British composer and multi-faceted musician Matt Dibble died tragically in 2021 at the age of 40 from complications following the AstraZeneca covid vaccination. His untimely death left a void in the classical, jazz and pop worlds: he was a musician of great breadth, versatility, talent and innovation, and his 24 Preludes & Fugues, released posthumously, are a testament to this, blending neo-Baroque, jazz, easy listening pop, klezmer and folk music, and modernist influences into a deeply personal collection created over six years.

Only a handful of close friends knew of the ‘Preludes and Fugues’, which Matt began in 2015 and composed very privately, completing the set within mere weeks of his passing. Such was his devotion to this project that, when he first went to hospital, he told those with him where the compositions could be found, should anything happen to him. With the secrecy and longevity of the project, and the incredible timing of its completion, the story behind this music is akin to a romantic tragedy.

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Two contrasting new releases today

Duncan Honeybourne plays the 1873 Bevington organ at Holy Trinity parish church, Bincombe, Dorset (Prima Facie records PFCD220)

Bincombe is “a tiny place, comprising a few cottages, fields, farms and an ancient church nestled against a verdant hillside in sight of the sea. The lush meadows provide an inviting backdrop whilst, on the sightline, the English channel sparkles in the summer sunshine and shimmers mysteriously at night.” (Duncan Honeybourne). Part of the church dates from the twelfth century, with most of the remainder having been constructed in the fifteenth. The single manual organ was built by the London firm of Bevington and Sons in 1873 and supplied at a cost of £105 to the neighbouring parish of Broadwey. It was moved to Bincombe in 1903. (Bincombe is famous for its “bumps”, a cluster of round barrows which are visible from the Weymouth Relief Road.)

I was lucky enough to have a little preview of this album when Duncan gave a concert on the organ at All Saints’ church, Wyke Regis, in September. This album includes works by those masters of organ writing, Buxtehude and J S Bach, together with works by John Bull, William Byrd and Maurice Durufflé, as well as a nod to Wesssex composers, with works by Exeter-born Kate Boundy and Kate Loder of Bath. There is also a Dorset connection with Greville Cooke’s tranquil Threnody, recorded here for the first time. Cooke, a pianist, composer, poet, priest and professor at the Royal Academy, lived in north Dorset in his last years, although this piece was written during his time as Rector of Buxted, East Sussex. The album closes with John Joubert’s Short Preludes on English Hymn Tunes, composed for the new chamber organ at Peterborough Cathedral in 1990. 

An enjoyable and highly varied disc which reveals the myriad colours, moods and warmth of the Bincombe organ. As a Dorset resident myself, I am particularly taken with the album’s connection to the local area near to where I live.


Songs for Our Times

Christopher Glynn (piano), Isabelle Haile (soprano), Nick Pritchard (tenor)
Settings of lyrics by Chinwe D. John by Bernard Hughes and Stuart MacRae

(Divine Art Records DDX 21113)

I first encountered poet and lyricist Chinwe D John in spring 2022 when she contacted me about an EP of settings of her poetry (read my interview with her here).

This new release, like the previous EP, is an affirmation of Chinwe’s belief that in order to keep classical music thriving and to bring in a new audience, the work of present day composers needs to be supported. Commissioning contemporary day composers, to set music to lyrics directly reflective of our current times, is one way of accomplishing this. Chinwe herself sought out composers who shared her vision to set her words to music.

The album features two premiere recordings Kingdoms and Metropolis, whose stories will be familiar to many with their universal subjects, including the need for wisdom within the halls of power; transcendent love; an immigrant’s homesickness; the search for inner peace; all flow through the album evoking the spirit of our day and age. Despite our current turmoil, the overall tone of the album is a hopeful one, making it a welcome balm during our turbulent times.

With music by leading British composers Stuart McRae and Bernard Hughes, this is an intimate and ultimately uplifting album, with a wonderfully varied selection of very beautiful, arresting music.


Both albums are available on CD and via streaming

BAGATELLES Piano Music by Bernard Hughes

Matthew Mills piano

Release date: 9th June 2023 | Divine Art Recordings (Divine Art DDX 21107)


This album presents the complete works of Bernard Hughes for solo piano, an eclectic collection covering a period of over 30 years. The oldest piece dates back to his teenage years and the most recent is a brand new suite, Partita Contrafacta, a quirky take on traditional Baroque dance forms. The rest of the music ranges from the large-scale Strettos and Striations to little occasional pieces written for the composer’s children. With such a varied range of music, there is something for everyone on this disc.

What makes this album truly special is the culmination of many years of collaboration between Hughes and Mills, who commissioned and premieres Partita Contrafacta on the disc. The two musicians have been working together for years, resulting in a deep understanding of each other’s artistic vision and an unparalleled ability to bring Hughes’ compositions to life on the piano.

Works

Song of the Walnut
Partita Contrafacta (suite in 7 movements)
Song of the Button
Bagatelles (12 movements)
Miniatures (11 movements)
Three Studies
O du Liebe meiner Liebe
Strettos and Striations
Cradle Song

Sample track:

Bernard Hughes says: “This album brings together pretty much all my music for solo piano written over the course of more than 30 years, the earliest from when I was still at school and the latest written just weeks before being recorded, in October 2022. The inspiration was my pianist and friend, Matthew Mills, who suggested the project and who has put untold hours into learning and animating the music, some of which is very straightforward, and lots of which is very much not.

And this variety is very much the point for me. As in all aspects of my compositional work, I don’t have a single piano ‘style’, but cut my cloth according to the occasion. Although there are several of techniques, textures and devices I return to over and again – as will be obvious to anyone listening straight through – there is also a huge range of approach, from music written for piano beginners up to the most virtuosic I could imagine, and from simple blink-and-you-miss-them melodies to ferocious, post-minimalist studies. In some cases, I don’t know what possessed me.”

Pianist Matthew Mills says: “I am very pleased to have done Bernard’s piano album. It’s a substantial milestone in a musical relationship that now goes back probably twenty years or so…. It really captures all facets of Bernard’s kaleidoscopic musical personality, and, having a close knowledge of the composer as well as the music, I think gives it a special resonance.

Pre-order BAGATELLES here

Bernard Hughes’ music has been performed by ensembles including the BBC Singers and the London Mozart Players at major British venues including the Royal Albert Hall and St Paul’s Cathedral. His music has won a number of awards both in the UK and internationally and is regularly broadcast on BBC Radio 3 in the UK. Bernard Hughes’s BBC commission Birdchant was premiered at the Proms festival in August 2021. This was the culmination of Bernard’s long relationship with the BBC Singers, which also included a major portrait concert in January 2020, leading to I Sing of Love being nominated for an Ivor Novello Composer Award. An album of Bernard Hughes’s choral music, I am the Song, performed by the BBC Singers, was released in 2016. His orchestral works for family concerts, Bernard & Isabel and The Knight Who Took All Day are frequently performed around Britain and were recorded by the Orchestra of the Swan on a release from February 2020. In 2015 he provided music for the comedy film Bill, a fantastical account of Shakespeare’s early years. A second album of choral music, Precious Things, sung by the Epiphoni Consort, was released in May 2022 and was described by Judith Weir as ‘choral music as we rarely hear it – generous, light-footed, surprising.’ Bernard lives in London where he is Composer-in-Residence at St Paul’s Girls’ School, a position he has held since 2015. He is a keen cricket fan, both as a watcher, a player and as chairman of Chiswick Cricket Club in London.

For almost three decades, Matthew Mills has enjoyed a busy and diverse freelance career as a pianist, composer, and conductor. With a repertoire encompassing music from five centuries, he has performed across the UK as a soloist, chamber musician, and accompanist, in addition to establishing a reputation as a sympathetic and creative dance accompanist.

A committed supporter of young composers and contemporary music, Matthew founded and directed a contemporary music ensemble at Royal Holloway, University of London, with whom, assisted by his own conducting students, he led workshops and performed works by student composers, as well as established twentieth-century names. He has enjoyed a long collaboration with the British composer Bernard Hughes, having given the first performance of his Bagatelles for piano and participated in the first performances of his chamber opera Dumbfounded! at the Riverside Studios, London.

Matthew studied at the Universities of Oxford and London, and at Trinity College of Music, London. His teachers have included Christopher Elton (piano), Daryl Runswick, Andrew Lovett, and Simon Holt (composition), and Gregory Rose (conducting). An award from Oxford University enabled a period of specialist study of contemporary piano repertoire with Rolf Hind, and he has appeared in masterclasses in composition with Michael Finnissy and George Benjamin, and in piano with John Lill and Rosalyn Tureck.

 

For further press information, interviews and review copies, please contact Frances Wilson

Later this year, Divine Art will release a sumptuous collection of works for solo piano/chamber duos performed by pianist Elspeth Wyllie, with other fine soloists. ‘English Romantics’ will include works by Elgar, Bowen, Leighton, Ireland, Rubbra and Sackman.
Elspeth Wyllie performs throughout the UK as a soloist, chamber musician and accompanist. She appears most regularly with three trios – the Métier Ensemble (flute, cello, piano), the Hepplewhite Piano Trio (violin, cello, piano), and the Amalie Trio (mezzo, viola, piano). In the studio, she has played for recording sessions at Abbey Road, AIR and Dean Street Studios, and for Novello publications. Wyllie attended St Mary’s Music School, Edinburgh, read music at the University of Oxford (studying piano with Raymond Fischer), and trained professionally at the Royal Academy of Music, London (with teachers Andrew West and Colin Stone). She has enjoyed lessons and masterclasses with many wonderful musicians, including Malcolm Martineau, Julius Drake, Susan Tomes and Tasmin Little. She was supported during her studies by the Oldhurst Charitable Trust and has won various prizes, including the RAM Club Prize, the Vivien Langrish Prize, Evelyn German Prize and J E Reckitt Award. Alongside performing, Wyllie works with amateur and professional choirs, and as a teacher, coach and accompanist.


Wyllie will be joined by Claire Overbury, flute (guest with the RPO and the Hallé Orchestra and member of the Métier Ensemble); Hetti Price, cello (who performs at the Southbank Centre and has often been featured on BBC Radio3 ‘In Tune’, and is a member of the Hepplewhite Piano Trio); Alexa Beattie, viola (guest with the Munich Chamber Orchestra and Bavarian Philharmonic, has had ensemble appearances with Lisa Batiashvili and Kim Kashkashian and is a member of the Amalie Trio); Catherine Backhouse, mezzo-soprano (Britten-Pears Young Artist 2015, appearances with the Scottish Chamber Orchestra and Garsington Opera, and a member of the Amalie Trio).

‘English Romantics’ will be released in CD and digital formats on the Divine Art label (catalog no. DDA 25145).

Full CD programme

EDWARD ELGAR: Variations on an Original Theme, Op. 36 (Enigma Variations), in the composer’s own solo piano transcription

EDWIN YORK BOWEN: Sonata for Flute and Piano, Op. 120

KENNETH LEIGHTON: Elegy for Cello and Piano

JOHN IRELAND: Sonata fragment (premiere recording)

EDMUND RUBBRA: Two Sonnets by William Alabaster, Op. 87

NICHOLAS SACKMAN: Folio

(Source: Divine Art press release)

 Meet the Artist……Elspeth Wyllie