I was expecting to hear a friend of mine, Charles Tebbs, perform Bach’s ‘Goldberg Variations’ at the delightful Sutton House Music Society on Sunday evening, but sadly Charles was unwell. A frantic call for a replacement went out on Facebook, which I happened to see and respond to. I am not suggesting for one moment that I “saved” the concert, but serendipitously, Daniel Grimwood whom I suggested as a replacement, was available and stood in at very short notice to perform an all-Bach programme. It is a mark of Daniel’s professionalism that he betrayed not an ounce of unpreparedness. He introduced the programme engagingly, highlighting various aspects of the music and describing the first half of the programme (Bach’s Italian Concerto and the fifth French Suite in G) as being “the jolly music”.

The Italian Concerto was indeed jolly, with precise yet sprightly passagework, crisp articulation and nuanced voicing. Daniel also plays the harpsichord and this is evident in his sensitive touch and terraced dynamics. The middle movement had a sombre grandeur, with an elegantly-turned improvisatory melodic line floating atop the bass. The closing movement poured forth like an exuberant mountain stream, rich in orchestral textures and vibrant contrasts.

More of the same in the Fifth French Suite, whose Sarabande shares the same soundworld as the Aria from the Goldberg Variations, and which Daniel played with grace and delicacy. Other notable features were the most charming and spontaneous ornaments in the repeated sections of the movements. The closing Gigue had the necessary forward propulsion, a dancing column of energy running through the entire movement.

After the interval, the Sixth Partita in sombre E minor. This, as Daniel explained, is Bach’s nearest equivalent for the keyboard to the St John Passion or the B-minor Mass, and is a work of great seriousness, mystery and profound musical thought. The opening Toccata begins with a dramatic “rocket” figure, a rising arpeggio flourish which colours the first section before the music moves into a darkly dramatic four-part fugue. All the movements display vocal textures, particularly the closing Gigue, whose rhythmic anomalies Daniel demonstrated in his introduction. This was an authoritative, thoughtful and vibrant performance, providing a wonderful contrast to the more positive music of the first half.

Sutton House Music Society is based at Sutton House in Hackney, east London, which is owned by the National Trust. Built in 1535, the house holds a fascinating juxtaposition of oak-panelled Tudor rooms, Jacobean wall paintings and Georgian and Victorian interiors, and audience members can enjoy a tour of the houseahead of a concert. The music society attracts both established and up-and-coming artists, performing a wide variety of repertoire, and the 2014/15 season concludes with a concert by the Roskell Piano Trio in music by Mozart, Shostakovich and Schumann. Concerts take place in Wenlock Barn, an early 20th-century addition which was built specially for events such as concerts.

Further information about the concert and the Society here

Meet the Artist……Daniel Grimwood

Acclaimed British pianist and joint silver medal winner of the prestigious Tchaikovsky International Piano Competition (1982), Peter Donohoe opens the new season of concerts presented by Sutton House Music Society, at Sutton House in Hackney, east London.

In a programme wittily entitled ‘Opus 1’, Peter explores the early works of the great composers – Tchaikovsky, Prokofiev, Schumann, Berg and Brahms. This promises to be an excellent concert not to be missed, and early booking is recommended.

Concerts at Sutton House take place in The Barn, and the intimate venue is a wonderful place to hear top-quality international artists as well as up-and-coming musicians. Other performers in the 2012-13 season include Elena Riu, The Roskell Piano Trio and the Fitzwilliam Quartet.
Further details and tickets here

My Meet the Artist interview with Peter Donohoe

My piano teacher, Penelope Roskell, performed at Sutton House, in Hackney on Sunday evening, in a fascinating programme in which she juxtaposed the reason of Bach with the mercurial romance of Schumann. Read my review for Bachtrack.com here.

Penelope Roskell is an acclaimed concert pianist and Professor of Piano and Piano Pedagogy at Trinity Laban Conservatoire of Music and Dance in London, and is Artistic Director of Sutton House Music Society.

Sutton House Music Society

Sutton House

My piano teacher, Penelope Roskell, is peforming in two concerts at the delightful and intimate small venue Sutton House this month and next.

Sunday 15th May, 7pm

‘An English Summer Evening’ – Fitzwilliam String Quartet with Penelope Roskell

Artists in residence, the Fitzwilliam String Quartet, and Artistic Director of SHMS, Penelope Roskell, present a programme celebrating the work of those two quintessentially English composers, Ralph Vaughan Williams and Edward Elgar. Both the works being performed were written during war-time and are profound and intense music.

Ralph Vaughan Williams – String Quartet No. 2 (‘for Jean on her birthday’)

Sir Edward Elgar – Piano Quintet in A minor Op. 84

To reflect the English nature of the concert, there will be Pimms and Punch on sale from 6.30pm and during the interval. The bar will also be open after the concert to allow audience members to enjoy a drink with the performers.

Sunday 19th June, 7pm

‘Reason and Romance’

A solo concert by Penelope Roskell, juxtaposing the reason and intellect of J S Bach with the mercurial romance of Robert Schumann.

J S Bach – Chromatic Fantasia and Fugue

Robert Schumann – ‘Papillons’

J S Bach – French Suite No. 2 in C minor

J S Bach – Partita No. 5 in G

Robert Schumann – Piano Sonata No. 2 in G minor

Sparkling wine will be on sale with complimentary strawberries and cream in the courtyard during the interval.

Sutton House, a National Trust House in Hackney, is a really lovely venue. I was very impressed the first time I visited, two year’s ago, both by the quality of the performances, and the commitment and support of the audience.

For more information and online booking go to www.shms.org.uk