The second evening of concerts at Chetham’s featured musicians of the next generation and an established international concert artist.
The Ronald Stevenson Memorial recital is given in honour of one of the greatest composer-pianists of modern times, and was established in 2015 with generous funds donated by the Stevenson Society. Stevenson, who died in 2015, was a visitor to the Chetham’s Summer School. He wrote highly attractive, virtuosic and engaging music inspired by the landscape, heritage and culture of Scotland where he made his home. His large and varied post-Romantic oeuvre also includes music written for children, which is sophisticated and characterful.
In this concert, students from Chetham’s School of Music performed works by Stevenson, including his Scottish Folk Song Settings for Piano and the quirky Six Pensees sur des Preludes de Chopin, Stevenson’s clever combining of Preludes by Chopin to create miniatures which are witty and imaginative. It was wonderful to see young people, one as young as 9, performing with such poise and confidence. In addition, their individual sound and range of pianistic colours and moods was impressive, and this concert was both a celebration of Stevenson’s genius and these young musicians.
Leon McCawley’s concert was one of those occasions where the reviewer’s role is rendered largely redundant! What can I say about a performance of Mozart’s Piano Sonata K279 whose outer movements sparkled with wit and good humour, contrasting with an Andante of understated operatic drama and elegance? Or Richter’s favourite Schubert Sonata, the genial D894, performed with such taste, clarity and sensitivity that we never lost sight of the overall arc of this long sonata. So many little details – of melody, rhythm and harmony – were deftly managed to create a compelling and fluent musical narrative that was expansive yet also highly intimate. McCawley caught Schubert’s fleeting moods, his unexpected volte-faces (often signalled by “distant” harmonies or rests), with lyricism and grace.