Who or what inspired you to take up the piano, and make it your career?
There was a piano in the house – an old Estey upright. I gravitated to it after my sister’s piano lessons. Like a magnet, I was drawn to the piano.
Who or what were the most important influences on your playing/composing?
In piano playing, my teachers, of course. Aside from Morton Estrin and Adele Marcus, I would have to say Josef Lhevinne, Artur Schnabel, Rachmaninov and of living pianists, Murray Perahia among many others.
What have been the greatest challenges of your career so far?
The greatest challenge in any career is to maintain a steady flow of employment. Fortunately, with standard repertoire, new concerto projects written for me, plus recordings and teaching, there is a nice flow and momentum to keep evolving as a musician.
Which performances/compositions/recordings are you most proud of?
I would have to say in 1983, performing my debut with orchestra, Prokofiev’s Second Piano Concerto, with the Juilliard Philharmonic in Lincoln Center; same concerto with the National Symphony Orchestra in Washington DC; Prokofiev’s Third Piano Concerto with the Philadelphia Orchestra; and performances of concerti with the following composers in the audience: Keith Emerson, Neil Sedaka, Lowell Liebermann, William Bolcom, Richard Danielpour, Charles Strouse, Marjorie Rusche and Ellen Taaffe Zwilich.
Which particular works do you think you play best?
I love playing everything actually. I never know which is best, however.
How do you make your repertoire choices from season to season?
I normally base the repertoire on new works being premiered and recorded, and the concerti asked for that particular season. next season includes Beethoven’s Choral Fantasy, Saint-Saens Concerto no. 2, Grieg’s Concerto, and Rachmaninov Concerti nos 2 and 3.
Do you have a favourite concert venue to perform in?
I enjoy everywhere I perform – each venue has its own magic.
Favourite pieces to perform? Listen to?
Too many to list!!
Who are your favourite musicians?
Too many to list!! In the pop world, David Foster, Keith Emerson, Neil Sedaka (and I can’t get Pink’s song, ‘Just Give Me a Reason’ out of my head – liking it!); pop/classic pianists, Victor Borge and Liberace; classical world – everyone! I always enjoy listening to other pianists and hearing their interpretations of music we all know and love.
What is your most memorable concert experience?
If I must narrow it down, it would have to be my New York recital debut on April 14, 1986, in Lincoln Center’s Alice Tully Hall for the Juilliard William Petschek Piano Debut Award–an annual honor given to a pianist. I remember looking out through the backstage to see all of my family, friends and colleagues go to their seats. It was like getting married to the instrument, formally, in New York, in front of everyone I know.
What do you consider to be the most important ideas and concepts to impart to aspiring musicians?
I would suggest creating and maintaining a network of musician friends, and friends in all artistic capacities. You never know when you might collaborate in special projects in performance, audio/video recording etc.
What are you working on at the moment?
I am now at work for a recording project in the fall of 2014 featuring the following works:
Gershwin: Rhapsody in Blue (1924)
Ellington: New World A-Comin’ (1945, orchestration by Maurice Peress; solo cadenza by Sir Roland Hanna)
Keith Emerson: Concerto no. 1 (1977)
Neil Sedaka: Manhattan Intermezzo (2010; piano part enhanced by Jeffrey Biegel)
Additionally, I will record Lucas Richman’s “Piano Concerto: In Truth” during the 2014-15 season; orchestra tba; and will learn a new concerto based on the famous rock group, The Monkees, to be composed by Dick Tunney out of Nashville. That will be premiered with Orchestra Kentucky in January 2015, along with Peter Tork’s “Moderato ma non troppo” for piano and orchestra. Kenneth Fuchs will be composing a Piano Concerto for me, which will have its world premiere in 2015-16 with the Springfield Symphony Orchestra in Massachusetts with Kevin Rhodes conducting. For the Dicterow-DeMaine-Biegel trio, I will be learning Suk’s “Elegie”, and Dohnanyi’s “Quintet” for our January debut in Fort Worth, Texas. Also, the world premiere of Jeremy Lubbock’s new composition, “Moods–a duet for Piano and Strings” will take place in February 2015 with the orchestra of Moravian College in Pennsylvania.
Still alive, performing and recording.
What is your idea of perfect happiness?
A peaceful world, allowing us to travel anywhere, anytime, without religious or political boundaries.
What is your most treasured possession?
A photo of pianist Josef Lhevinne to his student (and my teacher) Adele Marcus from May 26, 1928 – Adele changed the date to 1938 to make her younger!
Jeffrey Biegel’s biography
My review of Jeffrey Biegel’s CD ‘A Grand Romance’