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Dr Michael Low, pianist and pedagogue, leads a masterclass for advance adult pianists at Coach House Pianos London showroom on 1 June. Ahead of the event, get to know Michael, and your host, Frances Wilson AKA The Cross-Eyed Pianist…..

Michael

Who is your favourite composer for the piano?

There are quite a few! Beethoven, Brahms, Chopin, Liszt, Schubert and Rachmaninoff.

If you have to be one piece of music, you would be…

Either Brahms Opus 5 or Brahms Opus 15.

How do you feel about your upcoming masterclass at Coach House Pianos?

A mixture of excitement and nervousness.

Knowing what you know now, what would you say to your teenage self?

I would put my arm around his shoulder and tell him not to be so harsh on himself. It is okay to doubt yourself from time to time, but someone somewhere believes in you always. Keep going and everything will make sense eventually.

Who is your greatest teacher in your musical journey?

Life itself.

You watch a lot of movies, name the most enjoyable movie portrayal of a pianist (Drum roll)…

It is a three-way tie between Colm Feore as Glenn Gould, Geoffrey Rush as David Helfgott and Michael Douglas as Liberace.

And the performance(s) that annoys you most are:

The Oscar goes to JK Simmons as Terence Fletcher in Whiplash closely followed by Sir John Gielgud as Cyrill Smith (Helfgott’s teacher at RCM) in Shine.

Using one word, describe the interpretation of the following pianists:

1: Barenboim: Prolific

2: Berman: Powerful

3: Biss: Bohemian

4: Bolet: Virtuoso

5: Brendel: Classical

6: Buniatishvilli: Salacious

Name one pianist dead or alive you will travel to the ends of the earth to hear in concert.

Vladimir Horowitz

If you have to be the title of a book…

All God’s Children Are Lost, But Only A Few Can Play The Piano.

Steak of Sushi?

That would depend on who the chef is…

And finally, If I wasn’t a pianist, I’d be…

PGA Golfer

Frances

What is your earliest memory of the piano?

Hearing my paternal grandfather playing Methodist hymns and bits of Beethoven and Haydn on the upright piano in the front room (used only on Sundays) of his home.

Your favourite composers for piano?

An impossible question! But I adore the music of Schubert, Debussy, Beethoven, Liszt and Messiaen. Especially Schubert’s D899 Impromptus, which have been with me since I was about 13….

Most memorable concert experience?

There have been a few – Evgeny Kissin at the Proms in 1997, when he played the longest series of encores in the Proms’ history.

Steven Osborne playing Messiaen’s Vingt Regards sur l’enfant Jesus at the Queen Elizabeth Hall, without an interval. An epic, musical journey.

My students’ concerts.

What advice would you give to your teenage musician self?

Be yourself, trust your musical instincts, and don’t compare yourself to others. It took me a long time to become a self-confident musician (a 25-year absence from the piano didn’t help) and I’m grateful for the support and encouragement from a variety of teachers, including Penelope Roskell and Graham Fitch.

And what advice would you give to people returning to the piano, or thinking of taking it up later in life?

Do it! It’s never too late! And it’s so rewarding.

Why the pen-name The Cross-Eyed Pianist?

When I was thinking about starting this blog, I wanted a catchy title for it. Originally, I thought of The Naked Pianist (at the time Jamie Oliver’s The Naked Chef was popular), but I thought it might attract the ‘wrong’ kind of readers! I am genuinely cross-eyed, and also a pianist.

How did you and Michael get to know one another?

Initially, through our mutual teacher Graham Fitch. We met for lunch in China Town – must be 10 years ago! – and never stopped talking. Although we live on different continents (Michael lives in South Africa) we keep in regular touch via the wonders of modern technology. A shared outlook on music, music teaching, and life in general, and mutual respect, is, I think the basis of our friendship.

What are you most looking forward to at the masterclass with Michael at Coach House Pianos?

The opportunity to hear a variety of repertoire and learn from Michael’s wisdom and experience. And to meet fellow pianists and enjoy plenty of “piano chat”!

Steak or sushi?

Both. Especially if my son (a chef) is cooking!

Join Michael and Frances at Coach House Pianos sumptuous London showroom on Saturday 1 June. Observer places still available – book here

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A SEASON TO SING by British composer Joanna Forbes L’Estrange is a brand new 40-minute work for SATB choir/organ or piano, inspired by Vivaldi’s The Four Seasons

Joanna Forbes L’Estrange

A Season To Sing will be published by the Royal School of Church Music (RSCM) in 2025, marking 300 years since the publication of The Four Seasons. This choral re-imagining of Vivaldi’s enduringly popular set of violin concertos weaves texts from poetry and the Bible on the subject of spring, summer, autumn and winter into Vivaldi’s much-loved melodies. It will also include a new setting by Joanna Forbes L’Estrange of Ecclesiastes 3:2 – To everything there is a season. With its seasonal theme, A Season To Sing can be performed at any time of the year, and is expected to become a firm favourite with choirs throughout the world.

Joanna Forbes L’Estrange recalls, “The Four Seasons is the first piece of music I can remember hearing from my childhood. I used to dance around the sitting room to it! I thought a great way to mark its 300th anniversary would be to make it possible for choirs to perform it. Vivaldi’s tunes are so magnificent they deserve to be sung!” 

To make this commission possible, the RSCM is inviting choirs to contribute £300 ($500) each to participate in this project, for which each choir will: 

  • have the opportunity to perform the piece before its general publication
  • meet Joanna Forbes L’Estrange for a Q&A session via zoom
  • be listed in the vocal score as one of the commissioning choirs
  • receive a limited-edition, hardback copy of the vocal score, signed by the composer

This exciting opportunity is open to all choirs, large and small, professional and amateur, and to individual supporters. Deadline for registering – 31 August 2024.

To find out more, please visit

https://www.rscmshop.com/features/a-season-to-sing

Joanna Forbes L’Estrange (b.1971) is a multifaceted musician who performs, composes, records, directs and produces music in a wide variety of genres. Her career began with seven years as soprano and Musical Director of the five-time Grammy® award-winning vocal group The Swingles, with whom she toured the world and produced six albums. Specialising in contemporary crossover music, Joanna is a regular soloist for Mass in Blue by Will Todd (which she recorded for the Convivium label) and Duke Ellington’s Sacred Concert. With the world’s leading orchestras and contemporary music ensembles she performs works by Steve Reich and Luciano Berio and has sung on over 300 film soundtracks.

One of the Royal School of Church Music’s best-selling composers, Joanna was commissioned to compose an anthem to mark the coronation of King Charles III. The Mountains Shall Bring Peace was sung by over 600 choirs around the world including in the USA, South Africa, Australia, New Zealand and throughout Europe and the UK. Her music has been performed and recorded by Tenebrae, The King’s Singers, The Swingles, The Military Wives Choirs, The National Youth Choir and London Voices. Television credits include Fleabag, which featured her 1940s-style song You Are, and Glee, which featured her Moonlight Sonata arrangement, written for and recorded by The Swingles.

Joanna has written many songs and choral pieces in support of equal opportunities for women: We Will Remember Them (for the Military Wives Choirs of Great Britain), A Woman (Wearing Bloomers) On A Wheel (made into a film by the National Youth Girls’ Choir), Suffragette March (part of a larger work, Freedom! The Power of Song, composed in collaboration with her husband Alexander L’Estrange), A place for us maids (commissioned to mark 40 years of female undergraduates at Trinity College, Cambridge), The Three Wise Women (commissioned to mark the 135th anniversary of St Swithun’s School, Winchester) and Byrd Song (commissioned to mark the 400th anniversary of the death of William Byrd). In 2018 Joanna founded the all-female vocal group AQUILA and, in the same year, made history by organising the first ever all-female recording session at Abbey Road Studios in London, recording her single Twenty-first-century Woman for International Women’s Day.

www.joannaforbeslestrange.com

The Royal School of Church Music

The Royal School of Church Music (RSCM) is the Salisbury-based, national, independent charity enabling the flourishing of church music. As the central ‘home’ of church music, RSCM provides relevant education, training and resources to its membership, the wider church, and beyond. It is committed to encouraging the best of music in worship, and to advocating music as a tool for growth of the church.

The RSCM supports thousands of member churches across the UK and worldwide through its international partners. In addition, it also supports many schools and Individual members, and its work is sustained by thousands of Friends, Regular Givers and other donors.

The RSCM is an open, life-long learning organisation, offering face-to-face and distance education and training through its programmes, published resources, courses and activities.

Founded by Sir Sydney Nicholson in 1927, the RSCM’s original emphases were English and choral. Now, in a diverse international context, the RSCM’s work is far broader and more diverse, and aims to make all its work ecumenical in purpose, nature and content.

His Majesty King Charles is the RSCM’S Royal Patron, and its president is The Most Revd and Rt Hon The Lord Archbishop of Canterbury. The organisation celebrates its centenary in 2027.

www.rscm.org.uk

Registered charity no: 312828   

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Saturday 1 June 2024, 10am-4.45pm, Coach House Pianos SW6 4SQ

SPECIAL OFFER FOR READERS OF THIS SITE – DISCOUNTED OBSERVER PLACES

A one-day masterclass for advanced adult amateur pianists (Grade 8+) with pianist and pedagogue Dr Michael Low, hosted by Frances Wilson (The Cross-Eyed Pianist) at the sumptuous London showroom of Coach House Pianos. There is much to be gained from observing at a masterclass, including insights into technical and interpretative issues, practicing and performance, in addition to the opportunity to hear a variety of repertoire, including music by Schubert and Debussy.

Observer tickets £10 for the full day (save £5) – click on the image to book or scan the QR code to book


Book now

The event will be friendly, supportive and inspiring, and a great opportunity to observe top class teaching in friendly setting, plus the chance to meet other pianists. There will be plenty of time for discussion, Q&As, and relaxed ‘piano chat’ too.

Coach House Pianos is located at 79-91 New Kings Rd, London SW6 4SQ (nearest stations: Fulham Broadway, Parsons Green & Imperial Wharf). Please arrive promptly. Michael and Frances will be at the front entrance of the showroom to greet you.

Frances Wilson
Dr Michael Low

Praised for his innovative approach and passionate insight into piano playing, Dr Michael Low’s teaching career in Asia and Africa has spanned almost a quarter of a century. As a student, Michael studied piano with Richard Frostick (the current director of the BBC World Voice Programme) before enrolling as a member of London’s prestigious Centre For Young Musician where he studied piano with the international pedagogue Graham Fitch. He obtained his Honours at Surrey University under the tutelage of Clive Williamson before completing his Masters of Music whilst studying with Nils Franke and Niel Immelman. An International Scholarship brought Michael to Cape Town where he completed his Doctorate under the supervision of South African greatest living composer, Hendrik Hofmeyr. Michael has also worked with numerous eminent teachers and pianists including, Nina Svetlanova, Frank Heneghan, James Gibb, Phillip Fowke, Renna Kellaway, Carolina Oltsmann, Florian Uhlig, Gordon Fergus Thompson, Francois du Toit and Helena van Heerden.

Frances Wilson is an advanced amateur pianist and writer under the pen-name The Cross-Eyed Pianist. Established in 2010, The Cross-Eyed Pianist blog has become “an important voice in the piano world” (Peter Donohoe, international concert pianist) and enjoys a wide global readership with c25,000 visitors to the site per month. The Cross-Eyed Pianist is now one of the UK’s leading blogs on classical music, with a special focus on pianists and the piano.

Frances is an advanced amateur pianist who returned to the piano after a gap of some 25 years, achieving Licentiate and Associate Diplomas (both with Distinction) in Piano Performance in her late 40s. She has studied with a number of acclaimed teachers, including Penelope Roskell and Graham Fitch, and participated in masterclasses, workshops and courses with, amongst others, Stephen Savage, Murray McLachlan and Charlotte Tomlinson.

A passionate advocate of amateur pianism, Fran co-founded the London Piano Meetup Group in 2013, which, 10 years, remains hugely popular with adult pianists of all abilities.

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Franz Liszt divides opinion. For some he is regarded as one of the greatest pianist-composers of the Romantic era; for others, he is a showman and a charlatan who wrote vulgar, showy music. 3D rendering of Franz Liszt by Hadi Karimi In fact, he was a remarkable musician and human being. Sure, as a performer he could be flamboyant and extravagant in his gestures, but he helped shape the modern solo piano concert as we know it today and he also brought a great deal of music to the public realm through his transcriptions (he transcribed Beethoven’s symphonies for solo piano, thus making this repertoire accessible to both concert artists and amateur pianists to play at home). He was an advocate of new music and up-and-coming composers and lent his generous support to people like Richard Wagner (who married Liszt’s daughter Cosima). His piano music combines technical virtuosity and emotional depth. It’s true that some of his output is showy – all virtuosic flourishes for the sake of virtuosity – but his suites such as the Années de Pèlerinage or the Transcendental Etudes, and his transcriptions of Schubert songs demonstrate the absolute apogee of art, poetry, and beauty combined. Martha Argerich Martha Argerich brings fire and fluency to her interpretations, underpinned by a remarkable technical assuredness. Her 1972 recording of the B-minor Sonata and Hungarian Rhapsody No. 6 is regarded as “legendary”. Leslie Howard Australian Leslie Howard is the only pianist to have recorded the solo piano music of Liszt, a project which includes some 300 premiere recordings, and he is rightly regarded as a specialist of this repertoire who has brought much of Liszt’s lesser-known music to the fore. Lazar Berman Berman’s 1977 recording of the Années de Pèlerinage remains the benchmark recording of this repertoire for many. Berman brings sensibility and grandeur, warm-heartedness, and mastery to this remarkable set of pieces.
Alim Beisembayev Winner of the 2021 Leeds International Piano Competition, the young Armenian pianist Alim Beisembayev’s debut recording of the complete Transcendental Etudes is remarkable for its spellbinding polish, precision, and musical maturity, all supported by superb technique.
Yuja Wang Yuja Wang has been praised for her breath-taking interpretations of Liszt’s First Piano Concerto which combine force and filigree, emotional depth, and technical mastery to create thrilling and insightful performances. Other noted Liszt pianists include Georges Cziffra, Jorge Bolet, Krystian Zimerman, Lang Lang, Daniil Trifonov, Sviatoslav Richter, Marc-André Hamelin, Nelson Freire, Claudio Arrau, and Vladimir Horowitz.
(image credit: 3D rendering of Franz Liszt by Hadi Karimi)

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