Meet the Artist – Llŷr Williams, pianist

Who or what inspired you to take up the piano and pursue a career in music?

I used to listen to a lot of music (mainly vocal) when a young child and so my parents decided to buy a piano for me.

Who or what have been the most important influences on your musical life and career?

I’m largely self-taught as a pianist but have been inspired at different times by recordings of artists such as Richter, Gilels, Barenboim, Brendel and many others.

What have been the greatest challenge of your career so far?

Performing all the Beethoven sonatas in two weeks during the 2011 Edinburgh Festival.

Which performance/recordings are you most proud of?

I have just finished recording most of the Beethoven solo piano music and I’m currently listening to the tapes to work out whether I can be proud of them or not.

Which particular works do you think you play best?

I think that’s probably for other people to decide.

How do you make your repertoire choices from season to season?

I usually devise a large-scale project for the season such as a Beethoven or Schubert cycle but it’s also important to play as many different composers as I feel comfortable with. Inevitably I have to deal with requests from promoters which mean I always play more repertoire than is ideal each year.

Do you have a favourite concert venue to perform in and why?

The Concertgebouw in Amsterdam (both large and small halls) has amazing acoustics and I have fond memories of my Carnegie Hall debut.

What is your most memorable concert experience?

Possibly my debut at the Edinburgh International Festival in 2003 or returning there to play Charles Ives’ mind-bogglingly complicated Concord Sonata.

As a musician, what is your definition of success?

Being able to go to sleep after a concert and forget about it, not lying awake thinking that it wasn’t good enough.

What do you consider to be the most important ideas and concepts to impart to aspiring musicians?

The idea that music-making is not a circus and that we’re not necessarily interested in how fast you can play. Use imagination in choosing and exploring lesser-known parts of the repertoire as there is a risk that all young pianists now want to play the same pieces.