The London Piano Meetup Group celebrates its 10th birthday on 20 May, with an event at Steinway Hall in London.

When I co-founded the London Piano Meetup Group back in 2013, I knew very few amateur pianists. I’d been playing seriously for about 5 years, having returned to the piano after an absence of nearly a quarter of a century. I’d been on a number of piano courses and appreciated the value in connecting with other pianists but these were not regular interactions. I, and my co-founder (a piano teacher based in SE London) were both keen to connect with other adult amateur pianists on a regular basis – not just for the opportunity to play regularly in front of others but also to socialise with like-minded people. Thus the London Piano Meetup Group came to be.

Our launch event at Peregrine’s Pianos on 18 May 2013 was very well-attended and the young pianist Emmanuel Vass, who has been a good friend to the group over the years, was our guest performer. We were a mixed bunch, of various ages and abilities. Some people had played all their life; others, like me, were returners; some were beginners who had taken up the piano in retirement; others had been to music college but had chosen a different career path. All shared a deep passion for the piano.

The ethos of the group has always been to provide a friendly, positive and ‘safe’ environment in which people can perform and socialise. Many people want the experience of performing without the stress (as far as possible) – music is, after all, for sharing. Some find the performance platforms useful in preparing for exams or diploma recitals. Others simply come along to listen and enjoy the varied repertoire. One of the big attractions of the group is the chance to play a really nice instrument; venues are selected for the quality of their pianos, giving participants the opportunity to experience the pleasure and challenge of playing a really fine grand piano.

The group was popular from the get go – a mark perhaps of people’s enthusiasm for the piano and also an opportunity to connect with others, to share stories, discuss practising, repertoire, concerts we’ve enjoyed, our favourite professional pianists or recordings…..and much more. I’ve made some very good friends through the group (and playing the piano can be a rather lonely occupation, although something that most of us actually quite like!), and many of us bump into each other at other piano events, such as concerts, courses and masterclasses.

The group generated some offshoots too, such as an amateur piano competition, adjudicated by none other than Leslie Howard, and the very popular Diploma Days with acclaimed teacher Graham Fitch, which offer people an opportunity to play some of their Diploma repertoire and receive useful critique from Graham as well as advice on planning a diploma programme and managing performance nerves.

Members also regularly attend courses such as the hugely popular summer school, known affectionately as Chets, in Manchester, the Summer School for Pianists at Stowe, Finchcocks in Kent, Jackdaws in Somerset, and even some summer schools held in France and Italy.

The group has also inspired others to form their own meet-ups and piano clubs in the UK and beyond, and in 2015 the LPMG met up with the Vienna Piano Meetup Group at a piano showroom in Vienna (the trip also included a tour of the Bösendorfer factory).

The popularity, and longevity of the group – and its offshoots – is an indication of how many pianists there are in and around London who enjoy the opportunity to meet and explore repertoire, and to share their passion for the piano. It is also a credit to Rob Foster, who now runs the group, and who continues to give amateur pianists regular performance opportunities in a friendly, supportive atmosphere.

The London Piano Meetup Group (LPMG) meets monthly at venues such as the 1901 Arts Club (Waterloo), Peregrines Pianos (Clerkenwell), Café Yukari (Kew) and Gaspard Music Academy (Richmond). The group is run via a Facebook group and mailing list. If you would like to join LPMG, please contact the organiser at londonpianomeetup@gmail.com

1901 Arts Club music salon
1901 Arts Club

Further reading:

Dedication & Passion: The inspiring world of the amateur pianist

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“This is a competition to watch” International Piano MagazineThe 17th Hastings International Piano Competition will take place from 22 Feb – 2 March 2024 and entry is now open, by video audition. The deadline for entries is 15 September 2023, and full details of how to enter the competition are here: https://www.hastingsinternationalpiano.org/2024-competition/

Vanessa Latarche

The competition is generously supported by Steinway and sons and will feature 45 entrants who will play live in Hastings over the period. A jury of 3, chaired by Artistic Director of Hastings International Piano, Vanessa Latarche, will select the entrants from the video submissions.

Hastings International Piano is delighted to announce a new partnership with Southbank Sinfonia who will accompany the semi-finals. The finals over two nights will be accompanied as before by the Royal Philharmonic Orchestra. Both these rounds will be conducted by Rory MacDonald.

Another new departure for the competition is a commission for the solo round by American composer Lera Auerbach. This five minute test piece will be a compulsory entry for the solo round, and will be given its world premiere at this point.

Furthermore, a 2-year professional development programme has been created where finalists will receive mentoring, career advice, programming advice, performance opportunities and professional headshots from leading industry experts.

Vanessa Latarche, Artistic Director of Hastings International Piano, writes:

I am thrilled with the recent developments for the 17th Hastings International Piano Concerto Competition. Southbank Sinfonia’s involvement offers an exciting opportunity for our competitors to play with another professional orchestra in the semi -finals in addition to the Royal Philharmonic Orchestra in the finals. We are delighted that Lera Auerbach has agreed to compose a special test piece for the solo recital round, giving the competitors the chance to showcase their skill in contemporary repertoire. I am sure that this piece will have a long life well beyond the 2024 competition and we look forward to hearing our competitors’ interpretations of it. I thank the wonderful team of volunteers, piano hosts and host families that help make the competition happen.”

CONCERTO COMPETITIONFirst Prize – £15,000 plus future performance opportunities with the Royal Philharmonic Orchestra

Finals over 2 nights with RPO

Semi-finals over 3 sessions with Southbank Sinfonia

First round 2 pianos playing sections of 2 concertos

2nd round solo recital round including new commission

JURY

Professor Vanessa Latarche – Jury President

Paul Hughes – UK

Piotr Paleczny – Poland

Eleanor Wong – Hong Kong

Fran Cruz Plaza – Spain

Pascal Escande – France

Norman Krieger – USA

Find full details at https://www.hastingsinternationalpiano.org/2024-competition/

2022 winner Shunta Morimoto

The decision to leave one’s piano teacher and move on can be a difficult one, especially if the relationship is longstanding. I have written more about this subject here

Ann Grogan, a poet and adult pianist, contacted me after reading my article to share her own thoughts on the issues surrounding the decision to leave a teacher, and I am sharing a excerpt from her article on this subject here:

In appreciation because they help me reach my goals, I fall into a kind of deep music-love affair with each of my teachers. Music and piano lessons open up my heart and emotions, and make me feel raw, vulnerable, and exposed in a way that other kinds of art lessons have never done. Music is special in this way, at least for me.

THE DANGER OF BEING OVERLY IMPRESSED: Sometimes this specialness causes me to set aside what I note is out of place in a lesson or in the teaching relationship, in favor of long-term hopes and dreams. That is usually never a good thing to do. I’ve learned to speak up earlier and more often when I’m fairly certain I’m not enjoying something I am trying to learn or a particular approach the teacher insists I apply.

In one case, I’m certain that I was initially overly-impressed by a teacher’s many published CDs featuring original compositions and pianistic talents in a preferred musical genre that was not mine, and another teacher’s stature as a well-known professional pianist with ubiquitous “how to” vlogs. However, I failed to do my due diligence and had no clue about their teaching ability in general, or if their approaches and policies were compatible with what are certain basic requirements I have for piano lessons.

For many seniors, the process of learning the piano is critical, in that it must function in the nature of a partnership and not a top-down affair. Being overly-impressed hinders my ability to observe what is happening as lessons unfold. I stray from my desire to learn in partnership with my teacher. Sometimes I continue studying with the teacher beyond what is reasonable and productive.

Read more

9-16 June 2023

Principal Artist: Emma Johnson, clarinettist

Box office now open

Hertfordshire Festival of Music celebrates live classical music in Hertfordshire with an exhilarating programme of magnificent classical music, both traditional and modern – an opportunity to enjoy world class music in the heart of Hertfordshire.

“The friendly, accessible vibe of Hertfordshire Festival of Music was accompanied by the very highest level of music-making and extremely imaginative programmes in beautiful locations.” – Judith Weir CBE, Master of the King’s Music

With a theme that explores the fascinating relationship between music and art, HFoM will unite the local communities of art and music lovers through illuminating talks and imaginatively devised concert programmes. The Festival will also mark the Coronation of King Charles III with two special events.

HFoM is honoured to have Emma Johnson, one of the world’s finest clarinettists, as this year’s Principal Artist, performing a captivating recital with the talented pianist Gregory Drott. There is also a special opportunity to observe her artistic insight in a masterclass for young and aspiring players at the beautiful Queenswood School in Hatfield. Emma Johnson will also be in conversation with Artistic Director James Francis Brown to talk about her musical journey, her passions and her interests, and to share insights and opinions on music, art and life.

Featured artists at this year’s Festival include:

Emma Johnson, Katya Apekisheva, Gregory Drott, Jack Hancher, Hertford Chamber Choir, Manvinder Rattan, Rossetti Ensemble, Daniel Swain, Litsa Tunnah, Daniel Grimwood, William Whitehead, ZRI

Highlights of this year’s Festival include:

Coronation Celebrations in Hertford

HFOM marks the coronation of King Charles III with two special events in Hertford. At Hertford Castle, the HFoM Community Concert Band musicians will perform arrangements of music associated with royalty in a fun, relaxed performance. The Hertford Chamber Choir and Manvinder Rattan take up the theme in a special performance at All Saints’ Church, including exquisite solo works for organ performed by William Whitehead.

The ever-popular ZRI ensemble return to HFoM with their genre-bending and audience thrilling ‘Cellar Sessions’, recreating the atmosphere of the legendary Red Hedgehog bar in Vienna, at the McMullen Brewery courtyard in Hertford.

Pianist Katya Apekisheva makes her Festival debut performing one of the war horses of art-inspired music, Mussorgsky’s Pictures at an Exhibition. Festival newcomer violinist Litsa Tunnah shares her passion for music and colour in a recital, and she will be in conversation with Artistic Director James Frances Brown exploring the rare phenomenon of synaesthesia, where sounds can trigger colours or shapes, and discussing how music can create visual impressions.

Guitarist Jack Hancher returns to Hertford with a solo recital of music inspired by art, and there will also be a special appearance of the highly regarded Rossetti Ensemble in a performance of music by David Matthews and Festival Artistic Director, James Francis Brown.

HFoM plans 15 events/outreach projects in community venues, anticipating engagement with around 1,500 individuals (performers, audiences, participants/beneficiaries).  Eight of the events are free, with discounted ticket prices for concessions where possible.

As part of the Festival, and with the support of community sponsor, Network Homes and collaboration with Sing from the Heart, HFoM’s Music in Mind project offers a series of interactive sessions for people living with dementia, as well as their carers and families, in selected care homes across Hertfordshire. These sessions are led by specially trained musicians who share the gift of music with compassion and sensitivity. Music can have a positive impact on the symptoms of dementia, as well as bringing joy and happiness to those who participate.

In addition, HFoM is delighted to continue its vitally important education projects with exciting plans to get schoolchildren up and singing, in collaboration with Hertfordshire Music Service and Queenswood School, taking place later in the year.

Full details of this year’s Festival at hertsmusicfest.org.uk


Hertfordshire Festival of Music is the vision of the late Tom Hammond and composer James Francis Brown, and is registered as a charity supported by a board of Trustees and a team of volunteers.

Now in its eighth year, HFoM has grown rapidly from a small weekend event to one of the UK’s major summer music festivals, featuring international artists and ensembles alongside innovative outreach and educational projects, all based in and around the attractive historic county town of Hertford. Since its launch, HFoM has presented concerts that have inspired extraordinary audience responses to artists such as Tasmin Little OBE, Dame Emma Kirkby, Stephen Hough CBE, Steven Isserlis CBE, Ben Goldscheider, the Carducci Quartet, the Galliard Ensemble, Chloë Hanslip, ZRI and The Prince Consort.

HFoM is fortunate to receive support from a number of charitable trusts and foundations, county, district and town councils, while a growing Friends Scheme allows individuals to play an important role in supporting the Festival and furthering its scope and potential.

The Festival offers affordable ticket prices, several free events, concessions for those under 24 in full-time education, free tickets for the under 8s and a complementary ticket for a carer accompanying those patrons with access needs.

HFoM exists to celebrate and nurture exceptional music-making, featuring some of the world’s finest performers. The Festival also supports professional and young musicians from Hertfordshire, presents fascinating music by living composers and devises major, innovative projects for education and participation. Hertford is just over twenty miles from central London, easy to get to by rail and road but nestled in the beautiful countryside of the Lea Valley. Most concerts take place within a ten-minute stroll of the town’s centre, which boasts excellent restaurants, many independent shops and accommodation.

Website: www.hertsmusicfest.org.uk

Twitter: @HertMusicFest

Facebook: https://www.facebook.com/Hertsmusicfest/

Instagram: @hertsfestofmusic

Registered Charity Number 1175716

For further press information, please contact Frances Wilson | frances_wilson66@live.com