An embarrassment of riches amongst recent releases for piano. I regret I don’t have time to write a detailed review of each one, but I hope this brief overview will pique the interest…..
Denes Varjon – De La Nuit (ECM)
Varjon brings vivid imagination and musical poetry to works by Schumann, Ravel and Bartok whose associations with night-time are the unifying thread in this recording which works well as a “recital disc”. Varjon’s sense of spontaneity and range of colours is particularly suited to Schumann’s ever-shifting moods, while the quality of the production brings a special shimmer and resonance to the Ravel.
Steven Osborne – Rachmaninov: Complete Etudes Tableaux (Hyperion)
Osborne’s clarity, scrupulous attention to detail and musical sense, coupled with his wide-ranging sound palette and imagination, bring these miniature “picture studies” brilliantly to life, often revealing unexpected inner voices and textures. Despite their brevity, many of these works mirror the idioms, architecture and expansiveness of Rachmaninov’s piano concertos: Osborne really appreciates this and treats them with the respect they deserve.
Vikingur Olafsson: Bach (DG)
I very much enjoyed Olafsson’s Philip Glass recording (2017), in particular for his very personal, romantic approach to Glass’s music, richly expressive playing and beautiful cantabile sound. He imbues Bach’s keyboard music with the same qualities, making a strong case for an individual approach to this music and proving that there is no “right way” to play Bach. The wide range of Bach’s character is also revealed, from playful and witty to sombre and grief-laden, while the transcriptions, including Silotti’s ethereal B minor Prelude, pay hommage to Bach’s own penchant for borrowing or augmenting others’ works while also demonstrating how Bach touches and inspires each generation.
Helen Anahita Wilson: Bhooma (Golden Girl Records)
I must admit a personal connection here as Helen is a friend of mine and I have been fortunate to hear selections from her debut disc at several of her concerts over the past year. This album reflects Helen’s ongoing interest in Indian and Persian music and includes her own compositions – intimate miniatures with Sitar-like shimmers of sound, hypnotically pulsing accompaniments, and perfumed chords – alongside works by Peter Feuchtwanger (with whom she studied) and Chick Corea, plus a piece by Stephen Montague, ‘Beguiled’ written especially for her. The piano sound is warm and mellow, perfect for this music.