A Land So Luminous – music by Richard Causton and Kenneth Hesketh, performed by The Continuum Ensemble under the direction of conductor Philip Headlam with outstanding soloists including soprano Mary Bevan, violinist Tamsin Waley-Cohen, pianist Douglas Finch, flautist Lisa Nelsen and cellist Joseph Spooner.
The disc features work for large ensemble, duos, trios and music for solo flute, cello and piano. Kenneth Hesketh and Richard Causton are amongst the foremost British composers of their generations, and ‘A Land So Luminous’ showcases their distinct compositional voices and musical craftsmanship, from Hesketh’s piquant, light-filled textures to Causton’s inventiveness and imagination. The music on the disc is diverse and atmospheric, and draws inspiration from an eclectic catalogue of sources, including Heinrich Hoffman’s 19th cautionary tales for children, Der Struwwelpeter (‘Shock-Headed Peter’), the poetry of Marina Tsvetayeva, Fats Waller, shamanic ritual and Mozart’s Clarinet Concerto, K. 622. The title track ‘A Land So Luminous’ takes its name from a piece by writing by 17th century French philosopher-poet Cyrano de Bergerac.
All the works on the disc reveal strong musical gestures and means of expression. Hesketh’s works are expansive, visual and colourful: in Die Geschichte vom Daumenlutscher (‘Don’t Suck Your Thumb’) clarinet and piano dart and weave in a playful yet faintly grotesque dance; while in the second ‘Netsuke’ long sustained sounds emerge overlaid by a wistful clarinet melody gradually build to an unsettling climax. Causton’s ‘Threnody’ is a haunting setting of the English translation of a poem by Marina Tsvetayeva. The piece relies on the musicians being sensitive about their roles, resulting in a work of concentrated poignancy. Mary Bevan’s crystalline yet highly expressive voice is complemented by elegaic clarinets and a delicate piano part. In ‘Sleep’, a work for unaccompanied solo flute inspired by a poem called ‘Mythistorema’ by George Seferis, Causton creates an unsettling aural image of sleep, beset by frequent changes in time signature and tempo. Lisa Nelsen, on flute, displays control and sensitivity in her performance. The night-time theme continues in ‘Night Piece’ for solo piano, based on the clarinet line from the slow movement of Mozart’s Clarinet Concerto and performed by Douglas Finch, who brings a delicate clarity and tenderness to this dreamlike work.