My weekend has been piano recital-heavy, not that I would have wanted it any other way. On Saturday I saw Piotr Anderszewski at Peterhouse in Cambridge, and last night I saw Yuja Wang at the Barbican. You can currently listen to the latter recital here. Two very different recitals, but I came away from each one thinking about the same thing: the encores.
Anderszewski gave two, both by Schumann — ‘Einsame Blumen’ from Waldszenen and the Novelette, op. 21 no. 8. Wang gave five (five!) — a transcription of Rachmaninov’s Vocalise, elephantine and spangly by turns, Prokofiev’s op. 11 Toccata, Chopin’s Waltz in C-sharp minor, op. 64 no. 2, the Bizet-Horowitz Carmen Variations, and finally ‘Tea for Two’, after Art Tatum. Tatum is one of those pianists it is foolhardy to try and imitate, but it was a performance of winning insouciance.
What is an encore? It’s…
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