Audiences love this music and playing it is a fascinating challenge
JAMES LISNEY pianist
The music of Fryderyk Chopin has been central to British pianist James Lisney’s repertoire since his Wigmore Hall debut in 1986.
This autumn he is touring some of Chopin’s most beloved piano music, including the Four Ballades and selected Nocturnes, with concerts in Prague, Belgium, the Netherlands, and France. The UK leg begins on 27 September, and includes major venues such as Bradshall Hall at Birmingham Conservatoire and the Stoller Hall in Manchester, and more intimate venues including London’s 1901 Arts Club. Those who cannot attend in person can enjoy a livestream of the programme from St George’s Bristol on 27 November. Full details here
In this podcast, James talks about the challenges and pleasures of playing Chopin, in particular the Ballades, concert preparation, and inspiring amateur pianists….
This site takes many hours each month to maintian and update. If you find value and pleasure in what I do, why not
I haven’t touched the piano for months. I have a beautiful early 20th-century Bechstein model A grand piano which has been sitting, untouched, in my piano room/office. There is music open on the stand – Schubert’s Piano Sonata in A, D664 – suggesting intent, but I have not played it seriously in over six months.
Why? Lack of motivation, lack of time, yes. But also something which I think is particular to the amateur musician – the knowledge that, unlike the professional musician who must practice regularly to maintain their skill and artistry, one can come back to the instrument at any time and pick up where one left off.
But it can be hard and the first line of that wise saying of violinist Jascha Heifertz – “If I don’t practice one day, I know it…” holds true as much for the amateur as for the professional musician. The more time passes, the harder it becomes to start over again.
But it’s not impossible.
Rekindling the habit of practicing and playing the piano after a pause, however long, can be both challenging and rewarding. The key to a successful return lies in setting realistic goals, cultivating patience, and reviving your passion for music. Here’s a guide to help you navigate this journey back to the piano:
Set Realistic Goals
One of the first steps in returning to piano practice is setting achievable goals. Begin by assessing your current skill level and recognising that you may not be able to play at the same proficiency as before. Setting short-term goals that focus on gradual improvement, such as playing music that is already well-learnt or attempting a short piece or study, help you reacquaint yourself with the instrument, build confidence and provide a clear sense of progress.
Establish a Routine
Consistency is crucial in developing any skill, and piano playing is no exception. Create a practice schedule that fits comfortably into your daily routine. Practice “little and often”: even 15 to 30 minutes a day can make a significant difference over time. Ensure your practice sessions are regular, but also be flexible and kind to yourself if the demands of daily life/work interrupt your schedule.
Revisit Familiar Pieces
Playing pieces you were once comfortable with can be immensely satisfying and a great confidence booster. It allows you to gauge how much you remember and where you need to focus your practice. These familiar pieces can act as a bridge, easing you back into more challenging repertoire while providing a sense of accomplishment.
Explore New Repertoire
While revisiting old favourites is comforting, exploring new music can really reignite your interest. Choose pieces that inspire you and reflect your musical tastes. Don’t feel you have to learn certain pieces because they are good for you; play the music that interests you. Learning new repertoire not only keeps practice sessions interesting but also broadens your musical horizons and challenges your skills in different ways.
Seek Guidance and Support
If you have taken a long break from the instrument, consider taking lessons, even if only temporarily. A teacher can provide personalised guidance, help you set realistic goals, and correct any bad habits that may have formed during your hiatus. Additionally, joining a music meetup group can offer support, motivation, and opportunities to share your progress with others.
Be Patient and Positive
Returning to your instrument after a break requires patience and a positive mindset. Progress may be slow at first, and you might feel frustrated by the gap between your past abilities and your current performance. Set realistic goals and celebrate small victories – and, above all, remind yourself of the joy that playing the piano brings. With time and persistence, your skills will improve, and the music will flow more naturally.
Enjoy the Process
Ultimately, the journey back to the piano should be enjoyable. Embrace the process of relearning and rediscovering your love for the instrument. Allow yourself to experiment, make mistakes, and have fun. Remember, the ultimate goal is the joy and fulfilment that comes from making music.
Happy practicing!
This site takes many hours each month to maintian and update. If you find value and pleasure in what I do, why not
‘Wings of Freedom’ is a large-scale work for symphonic wind band, written by Thomas Hewitt Jones and commissioned by the Central Band of the Royal Air Force. Inspired by the RAF’s four core values – Respect, Integrity, Service and Excellence (RISE) – the piece received its London premiere at Holy Trinity church, Sloane Square, last September, under the direction of Squadron Leader Chris I’Anson.
The band subsequently performed the work in Cambridge and also at Regent Hall in London, where the entire piece was filmed. You can now enjoy it via the RAF Music Service’s YouTube feed:
2024 Harold Smart Memorial Composition Competition for Young Composers
The Royal School of Church Music (RSCM) has just launched the 2024 Harold Smart Memorial Composition Competition. This invites individuals 25 and under (as of 1 July 2024) to compose an original anthem – a fresh, innovative work that inspires and uplifts, suitable for performance in a church setting.
For experienced and new composers alike, this is an excellent opportunity to showcase talent and make a significant contribution to sacred music. The text to be used has been written by Dr Canon Gordon Giles.
The winner will receive a cash prize of £300, as well as £200 of composition tuition (with an agreed tutor), with the possibility of publication by the RSCM.
Closing date for submissions: 31st October 2024
Full information, including submission guidelines and how to enter here
ABOUT THE ROYAL SCHOOL OF CHURCH MUSIC
The RSCM is the Salisbury-based, national, independent charity enabling the flourishing of church music. As the central ‘home’ of church music, RSCM provides relevant education, training and resources to its membership, the wider church, and beyond. It is committed to encouraging the best of music in worship, and to advocating music as a tool for growth of the church.
The RSCM supports thousands of Affiliated churches across the UK and worldwide through its international partners. In addition, it also supports many schools and Individual members, and its work is sustained by thousands of Friends, Regular Givers and other donors.
The RSCM is an open, life-long learning organisation, offering face-to-face and distance education and training through its programmes, published resources, courses and activities.
Founded by Sir Sydney Nicholson in 1927, the RSCM’s original emphases were English and choral. Now, in a diverse international context, the RSCM’s work is far broader and more diverse, and aims to make all its work ecumenical in purpose, nature and content.
HM The King is the RSCM’S Royal Patron, and its president is The Most Revd and Rt Hon The Lord Archbishop of Canterbury. The organisation celebrates its centenary in 2027.
The Cross-Eyed Pianist is free to access and ad-free, and takes many hours every month to research, write, and maintain.
If you find joy and value in what I do, please consider making a donation to support the continuance of the site