Who or what inspired you to take up percussion, and pursue a career in music?
I was introduced to music at a very early age and so it was instilled in me right from the start. I began with piano lessons, however at the age of 9 I decided that the drum kit was my true calling, and the rest is history!
Who or what have been the most important influences on your musical life and career?
I have had many inspirational teachers throughout my education who have nurtured my musical learning in many different ways and have all influenced me in my musical life and career.
What have been the greatest challenges of your career so far?
The greatest challenge for me is becoming accomplished on as many different percussion instruments as I can – there are so many to choose from!
Which performance/recordings are you most proud of?
As part of a percussion quartet, we spent a day recording three pieces in November 2016 in preparation for a competition in May. We encountered many unusual setbacks in the lead up to the recording and on the recording day itself including a power cut, despite this I feel that we did a really great job and I’m really looking forward to hearing the results.
Which particular works do you think you play best?
I really enjoy the performance aspect of being a soloist and find that the more unusual the piece of the music, the more I enjoy it and therefore the better I play it! At the moment, I’m working on a piece for body percussion and mime called Ceci n’est pas une Balle. It’s a really energetic piece that requires a lot of audience interaction and is really exciting to perform.
How do you make your repertoire choices from season to season?
I choose repertoire based on what I appreciate listening to and what I feel will work best with my musical personality. Above all, I choose pieces that I know I will enjoy playing and performing to an audience.
Do you have a favourite concert venue to perform in and why?
For orchestral playing, I really enjoy the atmosphere of Birmingham’s Symphony Hall, the vast space is thrilling to perform in. Small solo venues can also have the same thrilling effect, with much more intimacy between performer and audience.
Favourite pieces to perform? Listen to?
I’ve recently been introduced to an array of traditional Irish folk music and am enjoying both listening to and playing along to (with the aid of my bodhran) some awesome tunes. There are lots of great bands/artists on the Irish scene who mix traditional tunes with contemporary beats, some great ones to listen to are: Donal Lunny, Flook, Kila, and Planxty.
Who are your favourite musicians?
My favourite musicians are the percussionists and educators who I have had the chance to meet and work with during my education. These are the people who I can consolidate about my career and who will give honest and accountable opinions. They are the musicians who work tirelessly day in day out to make a success of their own careers, they are exceptional players and can give some of the best advice a fellow musician could ask for.
What is your most memorable concert experience?
This would probably have to be my very first visit to the proms when I was a younger. The vastness of The Royal Albert Hall was mesmerising and I can remember being particularly in awe when the orchestra played The Storm from Britten’s Four Sea Interludes.
What do you consider to be the most important ideas and concepts to impart to aspiring musicians?
Make yourself as versatile a musician as you possibly can. There are so many opportunities out there for musicians to take, not just as a performer. Immerse yourself in all aspects of music, from community work to concert organising, from being a session musician to creating your own folk band. Do as much as you can and experience as much as you can, while you can. Above all, make sure that you continue to enjoy all that you do!
What do you enjoy doing most?
Aside from all things musical, I enjoy going rock climbing and bouldering as often as I can. It’s great fun and important to occasionally take myself away from the musical world.
Miriam graduated from Birmingham Conservatoire in June 2016 with a First Class Honours degree in Music Performance; she is now studying for her Master’s degree at the same establishment. Miriam has worked with many percussion teachers and educators from around the world including Adrian Spillett, Alexej Gerassimez, Ney Rosauro and Colin Currie to name but a few. Miriam is a versatile percussionist with interests stretching from the Irish Bodhrán to the music of Latin America; from orchestral playing to solo repertoire. Miriam also has keen interests in learning and participation projects within the wider community and the arts management that surrounds them.