A few months ago, I met the parent of one of my former piano students at an event. I was pleased to hear that the student (we’ll call her Jane) was now studying English Literature at one of the UK’s top universities, but the most gratifying piece of news was that she was still playing the piano and enjoying it. Jane’s mum told me that she liked to download music from the internet and play it for the sheer pleasure of doing so. “You gave her a love of music”, Jane’s mum said, “and that’s the most important thing!”.

I was so touched to hear this, as I think any teacher would be. Because surely our fundamental role, as teachers, is to encourage a love of music?

(This is one of the pieces Jane played for her Grade 5 exam, which she passed with a high merit)

Jane started having lessons with me as quite a young child, and at that age (5 or 6) she was very quiet and lacked confidence. But gradually, as her piano skills developed and blossomed, so too did her confidence, to the extent that she began to play with real poise, beautiful tone production, and above all a sense of real pleasure in the music she was learning.

Piano teachers – indeed all music teachers – have the unique opportunity to shape not only the musicianship and technical ability but also the lifelong relationship that their students have with music.

Here are 5 tips for encouraging a love of music in students:

1. Create a Positive Learning Environment

A nurturing atmosphere allows students to feel safe to explore and express themselves through their playing, and a place where students feel comfortable sharing their thoughts, questions, and concerns. By actively listening and addressing individual needs, teachers can build a strong rapport with their students and create an environment that nurtures a genuine connection with music.

2. Share the Passion

Enthusiasm is contagious A piano teacher who exudes enthusiasm for music can ignite a similar fervour in their students. Enthusiastic teachers inspire curiosity and a desire to explore beyond the confines of the lesson, encouraging students to discover their own musical tastes and interests.

3. Treat your students as individuals

Every student is unique, with distinct musical tastes and preferences – yet too often teachers take a “once size fits all approach” which does not take this into account. Customise your teaching to suit each student by getting to know what kind of repertoire they prefer, their particular strengths and weaknesses, and their approach to learning. In other words, show that you really “know” each and every student personally.

4. Connect music to everyday life

Classical music in particular suffers from an image problem and many young people today regard it as old-fashioned, highbrow or simply not for them. Show students how to relate musical concepts to real-life experiences, emotions, and events, and how music fits into everyday life, such as in film or TV soundtracks. By illustrating the universal nature of music and its ability to communicate feelings, teachers can instil a sense of purpose in their students, fostering a connection between the notes on the page and their own emotions.

Dance of the Knights (theme from The Apprentice TV show)

5. Encourage individual creativity and expression

Beyond technical proficiency, a true love of music involves the ability to express oneself creatively. Piano teachers can inspire this by encouraging students to experiment with interpretation, dynamics, and even composition. Allowing students to infuse their personality into their playing brings a sense of ownership and pride in their music and this sense of empowerment and personal autonomy contributes to a lasting passion for music that extends beyond the confines of the instrument.


This site is free to access and ad-free, and takes many hours to research, write, and maintain. If you find joy and value in what I do, why not

Find all previous episodes here

This site is free to access and ad-free, and takes many hours to research, write, and maintain. If you find joy and value in what I do, why not

Following one of those wonderfully serendipitous encounters on the internet, I am delighted to present “Notes from the Keyboard”, a series of articles for adult amateur pianists, by Dakota Gale, chronicling his own experiences of learning the piano as an adult.


Four years ago, my wife surprised me with a digital piano for my birthday. I’d mentioned my desire to learn a few times and, ever the muse, she called my bluff.

I couldn’t read music. Finding middle C was a quest. I was a B-E-G-I-N-N-E-R.

And yet…she was right. At 38 years old, I tumbled rapturously into the world of piano. 

Four years later, the honeymoon phase is over, and yet I remain motivated to play every day and am still loving the journey. (<–understatement: I’m head-over-heels for it.)

I even do stuff like learning to do portraits by drawing musicians! (My wife tells me that’s eccentric…) 

I’m playing pieces by Chopin, Debussy, Beethoven, Liszt, and other famous composers that I thought were a decade off. Even facing the inevitable frustrations of piano study, I’m finding joy in piano every.single.day.

Learning piano transcends fun – I feel like I’ve unearthed a gift, a path to access some of the most beautiful music ever written. Accessing the pieces revealed a fountain of satisfaction that isn’t tied to money or achievement, a much-needed oasis of play as an adult.

In fact, I’ll often drop into a flow state for 30 minutes and be surprised when my timer goes off. Where else do we get that feeling once we’re done playing with Legos or mud pies?

You, mega-savvy adult reader, can do it too!

Adults CAN learn to play piano

I share my achievements not to brag (many pianists young and old far outshine my abilities), but to offer hope to adult learners. If you’re telling yourself, “Oh, I could never learn to play” or “I’m not musical” or “only kids can learn piano,” let me persuade you otherwise.

I’m shocked how many people tell me only children can learn. Well, kids are “naturals” at learning because:

  1. They don’t over-complicate things, focusing on foundational blocks that are small and approachable. (Be it music, language, or other skills.)
  2. Kids are able to practice more undistracted hours because an adult provides housing, food, and does their laundry. Their job is to be curious sponges; our Adult Role is often yawn-tastic Tuesdays, repeated.

Adults lack those luxuries. We put pressure on ourselves, try to play songs that are too hard for us, question if the time investment is worth it, and simply don’t have as much time to practice.

I’m an adult. (It snuck up on me.) On top of all the typical adult stuff, I have far too many hobbies. Sometimes friends do annoying things like interrupt my piano reverie to invite me to dinner or on bike rides. *sigh* The inconsiderate louts, I must practice!

And yet by carving out time each day to study piano, in a few months I reached a deeply satisfying level of proficiency that kept me coming back. After four years, I’m frankly astonished sometimes at what my fingers can do.

As a bonus, it’s beautiful for people to listen to (or so they pretend). A skill I’ll enjoy and develop for a lifetime, long after I’m done taking irresponsible risks on my mountain bike.

Beyond that, I’m fired up! I look forward to enjoying creating music the rest of my life and only wish I’d started earlier.


Dear reader, welcome to “Notes from the Keyboard: Adult Piano Chronicles” on The Cross-Eyed Pianist. This will be an ongoing series about my journey learning piano as an adult. I’ll share my journey (ups and downs!) and headaches with pieces and how I resolve them. I promise to absolutely not take myself too seriously—after all this is a hobby, not a vocation.

If you have ideas for topics you’d like to hear about from a dedicated amateur student of classical piano such as myself, please don’t hesitate to reach out. I’m looking forward to sharing this journey with you!


Dakota Gale

When he isn’t playing piano, Dakota Gale enjoys learning languages (especially Italian) and drawing. He also writes about reclaiming creativity as an adult and ditching tired personal paradigms in his newsletter, Traipsing About. He can often be spotted camping and exploring mountain bike trails around the Pacific Northwest.


This site is free to access and ad-free, and takes many hours to research, write, and maintain. If you find joy and value in what I do, why not

British composer and multi-faceted musician Matt Dibble died tragically in 2021 at the age of 40 from complications following the AstraZeneca covid vaccination. His untimely death left a void in the classical, jazz and pop worlds: he was a musician of great breadth, versatility, talent and innovation, and his 24 Preludes & Fugues, released posthumously, are a testament to this, blending neo-Baroque, jazz, easy listening pop, klezmer and folk music, and modernist influences into a deeply personal collection created over six years.

Only a handful of close friends knew of the ‘Preludes and Fugues’, which Matt began in 2015 and composed very privately, completing the set within mere weeks of his passing. Such was his devotion to this project that, when he first went to hospital, he told those with him where the compositions could be found, should anything happen to him. With the secrecy and longevity of the project, and the incredible timing of its completion, the story behind this music is akin to a romantic tragedy.

Read the full story on ArtMuseLondon.com


This site is free to access and ad-free, and takes many hours to research, write, and maintain. If you find joy and value in what I do, why not