Described by composer, pianist and improviser Gregg Kallor as “a love letter to this incredible city”, ‘A Single Noon’ is a pianistic hommage to New York City. It presents a tableau of life in the city through a combination of composed music and improvisation in nine evocative snapshots with titles such as ‘Straphanger’s Lurch’ and ‘Espresso Nirvana’.
Largely jazz-influenced, the music also takes inspiration from earlier American composers and musicians, such as Gershwin (in the fragmentary suggestions of the honking, dissonant New York traffic and bustling streets and cafés in ‘Broken Sentences’), and the toccata-like elements of Brubeck and Adams (most evident perhaps in ‘Espresso Nirvana’ and ‘Straphanger’s Lurch’, which was inspired by Gregg’s “stubborn refusal to hold onto the convenient handholds in the subway cars”). In slower movements, such as ‘Found’, ‘Here Now’ and ‘Giants’, there are nods to Feldman, Messiaen, Debussy and Takemitsu in both the use of chords for timbre and colour rather than strict harmonic progression, and defined, atmospheric pauses and silences, which give the music a sense of repose, and anticipation. ‘Giants’ is, by Kallor’s own admission, his personal paean to “the musical titans I have been privileged to know, and to those who came before”, who, like the imposing skycrapers of the New York skyline, cast huge shadows across the musical landscape.
The entire album resonates with the contrasting energies and vibes of the city, from the sun breaking over the park in the morning, to subway journeys and sidewalk strolls, caffeine-fuelled conversations, and mellow evenings. Played with technical assurance, dramatic flair and sensitively nuanced shadings, Kallor subtly blurs the edges between improvisation and composed sections, classical and jazz, to provide a haunting and vivid portrait of “a life in the day” of the buzzing metropolis.
‘A Single Noon’ is available on CD or to download from iTunes
Listen to a sample here