Who or what inspired you to take up singing, and make it your career?
As a child I went to dancing class at a very early age. I would often get picked to sing solos in the annual dancing shows and I discovered that I was a better singer than dancer! So I started singing lessons at the age of nine and never looked back.
Who or what were the most important influences on your singing?
I was always a big musicals fan, and I would go to see West End shows and would be desperate to join in! I also loved Phantom of the Opera. To play Christine would have been a dream! Consequently, many years later, I auditioned for the role and was told I was too tall!
What have been the greatest challenges of your career so far?
One of the biggest challenges for a singer is that you have to wait for your voice to mature and as an impatient teenager that can be very frustrating. There is no rushing nature but at the same time you seem to be wishing your years away. Not anymore! I still feel as though my voice will improve with age, but I’m no longer in any hurry!
Which performances/compositions/recordings are you most proud of?
I am most proud of my concerts in South Africa in 2011. I went on a tour for 2 weeks and did 10 concerts in the space of those 2 weeks. I was part of a trio – The Nightingale Trio – which was voice, flute and piano. We flew the flag for English Songs and the audiences loved it. The travelling was amazing and I was so thrilled to just get through the concerts without any sore throats or illnesses.
Do you have a favourite concert venue to perform in?
Generally I love performing in churches and cathedrals. They always have amazing acoustics which are fantastic for the voice. They also have a great sense of stillness about them which is so calming. They are fascinating places full of history and are like little museums of the local area.
Favourite pieces to perform? Listen to?
One of my favourite pieces to perform is Da Tempeste by Handel from his opera Guilio Cesare. It is like gymnastics for the voice. It’s such a showy piece full of runs and acrobatics. I also love playing around with ornaments. It’s a real chance to stretch the voice to the extreme. Sometimes the ornaments are different every time I perform them. It just depends on the day and I like to keep my accompanist on their toes! I also love the other Cleopatra arias, especially Ah! Mio cor. It’s beautiful in many ways and just shows the versatility of Handel’s compositions. They are a real work out for the voice but so rewarding to sing.
Who are your favourite musicians?
I really admire Renée Fleming. She has such a shimmering voice with so much depth and body to it. She is extremely charismatic when she performs and never fails to deliver. She has had a wonderful career and deserves all of her successes.
What is your most memorable concert experience?
I once did a concert in a restaurant and the owner had two big Great Dane dogs. I am not the biggest fan of dogs and so I was very nervous when they lumbered into the room and came to sit at my feet. I couldn’t concentrate on performing for the fear of being licked!
What do you consider to be the most important ideas and concepts to impart to aspiring musicians?
My most important bit of advice to aspiring singers would be to enjoy the journey. Training can be frustrating but it’s also a time for experimentation. Use the training years as a time to explore a vast array of repertoire. You will then hopefully find your niche which will eventually allow yourself to carve out a career based upon your area of expertise.
What are you working on at the moment?
At the moment I am working with a composer called Andrew Keeling on a new album. It has a rocky feel to it which is totally new for me! We are in the middle of recording it and it is all very exciting. Then I’m back to opera with a new production in the Autumn.
What is your most treasured possession?
The article that has been with me throughout my career to date is my black leather music bag. My mum bought me it when I started singing lessons at the age of nine and I still keep music in it. It was my pride and joy!
English soprano Jane Wilkinson grew up on the Fylde Coast in Lancashire and began her vocal training with singing teacher Brenda Waddington. After a year studying with Barbara Robotham, she was accepted in 2002 to study at the Royal Scottish Academy of Music and Drama, Glasgow, on the Bachelor of Music course with Helen Lawson. Jane then studied as a post-graduate at the Royal College of Music, London, with Jennifer Smith. Her current teacher is Jane Irwin.
Jane is an experienced performer in all aspects of singing – opera, recitals, concerts, choral singing and competitions. She currently sings and teaches in London.
Jane recently was short listed for the BBC Radio 2 Kiri Te Kanawa Prize. She was lucky enough to sing for Dame Kiri in a masterclass at the Royal college of Music.