If you haven’t yet discovered the delightful gem that is the 1901 Arts Club, now is the time to do so….

7 Star Arts present a trio of concerts at the 1901 Arts Club this autumn featuring leading musicians, including pianist Viv McLean and up-and-coming soprano Sofia Kirwan-Baez, in a range of imaginative programmes of music from Nadia Boulanger to George Gershwin and Benjamin Britten – and much more besides. These concerts are in support of English National Opera’s Benevolent Fund

Housed in a converted schoolmaster’s house a stone’s throw from Waterloo Station, the 1901 Arts Club is an intimate, convivial chamber music venue whose ethos, ambiance and decor is inspired by Europe’s ninteenth-century Salon culture. It’s the perfect place to enjoy music with friends, and it boasts an elegant upstairs bar for pre- and post-concert socialising. And at these concerts with 7 Star Arts, you’ll have the chance to meet the artists as well.

Tuesday 24 September HIDDEN GEMS OF FRENCH SONG with Sofia Kirwan-Baez

Hotfoot from her recent appearance at Longborough Festival Opera, soprano, pianist and songwriter Sofia Kirwan-Baez takes you on a journey through French song, from Nadia and Lilli Boulanger to Edith Piaf and Barbara. Plus a few surprises along the way…


Wednesday 30 October ALICE NEARY cello and VIV McLEAN piano

Two of our finest musicians perform much-loved sonatas for cello and piano by Debussy, Britten & Franck.

The pianist Viv McLean seemed exceptional….he astonished us with his musical maturity and extraordinary sonority

Le Monde, Paris


Wednesday 4 December CLASSIC GERSHWIN with VIV McLEAN piano & SUSAN PORRETT narrator

7 Star Arts most popular words and music production makes its 1901 Arts Club debut. This “glorious celebration of Gershwin’s life and music” weaves the vibrant music of the ever-popular composer with his fascinating life story from birth in the colourful, teeming New York of 1898 to his tragically early death in 1937. Programme includes Gershwin favourites The Man I love and Rhapsody in Blue as well as lesser-known works.

Audiences love this music and playing it is a fascinating challenge

JAMES LISNEY pianist

The music of Fryderyk Chopin has been central to British pianist James Lisney’s repertoire since his Wigmore Hall debut in 1986.

This autumn he is touring some of Chopin’s most beloved piano music, including the Four Ballades and selected Nocturnes, with concerts in Prague, Belgium, the Netherlands, and France. The UK leg begins on 27 September, and includes major venues such as Bradshall Hall at Birmingham Conservatoire and the Stoller Hall in Manchester, and more intimate venues including London’s 1901 Arts Club. Those who cannot attend in person can enjoy a livestream of the programme from St George’s Bristol on 27 November. Full details here

In this podcast, James talks about the challenges and pleasures of playing Chopin, in particular the Ballades, concert preparation, and inspiring amateur pianists….


This site takes many hours each month to maintian and update. If you find value and pleasure in what I do, why not

I haven’t touched the piano for months. I have a beautiful early 20th-century Bechstein model A grand piano which has been sitting, untouched, in my piano room/office. There is music open on the stand – Schubert’s Piano Sonata in A, D664 – suggesting intent, but I have not played it seriously in over six months.

Why? Lack of motivation, lack of time, yes. But also something which I think is particular to the amateur musician – the knowledge that, unlike the professional musician who must practice regularly to maintain their skill and artistry, one can come back to the instrument at any time and pick up where one left off.

But it can be hard and the first line of that wise saying of violinist Jascha Heifertz – “If I don’t practice one day, I know it…” holds true as much for the amateur as for the  professional musician. The more time passes, the harder it becomes to start over again.

But it’s not impossible.

Rekindling the habit of practicing and playing the piano after a pause, however long, can be both challenging and rewarding. The key to a successful return lies in setting realistic goals, cultivating patience, and reviving your passion for music. Here’s a guide to help you navigate this journey back to the piano:

Set Realistic Goals

One of the first steps in returning to piano practice is setting achievable goals. Begin by assessing your current skill level and recognising that you may not be able to play at the same proficiency as before. Setting short-term goals that focus on gradual improvement, such as playing music that is already well-learnt or attempting a short piece or study, help you reacquaint yourself with the instrument, build confidence and provide a clear sense of progress.

Establish a Routine

Consistency is crucial in developing any skill, and piano playing is no exception. Create a practice schedule that fits comfortably into your daily routine. Practice “little and often”: even 15 to 30 minutes a day can make a significant difference over time. Ensure your practice sessions are regular, but also be flexible and kind to yourself if the demands of daily life/work interrupt your schedule.

Revisit Familiar Pieces

Playing pieces you were once comfortable with can be immensely satisfying and a great confidence booster. It allows you to gauge how much you remember and where you need to focus your practice. These familiar pieces can act as a bridge, easing you back into more challenging repertoire while providing a sense of accomplishment.

Explore New Repertoire

While revisiting old favourites is comforting, exploring new music can really reignite your interest. Choose pieces that inspire you and reflect your musical tastes. Don’t feel you have to learn certain pieces because they are good for you; play the music that interests you. Learning new repertoire not only keeps practice sessions interesting but also broadens your musical horizons and challenges your skills in different ways.

Seek Guidance and Support

If you have taken a long break from the instrument, consider taking lessons, even if only temporarily. A teacher can provide personalised guidance, help you set realistic goals, and correct any bad habits that may have formed during your hiatus. Additionally, joining a music meetup group can offer support, motivation, and opportunities to share your progress with others.

Be Patient and Positive

Returning to your instrument after a break requires patience and a positive mindset. Progress may be slow at first, and you might feel frustrated by the gap between your past abilities and your current performance. Set realistic goals and celebrate small victories – and, above all, remind yourself of the joy that playing the piano brings. With time and persistence, your skills will improve, and the music will flow more naturally.

Enjoy the Process

Ultimately, the journey back to the piano should be enjoyable. Embrace the process of relearning and rediscovering your love for the instrument. Allow yourself to experiment, make mistakes, and have fun. Remember, the ultimate goal is the joy and fulfilment that comes from making music.

Happy practicing!


This site takes many hours each month to maintian and update. If you find value and pleasure in what I do, why not

‘Wings of Freedom’ is a large-scale work for symphonic wind band, written by Thomas Hewitt Jones and commissioned by the Central Band of the Royal Air Force. Inspired by the RAF’s four core values – Respect, Integrity, Service and Excellence (RISE) – the piece received its London premiere at Holy Trinity church, Sloane Square, last September, under the direction of Squadron Leader Chris I’Anson.

The band subsequently performed the work in Cambridge and also at Regent Hall in London, where the entire piece was filmed. You can now enjoy it via the RAF Music Service’s YouTube feed:

Read more about the piece here