Who or what inspired you to take up the horn and pursue a career in music?
I started to play the cello at five years old as both my parents were professional string players and it seemed like the right thing to do. When I was six years old, I was diagnosed with the lung condition Bronchiectasis and this led to the decision that maybe taking up a brass instrument (with the added element of deep breathing!) would be a great way to strengthen my lungs. From there it was a case of playing in various orchestras, ensembles and listening to famous horn players which made me realise that pursuing a career in music was definitely the way forward for me.
Who or what have been the most important influences on your musical life and career?
My teacher at the Royal College of Music Junior Department, Sue Dent, was absolutely incredible for me in terms of developing as a musician both with and without the instrument. I studied with her for almost eight years before my idol, Radek Baborak, of whom I had listened to almost every recording and watched every YouTube video of, invited me to study with him in Berlin at the Barenboim-Said Academy. Aside from horn players, I was always very interested in the artistry of Rostropovich and listening to recordings made at a time before it was possible to edit them to perfection. This raw energy is something I really admire.
What have been the greatest challenges of your career so far?
I think an on-going challenge and a challenge I will have for the rest of my career is to convince first the management and organisational side to music, then the wonderful audiences that the horn should be held in high regard as a solo instrument!
Which performance/recordings are you most proud of?
Performing in the Brass Category Final of the BBC Young Musician Competition for me was the single most enjoyable musical experience of my life. I had dreamt about being on that stage for years and had really prepared every single note of my programme as well as physically possible. To be rewarded with such an incredible response from both the live audience and then the people watching at home was just incredible.
Which particular works do you think you play best?
I think when it comes to very technically difficult and abstract contemporary music, I really enjoy taking the time to figure out the puzzle and think that it is an area of music where I feel most at ease performing.
How do you make your repertoire choices from season to season?
As a young aspiring soloist, I tend to accept any invitation I get to play and more often than not, promoters already have a piece or programme in mind. Now and then it is possible to make requests and here I try and add concertos that people very rarely play and are most likely unknown to the audience.
Do you have a favourite concert venue to perform in and why?
I recently played in the KKL Concert Hall in Lucerne, Switzerland and before even stepping foot inside the unbelievable hall, had fallen in love with the town.
Favourite pieces to perform? Listen to?
One of my favourite pieces to perform is the Franz Strauss Nocturne for Horn and Piano. It is really quite cheesy but so satisfying to play and allows you to really express yourself to the audience. To listen to…will always be the Goldberg Variations by J.S Bach.
Who are your favourite musicians?
I have many favourite musicians both dead and alive! I think my teacher, Radek Baborak, is quite an extraordinary musician as is Daniel Barenboim and I am also fascinated by the wonderful percussionist Martin Grubinger.
What is your most memorable concert experience?
My debut at the Royal Albert Hall with the English Festival Orchestra was by far, for me, the most special concert I have ever been involved with. To walk out to a completely sold out RAH, with sound coming from all sides was just incredible. And then to see the audience’s faces light up with the Rondo of the third movement from Mozart’s 4th Horn Concerto was really special.
What do you consider to be the most important ideas and concepts to impart to aspiring musicians?
I think that something that is quite seriously overlooked in aspiring musicians and certainly something I overlooked is the simple fact that people should be in music and study music to enjoy it. The profession is too difficult anyway so at least enjoy making the music!
Where would you like to be in 10 years’ time?
Easier said than done but I would love to be in a position where I was performing concertos with orchestras all over the world!
Described as “a musical Bear Grylls” (Huffington Post, May 2016), Ben has quickly emerged as one of the most exciting horn players of his generation. Winner of the Brass Category Final in the 2016 BBC Young Musician Competition, Ben went on reach the concerto finals at London’s Barbican Hall, where he performed Strauss Horn Concerto No. 2 with the BBC Symphony Orchestra under Mark Wigglesworth.
From October 2016, Ben has been studying with Radek Baborak at the Barenboim-Said Academy in Berlin. Keen to promote the horn as a solo instrument, he recorded his debut CD with Willowhayne Records, featuring works by composers including Schumann, York Bowen, Kalevi Aho and Esa-Pekka Salonen. Upcoming concerto highlights include Strauss with the Lucerne Symphony Orchestra, Mozart with the European Union Chamber Orchestra and representing the British Council at the European Soloists Festival in Venezuala. Other recent notable highlights include a live broadcast on Austrian TV and Radio of the Mozart’s Fourth Horn Concerto with the mdw Chamber Orchestra and a solo recital at the Royal Albert Hall, Elgar Room. Ben has also been guest principal with the West Eastern Divan Orchestra under conductor Daniel Barenboim.
In 2016, Ben won the Philip Jones Memorial Prize at the Royal Overseas League Annual Music Competition for most outstanding brass player, the Cox Memorial Prize and audience prize at the Eastbourne Symphony Orchestra Young Soloist Competition, second prize at the Leoš Janáček International Competition and second prize at the Bromsgrove International Musicians Competition. Ben was recently invited to participate in the International Music Academy for Soloists (Bückeberg Palace, Germany) and the International Summer Academy for Wind Soloists (Payerbach, Austria).
Born into a musical family, Ben began playing the horn aged nine, and commenced studies with Susan Dent at the Royal College of Music Junior Department two years later. At the age of 13, Ben was appointed principal horn of the National Youth Chamber Orchestra and, in 2014, principal horn of the National Youth Orchestra of Great Britain where he was awarded the John Fletcher Brass Prize for his contribution to the orchestra. In 2012, he was the youngest participant in the London Symphony Orchestra Brass Academy. Ben has also played with the Philharmonia and collaborated with Dame Shirley Bassey on her 2015 Christmas Single.
Ben is grateful for support from Awards for Young Musicians, Dorothy Croft Trust for Young Musicians and EMI Music Sound Foundation. He is a June Emerson Wind Music Young Artist. As a result of his success in the BBC Young Musician Competition, Ben receives career guidance and diary management from the Young Classical Artists Trust.
Ben plays on a Gebr. Alexander 103 horn.