Who or what inspired you to take up the piano and make it your career?
I was inspired by my much older cousin Geoffrey who was at the Royal College of Music in London playing the piano when he and his parents came to us for Christmas. We had a good upright piano at home.
Who or what were the most important influences on your musical life and career?
Ruth Railton of the National Youth orchestra and teachers Dorothy Hesse and Maria Curcio.
What have been the greatest challenges of your career so far?
The greatest challenges have been getting to the top venues in the world.
Which performance/recordings are you most proud of?
A performance in Carnegie Hall New York, after which I was signed up by a big agent.
Which particular works do you think you play best?
Beethoven, most of the Romantic composers and Debussy.
How do you make your repertoire choices from season to season?
It depends whether I’m preparing for a recording and include that repertoire, and playing works which didn’t feature in the previous season. Also learning something new.
Do you have a favourite concert venue to perform in and why?
The Wigmore Hall since I played there when I was twelve and it was the most exciting place in the world to me then. I love the warm intimate atmosphere.
Favourite pieces to perform? Listen to?
Beethoven Op. 2 no. 3, the ‘Appassionata’, Debussy’s Estampes and the Chopin 4th. Ballade. I love listening to Martha Argerich playing Gaspard de la Nuit.
Who are your favourite musicians?
Schnabel, Lipatti, Julius Katchen, Vlado Perlemuter Rubenstein and Argerich.
What is your most memorable concert experience?
First time in the Royal festival Hall with Tchaikovsky 1 and the RPO.
What do you consider to be the most important ideas and concepts to impart to aspiring musicians?
To play through repertoire to people prior to a performance, and a concerto with someone accompanying on another piano, and to feel absolutely prepared for a performance. Also to learn how to look good, to walk and bow, and not to be put off if things don’t go well. Go back to the drawing board and try your best to put things right.
What are you working on at the moment?
The Chopin B flat minor Sonata & the 4th Ballade and the Schumann and Gershwin concertos.
Where would you like to be in 10 years’ time?
In 10 years’ time I would like to have gained greater recognition and have become a name synonymous with the top pianists in the world.
What is your idea of perfect happiness?
Either being on a horse or on a beach in the Bahamas.
What is your most treasured possession?
My cats and my grand piano.
What do you enjoy doing most?
Practising, and parties after concerts that have gone really well.
What is your present state of mind?
Angela Brownridge performs Beethoven’s Piano Sonata in F minor, Op 57 as part of the third St Barnabas Beethoven Piano Sonatas Festival, 17-18 May 2014. Full details here
Angela’s playing restores spontaneity, character, and beauty of sound to the platform… Hailed as a major star in classical music Angela Brownridge has been compared with such pianists as the legendary Solomon, Rachmaninov, Cherkassy, and Bolet. She began her life in an atmosphere of freedom and individualism virtually impossible to find today. Under the guidance of Maria Curcio, who had been a pupil of Schnabel for many years, she absorbed the ability to produce every nuance of the piano, and to present music flexibly and persuasively instead of concentrating on a single method of technique or continual displays of brilliance, learning to deal with the differing requirements of a varied range of composers which recalls Cortot in his prime. Indeed, by realising that many pianists of a bygone age played with far more individuality, magic, and inspiration than has become the fashion, she was able to develop her own unique personality. In an age which has become over-fascinated with mere technique, and which seeks the degree of ‘perfection’ offered by over-edited CDs, Angela’s playing restores spontaneity, character, and beauty of sound to the platform.
A child prodigy, equally talented in composition, extemporisation, and technically brilliant, Angela first performed in public at the age of seven, and a year later had several pieces published. By the age of ten she had given her first concerto performance, and in her early teens was appearing regularly as a recitalist and concerto performer throughout Great Britain and abroad. She later won a piano scholarship to Edinburgh University, and after graduating B. Mus. was awarded a further scholarship for a two-year period of study in Rome with Guido Agosti. As the winner of several competitions she was able to continue her studies with Maria Curcio in London, where she now lives. Since then Angela has appeared in all the major London concert halls, and has visited Eastern and Western Europe, the USA, Canada, and the Far East, as well as performing extensively in the UK. She has been a soloist with many leading orchestras and conductors, and Festival engagements include Bath, Edinburgh, Warwick, Newport Rhode Island, Bratislava, Brno, Hong Kong, and Maastricht.
Her recorded repertoire is very varied, including some first ever collections of the complete piano music of Barber and Gershwin. Her recordings have received worldwide critical acclaim, several being voted “Critics’ Choice” by Hi-Fi News. She has also appeared on BBC TV in programmes which have involved her in discussion about the music she has performed. She often gives lecture recitals and master classes, and maintains her love of improvisation which has led her on occasions into the world of jazz. In 2004 Angela recorded the complete piano works of Kenneth Leighton who was her professor in harmony, counterpoint, and composition at Edinburgh University where she was on a piano scholarship. Leighton, who died in 1988 has been described as “the most important British composer of piano music of the twentieth century”. The three CD set is available on the Delphian label: DCD 34301. (Source: Mary Kaptein Management)