Guest posts invited

Due to work commitments, I am finding it harder to produce regular, meaningful articles for this site.

However, I don’t want the site to lie fallow, and for this reason I am inviting guest posts. I’m afraid there is no payment for guest articles, but your writing will be shared with a social network of c13,000 followers and an average monthly blog readership of c25,000.

Guest articles can be:

  • Reviews of concerts, opera, recordings, music-related books (fiction and non-fiction) and other music-related events/activities (e.g. courses, workshops etc.) or products.
  • Opinion/”think” pieces on music-related subjects, including the music industry, music education etc.
  • At The Piano interview – specifically for piano teachers (sample here)
  • Piano Notes interview for amateur pianists (samples here)
  • Repertoire in Focus (samples here). 
  • Advice to Myself (samples here)
  • Mixtapes (samples here)
  • Articles which have previously appeared on your own blog/website, or elsewhere (provided you have permission to reproduce it).
  • Anything else you feel would be of interest to readers of this site – feel free to pitch suggestions

Send your pitches or articles to me at

I look forward to hearing from you and to sharing your words with my readers.


Please note: articles which contain direct or obvious marketing/advertising will not be considered.

I really didn’t expect to be writing this post…

When I started this blog in the summer of 2010, I did so without any expectation that it would be anything other than a place where I could write about the music I was listening to on CD and in concerts, the piano music I was learning and my experiences as a piano teacher. I certainly didn’t expect anyone to read my musical ramblings! But read they did, and some readers left comments and so conversations and a sense of community developed across the internet.

Ten years ago, blogging was still a relatively new form of writing/journalism; today it is almost de rigueur to have a blog, and some have become very well known, often independent voices which provide a refreshing, sometimes non-mainstream, perspective. For many of us who blog, it is simply a way of sharing a passion – whether it is music, food, cycling or knitting – and a means to connect with other likeminded people.

My passion is classical music, and particularly the piano – the instrument, its literature and the exigencies of being perhaps the most solitary of musicians, a pianist. When I first started writing this blog, I had been playing the piano seriously for about four years, having returned to the instrument after an absence of some 20 years. Part of the motivation behind the blog was to share my experiences as an “adult returner”, the pleasures and frustrations, what it felt like to take lessons again as an adult, performing (in both exam and public settings), connecting with other pianists, attending piano courses, and more. Often after a piano lesson, I would rush home to write down what had happened, giving me an important opportunity to revisit the nuts and bolts of the lesson, and distill and share the knowledge with others. I also charted my progress through three performance diplomas via this site, an action which a concert pianist friend of mine described as “very brave”, whereas I just saw it as a way of sharing my learning outcomes in the hope that others might find my experiences helpful, and maybe even inspiring.

As the blog has evolved – and I have always felt that a blog needs to offer plenty of variety and regularly updated content – I have found myself drawn further into the world of British classical music (again, a place I never expected to be!), and in the last five years in particular, with my reputation more established, I realised that this was where I’d always wanted to be. I feel comfortable in the presence of other musicians, whether professional, student or amateur, music professionals, and fellow bloggers, reviewers and journalists in a way I never felt in my previous career, and I welcome and appreciate the opportunities the blog has given me to attend concerts, CD launches, music courses and many other events.

Launching the Meet the Artist interview series in 2012 has given an extraordinary insight into the creative lives of musicians and composers, offering a glimpse beyond the concert platform and the notes on the score into the day-to-day lives of these remarkable people, and debunking some of the traditional preconceptions surrounding classical music and musicians. The interviews are fascinating, honest (sometimes painfully so), entertaining and inspiring.

But for me the most gratifying aspect of blogging is the connections I have made and the wonderful interactions and conversations that regularly take place via this site and also on social media (where I probably spend far too much time!). I’ve made friends through this blog, in both the virtual and real worlds, and I really value these connections which have seemed even more significant during these long months of lockdown.

Just as a concert is not a concert without an audience, this blog would be nothing without its readers, of whom there are now some 25,000 per month (a figure which continually amazes me). So I must first thank everyone who reads, shares and comments on the articles contained here.

A huge debt of gratitude must also go to musicians and composers, not only those who have taken part in the Meet the Artist series, but also those whose music I have heard in concert and on disc, who engage in this remarkable activity in a profession which is tough, competitive and precarious (and never more so than now).

I would also like to thank all those people who contribute guest articles to the site. Your contributions keep the site fresh and give readers an opportunity to hear different voices and opinions.

Whether I will still be writing this blog in another 10 years’, or even 5 years’ time, remains to be seen, but while it continues to interest me to do so, and while there is the inspiration and motivation, I will keep writing.


Frances Wilson, The Cross-Eyed Pianist



Dear Friends, Readers, Contributors, and Supporters

The Cross-Eyed Pianist has been nominated for a UK Blog Award. If you enjoy the blog and feel it merits recognition via an award, please vote now via this link:

  • Click on the Arts & Culture category and view the entries.
  • The entry for Cross-Eyed Pianist is on page 3 of this category, in the LH column
  • To vote for this blog, click on the red heart


A new community group on Facebook for those who blog about the piano and those who enjoy reading blogs……


A dedicated space for pianists and writers to share and encourage one another, as well as a focal point where bloggers can share all their latest posts.

This is important, because many online communities don’t like bloggers to link their sites. For example, on Reddit not all subreddit areas welcome blog posts at all, while forums such as Piano World can also react with hostility towards bloggers who share their posts. And even on Facebook, some groups prefer to limit or restrict the sharing of blog links.

And that’s why those who READ blogs will enjoy the Piano Bloggers group as much as those who write them! The aim of the group is to offer a unique space online where interaction between readers, writers and pianists can flourish.

The group is moderated by Andrew Eales, Mark Polishook and Frances Wilson (The Cross-Eyed Pianist)

Read more about Piano Bloggers

Established in 2012, the weekly Meet the Artist interview slot, in which musicians and composers reflect on various aspects of their creative lives, has gone from strength to strength and is now an integral and very popular part of The Cross-Eyed Pianist’s content. To celebrate this, Meet the Artist now has its own dedicated website.

Meet the Artist interviews will continue to appear on this site every Thursday, while the new site will act as a supplement with a growing catalogue of interviews with both well-known classical musicians and composers and young and up-and-coming artists. Do consider following the site in order to receive updates every time a new interview is released. In addition to interviews there will also be news, reviews and other articles relating to the artists featured on the site.

I feel very privileged to have the opportunity to share so many fascinating and often unexpected insights from such a wonderful range of musicians and composers, and I would like to take this opportunity to thank everyone who has taken part in the Meet the Artist project so far for their contributions to the series.




The Music into Words event, which I chaired earlier this month, attempted to explore some of the ways in which we write about classical music today and provoked a lively discussion, both at the actual event and online. Several issues emerged relating specifically to blogs which have exercised my thoughts in the weeks since the event:

  1. Without an editor, how do you ensure that what you write is intelligent, well-written, factually accurate, and interesting to read?
  2. Who are you writing for?
  3. Why a blog?

In my experience, readers will return to those blogs which are consistently well-written, interesting, accurate and assiduously self-edited. (This is borne out by the number of regular commentators and subscribers to this blog: WordPress provides very useful stats and analytics allowing one to track such data.) I have come across some truly dire writing on the internet (and also in newspapers, journals and books), and also much that is extremely high-quality (by academics, journalists, bloggers, musicians….), and one can of course learn a great deal by looking at what others are doing, or not doing. In the era of the spelling and grammar checker, there really is no excuse for sloppy spelling; clichés or hackneyed expressions should also be avoided (my particular pet hate is “smorgasbord”….). I’m very fortunate that one of my blog subscribers, who also happens to be a good friend of mine, will pounce on any inaccuracies of spelling or grammar with the eagle eyes of a skilled editor. In terms of fact-checking, I make sure I do my homework: this applies to my concert reviews too. I try to write in an accessible, readable and intelligent style, and one of the nicest compliments I’ve been paid when I met one of my readers in real life was “you sound just the same in person as you do in your writing”.

Which leads me onto “Who are you writing for?”. Initially, I didn’t really think I was writing for anyone but myself when I started this blog in 2010. I was playing the piano seriously again, having returned to the instrument after an absence of c15 years, and I wanted some way to record my thoughts and feelings about the music I was playing and hearing in concerts. Rather than keep an old-fashioned journal, I decided to write a blog (having had a modest degree of success with a food blog called Demon Cook), but I didn’t really expect anyone to take much notice of it. I suppose the unusual title helped (and by the way, I initially thought of calling this blog The Naked Pianist (à la Jamie’s Oliver’s Naked Chef) until my husband pointed out that this might attract “the wrong kind of reader”!), plus my interest in social media and a growing network of like-minded people (including a number of other bloggers and online reviewers), and gradually the number of daily visitors and subscribers crept up. When I was invited to review for (the owner of the site had read and liked my blog), I felt my writing finally had some currency beyond the confines of this site, and I have subsequently gone on to write guest blogs for a number of other classical music sites, including HelloStage, InterludeHK, Music Haven and The Sampler, the blog of

Subconsciously, I am probably writing for someone like me, someone who enjoys classical music, likes going to concerts and reading about them, maybe plays the piano too, who ponders the day-to-day practicalities of being a musician, amateur or professional (practising, repertoire, continuing study, teaching etc), as well as the more esoteric aspects of the musician’s life (motivation, performance anxiety, impostor syndrome, avoiding injury). Judging by the comments and messages I receive in response to my articles, it is clear my readership is now pretty wide, and international.

One thing I’ve never done via this blog, or indeed anywhere else, is set myself up as some kind of “expert”. People do come to me for advice about piano playing, careers in music, piano teaching and more, and I try to respond to such enquiries with honesty and courtesy. It is gratifying to be respected for what one does, but I believe a degree of a humility is crucial too (there are quite enough egos at large in the musical profession!). I enjoy the conversations that emerge from comments on articles here, I have made friends via this blog and I find the community of like-minded people which blogging creates very stimulating. To explore this further, I canvassed the opinion of a number of other bloggers who write on music and culture, and with whom I interact on a regular basis:

It started as a kind of “cultural diary” – a channel for me to enthuse about music I loved (plus some art and photography) and hopefully ‘share the love’.

First, I enjoy writing, and get special satisfaction in expressing my thoughts and ideas as eloquently as I can. Secondly, the idea that there are complete strangers out there reading what I’ve written flatters my vanity. Finally, there are so many ignoramuses on the net, spouting rubbish on matters they don’t understand, I saw no reason not to join them.

It’s cheaper than therapy

I think my single overriding reason is a desire to entertain.

The world of blogging is a curious one, and one which has grown hugely in the last ten years or so, to the extent that blogging now makes a significant contribution to writing and journalism. Many organisations, including mainstream newspapers, have blogs on their sites, often written by well-regarded journalists and commentators. (At the Music into Words event, one of the panelists, Imogen Tilden, classical music editor of The Guardian, acknowledged the important role of bloggers who “fill the gaps” in covering concerts and events her team of reviewers do not have the time or resources to cover, and who offer alternative opinions.)  The difference for the majority of bloggers is that we are independent – and the freedom to write what we like is very potent. Some people may regard bloggers as “privileged”, and are perhaps envious of the freedom we enjoy – freedom to write what we like without the pressure of conforming to editorial house style or deadlines, freedom to go to as many concerts, operas, plays or exhibitions as we like. I do regard myself as fortunate to be able to do this, but I also have a day job (two in fact), as do most of my blogging colleagues, and I don’t think blogging should necessarily be regarded as some kind of self-indulgent literary onanism or dilettantism.

From a more pragmatic point of view, a blog can be a useful tool to:

  1. Offer an overview of who you are – an extended CV, if you will
  2. Provide samples of your writing
  3. Connect with new people
  4. Organise your messy thoughts into coherent ones
  5. Create your own PR machine
  6. Stand out – according to the “1 per cent rule”, only 1 percent of Internet users actively create new content, while the other 99 percent just view it. Blogging separates from the 99 percent of people who don’t blog. Standing out is essential in an increasingly competitive world, whatever your profession or role
  7. Improve your writing skills – like piano playing, writing improves with practise
  8. Give yourself some headspace. The person who described blogging as “cheaper than therapy” makes a useful point – that writing can be therapeutic, regardless of the subject under discussion

So, if you’ve got something to say, maybe now is the time for you to consider writing a blog?

For more on the practicalities of writing a blog see Presentation for BASCA on Classical Music Blogging