Who or what inspired you to take up the piano and pursue a career in music?
I had this little toy keyboard-glock thing when I was little and, apparently, I would relentlessly play Twinkle Twinkle Little Star on repeat on it…using only fingers 4 and 5. My parents weren’t musicians but suspected it would be sensible to find a teacher for me before I got into any strange habits!
Who or what have been the most important influences on your musical life and career?
My parents were incredibly supportive for which I will be eternally grateful. We also had a wide variety of musical genres playing in our home. I also had a primary school music teacher who encouraged me to be broad from the very start. He let me start an ensemble of children blowing across pen lids and he gave us a slot in a concert!
What have been the greatest challenges of your career so far?
Self-doubt is my biggest enemy. I received some pretty damning assessments of my pianism and musicianship from some teachers along the way advising me to search for a career elsewhere and those comments still haunt me, regardless of any success I may enjoy. On a lighter note, as I like to keep myself varied and versatile, the constant “hat changing” from role to role takes a fair amount of concentration. There’s a reason people choose to specialise and I am endeavouring to match each person’s standard in each of their home territories! But I wouldn’t change it!!
Which particular works do you think you play best?
I have a particular love for Debussy and French music. My very first piano teacher taught me that if I couldn’t get the sound I wanted out of a piano, that was down to me and I had to keep searching. This led to an endless thirst for finding sounds. I love contemporary music for the same reason. I also enjoy playing music which pulls on the breadth of styles I am familiar with.
How do you make your repertoire choices from season to season?
I often don’t! I am often asked to play particular programmes based around certain themes. I recently performed a programme of works written for me for piano and various micro-computers!
Do you have a favourite concert venue and why?
I do love the Wigmore Hall. As well as the beautiful acoustic, there is something about its dimensions, the stage, the lighting, which makes you feel both near enough and far enough away from the audience while having a wonderful connection with any fellow performers on stage.
Who are your favourite musicians?
I love a good explosion like Martha Argerich. And Mitsuko Uchida just oozes generosity and sincerity.
What is your most memorable concert experience?
Unfortunately, the one which springs to mind is where I had a wardrobe malfunction! I started my Scarlatti Sonata and one strap slipped down my shoulder, then the other… I could feel the audience holding their breath…for all the wrong reasons!
As a musician, what is your definition of success?
Finding the perfect connection between you, the composer and the audience (and the space and the piano) and balancing what needs to be communicated between all of these.
What do you consider to be the most important ideas and concepts to impart to aspiring musicians?
That you can only offer what you have to offer. Feed yourself in every way possible, work as hard as possible, and always give everything you can. You must not expect any less of yourself…but you also cannot expect any more.
Where would you like to be in 10 years time?
In 10 years time, I would like to have a life full of a whole range of musical things, some of which I don’t want to be able to guess! I’d also like to have redressed my work-life balance…!
What is your idea of perfect happiness?
My idea of perfect happiness is the above and having person/people to share that with. Moments of absolute creative activity interspersed with thoughtless silliness and some complete stillness.
What is your present state of mind?
My present state of mind is currently noisy! I find it difficult to switch off; finding internal silence is a constant endeavour.
As a multi-genre chamber musician, orchestral pianist and music director, Yshani has performed at venues including Wigmore Hall, Queen Elizabeth Hall, the Amsterdam Concertgebouw, Barbican Theatre and various West End Theatres. She has performed at events including the Oxford Lieder Festival, Kammer Klang and Live at the London Palladium and with such varied artists as City of Birmingham Symphony Orchestra, Mahogany Opera and Nina Conti.