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Mick Jagger by David Bailey, 1964 © David Bailey
Mick Jagger by David Bailey, 1964 © David Bailey

A giant blow-up of a young Michael Caine, with his trademark black-rimmed glasses perched on his head, greets the visitor on arrival at the gallery, and sets the theme for the greater part of the exhibition, for David Bailey is most famous for his pictures of the glamorous and famous. In our celebrity-obsessed age, do we really need a large-scale exhibition of portraits of – well – celebrities? Clearly, Bailey and the National Portrait Gallery think so, and, judging by the crowds seething enthusiastically through the rooms, this is set to be London’s most popular museum show of 2014.

Read my full review here

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David Hockney: Two Boys Aged 23 or 24, 1966. Courtesy of David Hockney

‘Hockney, Printmaker’ coincides with the 60th anniversary of David Hockney’s first print and celebrates his long and diverse career as a printmaker. David Hockney is Britain’s best-known and arguably best-loved artist, and one of our most talented and innovative printmakers. Showcasing over 100 works, including rare early lithographs from his time at Bradford College of Art in the 1950s (a Self Portrait redolent of Stanley Spencer) and his recent experiments with the iPad and iPhone (Rain on the Studio Window, 2009), this engaging exhibition offers an insightful and entertaining overview of Hockney’s long career. Read my review here

‘Hockney: printmaker’ is at Dulwich Picture Gallery until 11 May 2014. Further information

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Richard Deacon - After 1998 ©Tate
Richard Deacon – After 1998 ©Tate

Tate Britain presents the first major survey in 25 years of pre-eminent British sculptor Richard Deacon’s work. Deacon is best known for his lyrical open forms and works displaying organic fluid movement, a recurring feature notable in serpentine structures such as ‘After’ (1998), which occupies Room 5 of the exhibition like a giant somnolent latticework python.

Read my full review for CultureVulture.net here

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Biting satirical lithographs and empathetic depictions of people going about their everyday lives are displayed alongside sculptures and paintings in the Royal Academy’s new autumn exhibition of work by French artist Honoré Daumier, the first exhibition of Daumier’s work in the UK for fifty years.

Read my full review here