Who or what inspired you to take up composing, and pursue a career in music?
I’ve liked making up music since I was young. It became the thing I most liked doing, so I just carried on doing it. Parents were always supportive.
Who or what were the most significant influences on your musical life and career as a composer?
I worked for my uncle John Hardy in Cardiff between degrees, and still do from London. He has a refreshing, inspiring attitude to other people and to music.
Many teachers, in various different ways. The performers, writers, directors and other artists I work with. My colleagues and students at The Conservatoire.
What have been the greatest challenges of your career so far?
Picking up work after finishing education. Dealing with uncertainty. Carving out time to compose in. Writing music can be challenging but it’s a relatively familiar, safe space to be in.
What are the special challenges/pleasures of working on a commissioned piece?
It still feels like a huge privilege knowing that someone wants your music – that the notes you’re writing are already wanted by someone. And they’re going to take those notes seriously and invest time and energy and feeling, to bring those notes to life.
Deadlines are useful too, for helping to justify keeping other people waiting for other work!
What are the special challenges/pleasures of working with particular musicians, singers, ensembles and orchestras?
I love collaborating with musicians and artists in other fields. Discovering some of their artistic voice, their sound, their craft, their ideas – taking these and digging into them and finding something new for both parties, hopefully.
Which works are you most proud of?
It’s always the most recent few works, so brass & percussion piece Torque, chamber piece Black Sea, short opera Adrift, unpitched percussion solo Drawing, vocal ensemble piece The Sickness of Angels.
Who are your favourite musicians/composers?
At the moment – Screaming Maldini, Richard Causton, The Organelles, Laura Mvula, Ligeti.
What is your most memorable concert experience?
Thomas Ades’ violin concerto Concentric Paths performed by Pekka Kuusisto with the Britten Sinfonia in February 2012. And many Organelles gigs back to sixth form days!
What do you consider to be the most important ideas and concepts to impart to aspiring musicians?
Be genuine. Be resilient. Work with the best people you can. Don’t be satisfied too easily. Say yes to everything until you can afford to say no to things. Make your own opportunities. Don’t believe the world owes you a living.
Where would you like to be in 10 years’ time?
Here, but with a bit more room.
What is your most treasured possession?
Ed Scolding is a versatile composer with a strong interest in collaboration and drama. His concert music has been described as as ‘subtle and polished’ (Bachtrack) and ‘succinct, witty and apt’ (Norwich Evening News), and film music as ‘intense but under-stated… extraordinarily effective’ (Richard Paine, Faber Media Music).
Recent projects include Thrown for Sinfonia Newydd, percussion solo Drawing which won the Nonclassical Composition Competition, Black Sea for The Hermes Experiment supported by Bliss Trust / PRS Foundation and a score featuring Dermot Crehan’s Hardanger fiddle for short film The Blood of The Bear which has been screened in festivals across the UK and Europe including at the BFI and the Barbican Centre.
Collaborative projects include short opera Adrift produced by Gestalt Arts, work with rock band Screaming Maldini and electronic producer Hem (aka Geoim), a Mozart flashmob for Welsh National Opera, music for Third Stage Dance and for Anna Jordan’s play Freak.
Ed’s music has been recorded by the BBC National Orchestra of Wales, broadcast on BBC Radio 3 and BBC Radio Wales and performed by Exaudi, Music Theatre Wales, London Sinfonietta, Ayre Flutes, Aisha Orazbayeva, Ksenija Sidorova and Anne Denholm at Nonclassical, Southbank Centre, St. John’s Smith Square, Norfolk & Norwich Festival, Monmouth Festival, Cardiff Music Festival, Bath Fringe Festival and Wales Millennium Centre.
A keen teacher, Ed is Assistant Director of Music at The Conservatoire, Blackheath, with responsibilty for the Saturday Music School and strategic direction, and teaching GCSE and A-Level music and music technology, theory, composition, technology courses and workshops.
Living in London, Ed keeps close links to Wales through his work as Publishing, Projects and Web Manager for quintuple BAFTA Cymru award-winning composition company John Hardy Music and sister label Ffin Records. Ed is a Council Member of the ISM and a member of the ISM Special Interest Group for composition. He examines Rock & Pop grade exams for Trinity College London, with exam tours completed in Thailand, Malaysia, UAE and Spain and throughout the UK.
Born in 1985, Ed graduated in 2008 from Royal Welsh College of Music & Drama with First Class Honours then completed MMus Composition with Distinction and the LRAM teaching diploma at the Royal Academy of Music in 2011 with support from sources including Arts Council Wales, Seary Charitable Trust, Ismena Holland Award and Harvey Lohr Award.