Pianist, composer and teacher Peter Feuchtwanger has died. I never met Peter, though I wanted to, but I felt a connection to him and his wisdom via my teachers who studied with him, and also via pianist friends and colleagues who were taught by him and spoke of his inspirational, sympathetic and experimental approach to piano technique and piano playing.
In addition to his own piano studies with Gerti Rainer (a pupil of Emil von Sauer), Max Egger, Edwin Fischer and Walter Gieseking, Peter Feuchtwanger also studied composition with Hans Heimler (a pupil of Alban Berg, Heinrich Schenker and Felix Weingartner) and Lennox Berkeley, as well as Indian and Arabic music and philosophy. His Studies in an Eastern Idiom (Tariqas) and Variations on an Eastern Folk Tune are inspired by Eastern folk and art music and demonstrate inventive use of the piano’s sonority, texture and pedal effects to suggest Arabic, Indian and other Eastern instruments, styles and motifs.
Largely self-taught, he formed his personal conclusions about technique through experimentation that was free from the dogma or narrow approach of “schools” of piano teaching or formal musical training. As a consequence, he was regarded by some within the profession with suspicion, while those who studied with him and absorbed his wisdom are full of praise for his ability to think outside the box of traditional piano technique and talk of the transformative power of his teaching.
Most people are slaves to technique. But technique is not about playing mechanically and quickly, it is also about tone-balance, colours…. – Peter Feuchtwanger
His piano exercises were developed to relax the hand without making it completely powerless. The specified fingerings encourage the smooth, elliptical, natural choreography of the hands and fingers, and allow the instrument to be played with the greatest relaxation of the body, resulting in tension-free playing and a beautiful sound.
Touching tributes from some of his former pupils
I will never forget the kindness shown me by Peter Feuchtwanger……..without his guidance and generosity of soul I doubt I would be a musician today. He criticised perpetually (with characteristic vibrancy and charm), strove to make me realise my finest self, instinctively understood me, was a considerate listener, was a fountain of naughty jokes, never doubted me and proved to be far more than merely my piano teacher.
You haven’t died, Peter; your legacy lives with the vitality of every string set into vibration by the many pianists who’s lives you touched.
….his vast knowledge of styles of playing, along with his unique technical approach, have been incredible for my development, and I’m constantly amazed at his generosity, and commitment to teaching. (DR)
He brought out the absolute best in his pupils by his unquestioning faith in his pupils’ abilities, and his loyal support and generosity of time. The universal truth in his technique will live on in his many hundreds of students. (WMS)
Great teachers never die: their wisdom and enduring legacy is passed down to their students, and continues through successive generations of pianists.
Bel Canto on a percussion instrument – article by Peter Feuchtwanger