The beautiful packaging and handwritten note from the artist, embellished with pressed flowers, hinted at what was contained inside. For several days I didn’t want to open the package, it was so pretty, but when I did, I found something equally lovely, and intriguing too: an album of music, songs and poetry which reminded me of childhood holidays in Suffolk – by the sea at Aldeburgh or walking through the marshes and reed beds around Snape and Iken – and my parents listening to music by Benjamin Britten on their record player. And it is the music of Benjamin Britten which forms the basis of ‘The Wild Song’ – a musical and literary collaboration between soprano Marci Meth, pianist Anna Tilbrook, actor Simon Russell Beale and composer Mychael Danna.
Britten was greatly influenced by the natural world, and specifically the coastal landscape of Aldeburgh and the windy, open marshes around the village of Snape where he lived and where he established the Aldeburgh Festival. One only has to listen to the Sea Interludes from ‘Peter Grimes’ to hear how much the sounds of the shoreline and the turbulent North Sea, the wind in the reed beds and birdsong infuse his music. His folksong arrangements are also rooted in the Suffolk landscape which he knew and loved so much, and 31 of them feature on ‘The Wild Song’, sung by Marci Meth with pianist Anna Tilbrook.
The songs alternate with poems by W B Yeats, read by actor Simon Russell Beale and selected by Marci, chosen because they complement the folksongs on a similar theme and their language resonates naturally with the lyrics of the songs. In addition, musical interludes by Oscar-winning film composer Mychael Danna are interspersed between the songs and poems. Each of Danna’s interludes contains a quote from the piano part of Britten’s folksongs – but slowed down, stretched and/or looped, so these become Danna’s own transcriptions of Britten’s.
Marci’s voice is elegant and sweet, perfect for Britten’s naïve song arrangements, and sensitively accompanied by Anna Tilbrook, whose piano sound is equally elegant, and both singer and pianist are alert to the shifting moods and charaters of these songs; there is plenty of wit, humour and robustness in the more lively songs. The poetry provides moments to pause and reflect – there is something very comforting about being read to and Simon Russell Beale surely has one of the most pleasing speaking voices – while Mychael Danna’s interludes act almost as a soundtrack, evoking Britten’s Suffolk. The entire album is very atmospheric. It is also beautifully produced with great care and attention to detail, including a generous booklet with all the song texts and poems. Appropriately, the album was recorded at the Britten Studio in Snape Maltings, Suffolk, where Britten lived and worked.