By |

HERTFORDSHIRE FESTIVAL OF MUSIC 2024, 7-15 June

The Power of 2: Musical and Artistic Dialogues

Principal Artists: Katya Apekisheva & Charles Owen, piano duo

Featured Living Composer: Tom Randle

“The friendly, accessible vibe of Hertfordshire Festival of Music was accompanied by the very highest level of music- making and extremely imaginative programmes in beautiful locations.”
Dame Judith Weir DBE, Master of the King’s Music

Now in its eighth year, the theme of this year’s Hertfordshire Festival of Music is ‘The Power of 2: Musical and Artistic Dialogues. During the course of the Festival,the profound connections and conversations between musicians, artists, and their audiences – and the essence of these interactions – will be explored through a series of concerts, talks and other events with a fascinating range of musicians, artists and original thinkers.

HFoM is honoured to have dazzling piano duo Katya Apekisheva and Charles Owen, one of the most highly-acclaimed piano duos performing today, as this year’s Principal Artists. In addition to a two-piano recital at All Saints’ Church in Hertford, there will also be an opportunity to gain artistic insights and inspiration in a free piano duo masterclass given by Katya Apekisheva at the beautiful Queenswood School in Hatfield.

The festival opens with a dialogue, ‘My Life in Music’ – a conversation and performance with singer/ composer Tom Randle and the Rossetti Ensemble, featuring his own music alongside that of Vaughan Williams and Dvorak.

Violinist Litsa Tunnah returns this year and is joined by Festival Artistic Director James Francis Brown in a lunchtime recital featuring his second Violin Sonata as well as works by Vaughan Williams and Beethoven.

Friday June 14th will be a day of songs and tangos with a documentary on composer David Matthews, performances by the Choir of St Andrew, culminating in a lively evening with Tango Siempre, exploring the rich and passionate history of tango from its origins in the Buenos Aires underworld to the innovative ‘Tango Nuevo’ of Astor Piazzolla. In a special highlight, the ensemble will present unique arrangements of tangos by the esteemed British composer David Matthews.

On the final Saturday, clarinettist Poppy Beddoe and pianist Timothy End join forces for a concert featuring a special world premiere, while the grand finale sees Principal Artists Katya Apekisheva and Charles Owen give a thrilling two-piano recital at All Saints’ Church. This promises to be an event full of dynamic interplay and remarkable artistic unity.

Other Festival highlights:

  • ‘Music and the Divided Brain’ – Artistic Director James Francis Brown will be joined by violinist Sara Trickey in an interview with esteemed psychiatrist and author, Iain McGilchrist
  • ‘Duality in Art,’ at the Hertford Museum with art historian Barry Dodge.
  • Debut of the newly formed Mira Trio.
  • ‘Coffee Concert’ – a new event highlighting young, gifted musicians poised on the cusp of their careers.

This year’s Festival offers an exceptional series of musical dialogues, where each note and every word will tell a fascinating tale of collaboration and inspiration.

BROWSE EVENTS & BOOK TICKETS

HFoM plans 21 events/outreach projects in community venues, anticipating engagement with around 1,500 individuals (performers, audiences, participants/beneficiaries).  Four of the concerts/events are free, the remainder with discounted ticket prices for concessions.  

In addition, HFoM is delighted to continue its vitally important outreach work. Our commitment to musical education continues in collaboration with Queenswood School, delivering the Masterclass for talented young musicians.  During the Festival period, in partnership with Sing from the Heart, specially trained musicians share the gift of music with selected care homes throughout the county of Hertfordshire with those living with dementia, including their carers and families. We are grateful for the support from Durkan Homes for their support of the Music in Mind project.

Full details of this year’s Festival at https://www.hertsmusicfest.org.uk/performances-and-events-2024

Hertfordshire Festival of Music is the vision of the late Tom Hammond and composer James Francis Brown, and is registered as a charity supported by a board of Trustees and a team of volunteers.

Since its founding in 2016, HFoM has grown rapidly from a small weekend event to one of the UK’s major summer music festivals, featuring international artists and ensembles alongside innovative outreach and educational projects, all based in and around the attractive historic county town of Hertford. HFoM has presented concerts that have inspired extraordinary audience responses to artists such as Tasmin Little CBE, Dame Emma Kirkby, Sir Stephen Hough, Steven Isserlis CBE, Ben Goldscheider, the Carducci Quartet, Emma Johnson MBE, Jack Hancher, the Galliard Ensemble, Chloe Hanslip, ZRI and The Prince Consort.

HFoM receives no Arts Council funding and is fortunate to receive support from a number of charitable trusts and foundations, county, district and town councils, local businesses and other organisations. A ‘Deer Friends’ Scheme allows individuals to play an important role in supporting the Festival and furthering its scope and potential. Sponsors include: Hertford Town Council, East Herts District Council, Queenswood School, Durkan Homes, Longmores Solicitors, Hertfordshire County Council, Austins Funeral Service, Azets Wealth Management Limited, The Garrick Charitable Trust, Ware Town Council, Soundbites at All Saints’ Church, Hertford

The Festival offers affordable ticket prices, several free events, concessions for those under 24 in full-time education, free tickets for the under 8s and a complementary ticket for a carer accompanying those patrons with access needs.

HFoM exists to celebrate and nurture exceptional music-making, featuring some of the world’s finest performers. The Festival also supports professional and young musicians from Hertfordshire, presents fascinating music by living composers and devises major, innovative projects for education and participation. Hertford is just over twenty miles from central London, easy to get to by rail and road, but nestled in the beautiful countryside of the Lea Valley. Most concerts take place within a ten-minute stroll of the town’s centre, which boasts excellent restaurants, many independent shops, and pleasant accommodation.

Website: www.hertsmusicfest.org.uk

TwitterX: @HertMusicFest Instagram: @hertsfestofmusic Facebook: facebook.com/Hertsmusicfest/

Registered Charity Number 1175716

By |

Dr Michael Low, pianist and pedagogue, leads a masterclass for advance adult pianists at Coach House Pianos London showroom on 1 June. Ahead of the event, get to know Michael, and your host, Frances Wilson AKA The Cross-Eyed Pianist…..

Michael

Who is your favourite composer for the piano?

There are quite a few! Beethoven, Brahms, Chopin, Liszt, Schubert and Rachmaninoff.

If you have to be one piece of music, you would be…

Either Brahms Opus 5 or Brahms Opus 15.

How do you feel about your upcoming masterclass at Coach House Pianos?

A mixture of excitement and nervousness.

Knowing what you know now, what would you say to your teenage self?

I would put my arm around his shoulder and tell him not to be so harsh on himself. It is okay to doubt yourself from time to time, but someone somewhere believes in you always. Keep going and everything will make sense eventually.

Who is your greatest teacher in your musical journey?

Life itself.

You watch a lot of movies, name the most enjoyable movie portrayal of a pianist (Drum roll)…

It is a three-way tie between Colm Feore as Glenn Gould, Geoffrey Rush as David Helfgott and Michael Douglas as Liberace.

And the performance(s) that annoys you most are:

The Oscar goes to JK Simmons as Terence Fletcher in Whiplash closely followed by Sir John Gielgud as Cyrill Smith (Helfgott’s teacher at RCM) in Shine.

Using one word, describe the interpretation of the following pianists:

1: Barenboim: Prolific

2: Berman: Powerful

3: Biss: Bohemian

4: Bolet: Virtuoso

5: Brendel: Classical

6: Buniatishvilli: Salacious

Name one pianist dead or alive you will travel to the ends of the earth to hear in concert.

Vladimir Horowitz

If you have to be the title of a book…

All God’s Children Are Lost, But Only A Few Can Play The Piano.

Steak of Sushi?

That would depend on who the chef is…

And finally, If I wasn’t a pianist, I’d be…

PGA Golfer

Frances

What is your earliest memory of the piano?

Hearing my paternal grandfather playing Methodist hymns and bits of Beethoven and Haydn on the upright piano in the front room (used only on Sundays) of his home.

Your favourite composers for piano?

An impossible question! But I adore the music of Schubert, Debussy, Beethoven, Liszt and Messiaen. Especially Schubert’s D899 Impromptus, which have been with me since I was about 13….

Most memorable concert experience?

There have been a few – Evgeny Kissin at the Proms in 1997, when he played the longest series of encores in the Proms’ history.

Steven Osborne playing Messiaen’s Vingt Regards sur l’enfant Jesus at the Queen Elizabeth Hall, without an interval. An epic, musical journey.

My students’ concerts.

What advice would you give to your teenage musician self?

Be yourself, trust your musical instincts, and don’t compare yourself to others. It took me a long time to become a self-confident musician (a 25-year absence from the piano didn’t help) and I’m grateful for the support and encouragement from a variety of teachers, including Penelope Roskell and Graham Fitch.

And what advice would you give to people returning to the piano, or thinking of taking it up later in life?

Do it! It’s never too late! And it’s so rewarding.

Why the pen-name The Cross-Eyed Pianist?

When I was thinking about starting this blog, I wanted a catchy title for it. Originally, I thought of The Naked Pianist (at the time Jamie Oliver’s The Naked Chef was popular), but I thought it might attract the ‘wrong’ kind of readers! I am genuinely cross-eyed, and also a pianist.

How did you and Michael get to know one another?

Initially, through our mutual teacher Graham Fitch. We met for lunch in China Town – must be 10 years ago! – and never stopped talking. Although we live on different continents (Michael lives in South Africa) we keep in regular touch via the wonders of modern technology. A shared outlook on music, music teaching, and life in general, and mutual respect, is, I think the basis of our friendship.

What are you most looking forward to at the masterclass with Michael at Coach House Pianos?

The opportunity to hear a variety of repertoire and learn from Michael’s wisdom and experience. And to meet fellow pianists and enjoy plenty of “piano chat”!

Steak or sushi?

Both. Especially if my son (a chef) is cooking!

Join Michael and Frances at Coach House Pianos sumptuous London showroom on Saturday 1 June. Observer places still available – book here

By |

This new song by award-winning British composer Thomas Hewitt Jones and Gordon Giles, Canon Chancellor of Rochester Cathedral, was written with much love, compassion and optimism for anyone affected by this challenging disease now, or in the future. The lyrics reflect the poignancy of dementia while also reminding us of the importance of love and commitment, faith and togetherness. With wonderful vocals by Freddie Benedict, If One Day is nostalgic in mood, recalling music from the era of Frank Sinatra and Dean Martin. 

Thomas Hewitt Jones says, ‘…a major motivator was my Uncle Alan, who had been a brass player in David Munrow’s early music consort and the London Philharmonic Orchestra, and who suffered this disease. During his gradual decline, until the end, he was able to play and sing music.’

Gordon Giles says, ‘There can hardly be anyone now who has not been affected in some way by dementia as a sufferer or as a friend, colleague or relative of someone who lives with it. While we have all had our own personal encounters with dementia, it is a national and global concern about which we should all care.  Life is a journey and for some people it is a long journey which sometimes ends with a form of dementia, which might be Alzheimer’s Disease. The song picks up on that to some extent and reminds us that there is a lot of life that takes place before any diagnosis of dementia  – much to celebrate – and through it all Faith, Hope and Love remain. If this song can provide comfort or help raise awareness, then Tommy and I will feel we have joined in in a small way with all those who work in research, treatment and care for all affected by this pernicious phenomenon.’

If One Day…. is available on all major streaming platforms. Proceeds from the sale of the single will be donated to UK dementia charities.

Lyrics

If one day I forget your name,

hold my hand and spare my shame.

Stay beside me in my forgotten years

Our love remains through silent tears:

Our hearts connect still

We’ll live and love, we know we will.

All the time we’re given comes to this

Sorrows spent and hours of bliss,

All are blended in a moment’s blur

Yet love remains through what we were:

Our minds apart now,

We’ll live and love, we know not how.

For all that has been – we give thanks,

For all that is to come we say yes.

Till the end comes we pray and care:

love will hold and help us bear

All the days which now lie ahead

Shared journey on which we’ve been led

Souls together tied

I’ll love you till the day I die.

Words by Gordon Giles. Music by Thomas Hewitt Jones. ©2024 Vivum Music Ltd. All rights reserved

By |

A SEASON TO SING by British composer Joanna Forbes L’Estrange is a brand new 40-minute work for SATB choir/organ or piano, inspired by Vivaldi’s The Four Seasons

Joanna Forbes L’Estrange

A Season To Sing will be published by the Royal School of Church Music (RSCM) in 2025, marking 300 years since the publication of The Four Seasons. This choral re-imagining of Vivaldi’s enduringly popular set of violin concertos weaves texts from poetry and the Bible on the subject of spring, summer, autumn and winter into Vivaldi’s much-loved melodies. It will also include a new setting by Joanna Forbes L’Estrange of Ecclesiastes 3:2 – To everything there is a season. With its seasonal theme, A Season To Sing can be performed at any time of the year, and is expected to become a firm favourite with choirs throughout the world.

Joanna Forbes L’Estrange recalls, “The Four Seasons is the first piece of music I can remember hearing from my childhood. I used to dance around the sitting room to it! I thought a great way to mark its 300th anniversary would be to make it possible for choirs to perform it. Vivaldi’s tunes are so magnificent they deserve to be sung!” 

To make this commission possible, the RSCM is inviting choirs to contribute £300 ($500) each to participate in this project, for which each choir will: 

  • have the opportunity to perform the piece before its general publication
  • meet Joanna Forbes L’Estrange for a Q&A session via zoom
  • be listed in the vocal score as one of the commissioning choirs
  • receive a limited-edition, hardback copy of the vocal score, signed by the composer

This exciting opportunity is open to all choirs, large and small, professional and amateur, and to individual supporters. Deadline for registering – 31 August 2024.

To find out more, please visit

https://www.rscmshop.com/features/a-season-to-sing

Joanna Forbes L’Estrange (b.1971) is a multifaceted musician who performs, composes, records, directs and produces music in a wide variety of genres. Her career began with seven years as soprano and Musical Director of the five-time Grammy® award-winning vocal group The Swingles, with whom she toured the world and produced six albums. Specialising in contemporary crossover music, Joanna is a regular soloist for Mass in Blue by Will Todd (which she recorded for the Convivium label) and Duke Ellington’s Sacred Concert. With the world’s leading orchestras and contemporary music ensembles she performs works by Steve Reich and Luciano Berio and has sung on over 300 film soundtracks.

One of the Royal School of Church Music’s best-selling composers, Joanna was commissioned to compose an anthem to mark the coronation of King Charles III. The Mountains Shall Bring Peace was sung by over 600 choirs around the world including in the USA, South Africa, Australia, New Zealand and throughout Europe and the UK. Her music has been performed and recorded by Tenebrae, The King’s Singers, The Swingles, The Military Wives Choirs, The National Youth Choir and London Voices. Television credits include Fleabag, which featured her 1940s-style song You Are, and Glee, which featured her Moonlight Sonata arrangement, written for and recorded by The Swingles.

Joanna has written many songs and choral pieces in support of equal opportunities for women: We Will Remember Them (for the Military Wives Choirs of Great Britain), A Woman (Wearing Bloomers) On A Wheel (made into a film by the National Youth Girls’ Choir), Suffragette March (part of a larger work, Freedom! The Power of Song, composed in collaboration with her husband Alexander L’Estrange), A place for us maids (commissioned to mark 40 years of female undergraduates at Trinity College, Cambridge), The Three Wise Women (commissioned to mark the 135th anniversary of St Swithun’s School, Winchester) and Byrd Song (commissioned to mark the 400th anniversary of the death of William Byrd). In 2018 Joanna founded the all-female vocal group AQUILA and, in the same year, made history by organising the first ever all-female recording session at Abbey Road Studios in London, recording her single Twenty-first-century Woman for International Women’s Day.

www.joannaforbeslestrange.com

The Royal School of Church Music

The Royal School of Church Music (RSCM) is the Salisbury-based, national, independent charity enabling the flourishing of church music. As the central ‘home’ of church music, RSCM provides relevant education, training and resources to its membership, the wider church, and beyond. It is committed to encouraging the best of music in worship, and to advocating music as a tool for growth of the church.

The RSCM supports thousands of member churches across the UK and worldwide through its international partners. In addition, it also supports many schools and Individual members, and its work is sustained by thousands of Friends, Regular Givers and other donors.

The RSCM is an open, life-long learning organisation, offering face-to-face and distance education and training through its programmes, published resources, courses and activities.

Founded by Sir Sydney Nicholson in 1927, the RSCM’s original emphases were English and choral. Now, in a diverse international context, the RSCM’s work is far broader and more diverse, and aims to make all its work ecumenical in purpose, nature and content.

His Majesty King Charles is the RSCM’S Royal Patron, and its president is The Most Revd and Rt Hon The Lord Archbishop of Canterbury. The organisation celebrates its centenary in 2027.

www.rscm.org.uk

Registered charity no: 312828