Tido, in partnership with renowned music publisher Edition Peters, has created a smart new iPad application for pianists which takes the educational app to new heights. Tido has already developed the Mastering the Piano app with Chinese superstar pianist Lang Lang, and therefore already had a stack of tech and musical know-how with which to build its latest app, Tido Music.
Most iPad music education apps are designed for children and young people, or for teachers to use with their students (such as Wolfie). Others, such as Tomplay, encourage independent learning combined with piano fun, but few offer detailed historical context, analysis, and instruction in the way Tido Music does.
What makes it special?
Tido Music is a platform for the discovery and performance of music. To achieve this, Tido has used Music Encoding Initiative’s open source framework which supports the development of dynamic notation. Put simply, for the end user, the app delivers interactive sheet music seamlessly layered with audio, video and text to allow musicians to feel more immersed in the music.
‘In designing Tido Music, our starting point was to find an architecture which could unite all the varied ways of experiencing music: notation, audio, literature, video and more…….We’ve created an app that does just that. Not only does it bring all the facets of music together in one place to create a truly immersive experience; it also features the very best content from some of the world’s leading performing artists and scholars.’
Brad Cohen, founder of Tido Music
The app has an attractive clean design and is very easy to navigate. Music is stored by composer in “volumes” – for example, Bach’s Two-Part Inventions, Chopin’s 24 Preludes – and for each piece, the user may listen to the music (played not by a MIDI player but beautifully by a real live pianist) and view the score. Tido’s technology includes a magic cursor, a mauve shadow which guides the user through the music (and which is far more comfortable on the eye than a coloured marker which some other music apps use). Within the score, the user can adjust the pulse and annotate the score, and there’s a useful help option too. The app also offers a revolutionary automatic page-turning facility that works by allowing the app to listen to the player. Page turns can also be programmed depending on how far ahead you read/memorise what is coming next – and the app will turn the page for you even if your performance isn’t 100% accurate.
So far so similar to other score-reading apps….but the real achievement of Tido music is the inclusion of filmed live performances of the music being played. The audio and visual quality of these films is really striking, and the user can enjoy multi-angle performances of the pianist’s hands at work. While the video plays, you can also read the score at the bottom of the screen with a cursor which moves in sync with the performance. In addition, there are masterclasses where the user can explore the piece in the company of a real concert pianist or musicologist who offers their own insights into the music and how to play it. In future, the app will include masterclasses of multi-movement works as well.
There is information about the composer’s compositional style and techniques, and an in-depth guide to the music in each volume, including social and historical contexts. It is this additional content which, for me, makes the Tido app far superior to anything else I have seen. To be able to watch, close up, the music being played, and hear the pianist talk about it, is a compelling learning tool – in effect, one can enjoy a private masterclass with a top-flight pianist in the comfort of one’s living room or piano studio.
Edition Peters, who are responsible for developing the first set of content that flows into the app, has secured an impressive roster of international pianists for the app, including Daniel Grimwood, Clare Hammond, Adam Tendler, Richard Uttley, Joanna Macgregor and French piano music scholar Roy Howat. Each brings their own personal insights and “pianistic hacks” to the pieces (Richard Uttley, for example, has a neat “fix” for dealing with a tricky flourish in Brahms’ Intermezzo Op 119, no. 3). These are the sort of details one would normally only expect to obtain from a master teacher.
Tido’s partnership with music publisher Edition Peters also gives them access to a vast archive of scores for use in the app, from J S Bach to John Cage. Some of these are free, others can be purchased singly or in volumes. Those downloading the app can experience and explore its many features by signing up to a free, 30-day trial, and take advantage of a special introductory £2.99 monthly subscription. Tido promises that the app, “will continue to grow with a range of content from leading publishers”. The first collection, Piano Masterworks, offers a great selection, including popular favourites such as Beethoven’s Für Elise, Ravel’s Pavane, Chopin’s Preludes and Grieg’s Lyric Pieces, but it is cheering to also find music by Cage, Field, Scriabin, Mussorgsky, Clementi and Janáček, thus offering the user a wide variety of repertoire to explore and play. I’d like to see more contemporary piano music, and also more advanced repertoire, but hopefully this is in the pipeline.
This is an impressive and innovative music app, particularly suited to amateur pianists or piano students who are looking for the opportunity for independent but supported study of the piano and its literature.
- acoustic audio recordings, aligned with interactive scores from Edition Peters
- exclusive video performances and in-depth tutorials from leading experts and concert pianists
- historical context and critical commentary from established scholars and editors
- powerful practice tools, including annotation and auto-paging
The app is available now via the iTunes app store
(pictures: Tido Music)