations of audiences, promoters, agents etc, which can obscure the love for the piano and its literature. Because of this, professionals are often quite envious of the freedom amateur pianists have to indulge their passion, to play whatever repertoire they choose and to play purely for pleasure.
Talking of which, the piano has a vast repertoire, more than enough to suits all tastes, a good chunk of which is copyright-free and easily available online from sites such as IMSLP and Pianostreet. One could spend a lifetime learning and playing only the music of, say, J S Bach or Fryderyk Chopin and only scratch the tiniest surface of the piano repertoire. And in addition to solo works, there is music for three, four, six hands to enjoy with other pianists, not to mention being called upon to accompany other instrumentalists and singers…. Really, we are spoilt rotten!
Being a pianist can be a lonely occupation/hobby (though I like the solitary nature of the instrument) and working alone on that knotty section of Liszt or Hanon exercises can at times be frustrating and demoralising. However, it needn’t be lonely: in recent years the popularity of piano meetup groups and piano clubs, or even informal get togethers at one another’s houses, has created a wonderful community of like-minded people who meet regularly to play for one another, share repertoire and socialise. I co-founded the London Piano Meetup Group and I still attend the group’s meetings when I can. Our drinks and lunches after our informal performance platforms are always noisy with conversations about the music we are working on, concerts we have enjoyed and discovering new repertoire.
Some adult amateur pianists are shy about playing to others for fear of making mistakes and looking foolish, or because of negative experiences in childhood. Piano Meetups and Clubs are a good way of overcoming these anxieties – you quickly discover that most people feel the same and playing to a friendly non-judgmental group of people is an excellent way of overcoming those performance nerves.
Adult pianists may also find it difficult to find the right teacher to support and encourage them. Some adults like to be pushed by a teacher, others need more gentle handling. Many come to lessons with a lot of “baggage” and anxieties, often a hangover from childhood music lessons, and need encouragement and support. Some have rather over-ambitious ideas about their capabilities (I had an adult student who informed me at his first lesson that he was going to play the Rach Three one day!) and want to play repertoire which is too challenging. In such instances, I recommend selecting repertoire that is well within one’s “comfort zone” to give one confidence, while gradually introducing more complex repertoire to extend and challenge one’s abilities, both technical and musical. And no repertoire should ever be considered “off limits” to the amateur pianist: the music was written to be played!
However, the music still has to be learnt and one of the greatest frustrations expressed by amateur pianists is finding the time to practise, especially if you have a busy day job and/or family commitments. We all know that “practise makes perfect”, but what is more important is that practise makes permanent and regular practise means notes are learnt, finessed and made secure. My personal mantra is “little and often” (a shoulder injury means I cannot practise for more than about 45 minutes in one sitting without a break) and I have become adept at sneaking practise sessions in to a particularly busy day or if I am going to be away from the piano for a period of time. It’s amazing what just 10 minutes focused practising can achieve – but you need to know what needs to be done (a good teacher will offer guidance on this and give one tools to practise efficiently and effectively). If you are serious about your piano practise, try and set aside some time every day for it. Alan Rusbridger used to practise before he went to work, shoe-horning a brief 20 minutes on the Chopin G minor Ballade into his busy day. And if you are very serious about your practising, be ruthless about setting the time aside, turn off your phone, and simply shut yourself away with the piano.
If you don’t have the benefit of regular lessons with a teacher, there are plenty of online resources in the form of blogs, YouTube tutorials, and forums, and there are also courses for adult amateur pianists where you can study with international concert pianists and acclaimed teachers or simply enjoy being amongst like-minded people. Such courses are a great way to meet other pianists and observing others being taught in the masterclass or group workshop setting can be really useful. You can even have a rather special “piano holiday” and stay in luxury accommodation with gourmet food and beautiful facilities (though “mandals” seem to be mandatory for both male participants!). Many of my pianist friends return to the same courses year after year and firm friendships have been forged.
Not everyone has the luxury of an acoustic piano (upright or grand) but there are some excellent digital pianos on the market now. There are also street pianos at railway stations and airports, and if you crave the sleek elegance of a grand piano, there are rehearsal rooms available to hire for a modest fee and many churches and community centres have grand pianos which are just begging to be played. Seated at that glorious, gleaming expanse of mahogany, you can dream of playing to a full house at the Wigmore or Carnegie Hall.
Above all, love your piano and its wonderful music
If there are any specific aspects of amateur pianism which you would like me to cover, please leave a comment below or contact me
Frances Wilson, author of this blog, is experienced in teaching adult pianists and also runs performance workshops for adult amateur pianists.
More than hobbyists: the world of amateur pianism
The Adult Amateur – article on Practising the Piano blog
Rehearsal rooms in central London
Nothing wrong with having an ambition to play Rach 3 at your first lesson, except that you might get put off as you realise the vast amount of work needed to get there.
This subject on the difficulties that amateur or beginning adult pianists face needs to be addressed and discussed much further!!! Much more focus, attention and encouragement needs to be given to this group! Unfortunately the music community is obsessed with kiddies and young people who face NONE of the obstacles that adult musicians have to face. Music organizations, schools and institutions seem loathe to address these issues and shamefully neglect adults desiring to succeed in music! With interest in music making falling dramatically among children and young people adults seeing to succeed in music are the ideal group for the music community to focus on!!
Maybe it’s an issue particular to the US? Because here in the UK there are many resources for adult pianists – piano clubs, courses, teachers who only teach adults, evening classes, magazines (Pianist).
I think the difficulty may lie in the fact that adults are expected to be pro-active and self-starting.
I have tried to offer some supportive and sympathetic words to amateur pianists in this post based on my own experience