Who or what inspired you to take up singing, and make it your career?
I’ve always sung, since I was a little girl, and I’ve always loved music. So singing as a job seemed like a natural step. However, I didn’t follow a logical route, as I first became a Barrister, after reading Law at Cambridge University. But the lure of singing was too great in the end, and so I accepted a place at the Royal College of Music and I’ve never looked back.
Who or what were the most important influences on your singing?
My most important influence has been my wonderful teacher, Lillian Watson. She has brought me to where I am today and I owe her everything. I have also been very lucky and have come into contact with some amazing artists who have guided me: Sir Thomas Allen, who gave me my first role as Mrs Herring in his production of Albert Herring at the RCM; Christa Ludwig, who has given a number of masterclasses I was fortunate enough to participate in; the late great Philip Langridge, who coached me in song and presentation; and currently Dame Anne Evans, who is guiding me through all of the Wagner roles I am learning.
What have been the greatest challenges of your career so far?
Balancing being a wife and mother with a career that often takes me far away from home.
Which performances / recordings are you most proud of?
Every performance or recording is a learning experience, and so as long as I’ve given my best I’m proud of all of them. But I suppose if I had to select one, I would say my debut at the Salzburg Festival in Mozart’s La Betulia Liberata.
Do you have a favourite concert venue to perform in?
The Wigmore Hall. There’s no better acoustic to perform in – it’s a beautiful space.
Favourite pieces to perform? Listen to?
In oratorio, I love Mahler 2 and Das Lied von der Erde, Elgar’s Dream of Gerontius, Verdi’s Requiem and Bach’s St Matthew Passion. I also love song repertoire, especially by Schubert, Brahms Britten and Mahler, and in opera I love singing Wagner. My favourite pieces to listen to are Bach’s Goldberg Variations, Elgar’s Cello Concerto, Mozart’s Requiem and anything by Mumford and Sons!
Who are your favourite musicians?
Christa Ludwig, Dame Janet Baker, Sir John Tomlinson, and Stephen Hough.
What is your most memorable concert experience?
Singing Bach’s St Matthew Passion with the Dallas Symphony under Van Zweden. It was simply wonderful.
What do you consider to be the most important ideas and concepts to impart to aspiring musicians?
Always be true to yourself, and work hard. Preparation is everything!
What is your most treasured possession?
My home. I spend a lot of my time away, so time at home with my family is precious.