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17-20 September

CityMusic Live, a new online concert platform, announces its 2020 Piano Fest

Over four days, pianists Warren Mailley-Smith, Yuki Negishi, Daniel Grimwood, Duncan Honeybourne, and Julian Jacobson will present concerts online in a celebration of the piano.

The extended weekend of concerts begins on Thursday, 17 September with Warren Mailley-Smith in a programme featuring works by Beethoven, Brahms and Ravel.

Piano Fest continues on Friday 18 September with Duncan Honeybourne’s programme Forest Idylls featuring enchanting, evocative works by Sibelius, MacDowell and Schumann echoing nature. Known for his technical precision and warm musicality, Duncan Honeybourne has been lauded as “heroic” by Musical Opinion and “a gifted pianist in whom a spirit of adventure meets high musicianship” by MusicWeb International.

Saturday 19 September features two concerts. At 6:00 PM, Daniel Grimwood presents Nocturnes and Variations featuring one of his own compositions, “Variations on a Theme by Field”. Daniel Grimwood’s playing has been characterised as “stimulating and revelatory in equal measure” by The Telegraph, and his programme promises to exhibit both his virtuosity and his intellectual sensibility. Following at 8:00 PM, Yuki Negishi performs a concert entitled Passion, featuring works by Franck, Chopin and Beethoven. Praised for her “Piano Music by Women” series in June and July, Yuki Negishi was chosen in the Top 5 online performances for the week of 29 June by Pianist Magazine.

The weekend continues on Sunday with a matinee performance which celebrates The Piano Sonata by renowned pianist and Royal College of Music professor, Julian Jacobson. The programme features sonatas by Scarlatti, Berg and Beethoven. The weekend comes to a close on Sunday evening with Warren Mailley-Smith’s celebration of Chopin, a composer very close to his heart – he was the first British pianist to perform Chopin’s complete works for solo piano from memory in a series of 11 recitals at St John’s Smith Square in 2016.

Single tickets and festival packages are available. Book tickets

All concerts will be streamed to worldwide audiences through www.citymusiclive.co.uk

City Music Live is in the brainchild of pianist Warren Mailley-Smith. Since lockdown began in March, has presented over 30 online concerts through social media with over 400,000 total views, reaching audiences world-wide.

[source: press release]

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Extensive learning and engagement activities take piano out of the concert hall and into communities 

Outstanding young scholars from Lang Lang International Music Foundation also perform

“Artistry of that kind is rare in pianists of any age; to find it in a 20-year-old is simply astounding.”
The Daily Telegraph

Following his win at the Leeds International Piano Competition in September 2018, 21-year-old pianist Eric Lu returns to ‘The Leeds’ for Leeds Piano Festival, with recitals in Leeds and London. World-renowned pianists Steven Osborne and Barry Douglas also perform recitals, with Osborne leading a masterclass with Young Scholars from the Lang Lang International Music Foundation, building on the ongoing relationship between the Foundation and The Leeds.

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The Festival continues the much-enriched programme of events that surrounded the 2018 Competition, allowing audiences to engage with the piano and The Leeds beyond the triennial Competition. As part of The Leeds’ commitment to developing new and exciting ways of bringing the piano to as wide an audience as possible, the Festival – successfully inaugurated in 2018 – will again comprise many learning and engagement activities, including the return of the ‘Discover the Piano: Piano Fantasia’ on 28 March – The Leeds’ biggest primary school event to date, reaching more than 1,000 schoolchildren. The Young Scholars also participate in learning activities in primary schools and adult care settings in both Leeds and London – the latter once again in partnership with Wigmore Hall’s learning and participation programme – inspiring music lovers young and old with their prodigious talents.

Leeds Piano Festival recitals 

Eric Lu’s return to The Leeds is part of the revolutionary prize package at The Leeds last year, designed with career development in mind. The prize also included world-wide management with Askonas Holt, a release of his Leeds-winning performance on major label Warner Classics (released to much acclaim in November 2018), opening the Royal Liverpool Philharmonic Orchestra’s 2018/19 season, mentoring with jury members and more. Lu performs Chopin’s Piano Sonata No. 2 – a piece he performed in the Competition semi-finals and released as a single on Warner Classics following his win – as well as works by Mozart, Brahms and Handel.

Former Royal Philharmonic Society ‘Instrumentalist of the Year’ Steven Osborne explores Beethoven’s final three piano sonatas. Osborne is a renowned interpreter of Beethoven’s music, not least from his critically-acclaimed recordings of the composer’s piano sonatas on the Hyperion label, and these recitals offer a rare opportunity to see him perform in an intimate setting.

Internationally-renowned pianist Barry Douglas pairs miniatures with more expansive works in both halves of his programme for the Festival, contrasting Tchaikovsky’s vignettes The Seasons with his Grande Sonata in G major, before pairing Rachmaninov’s Six Moments Musicaux with Schubert’s intense Sonata in A minor.

The Festival also showcases three Young Scholars from the Lang Lang International Music Foundation, developing the continuing relationship between the Foundation and the Leeds. Three exceptional young pianists, Aliya Alsafa, Jaspar Heymann and Shuheng Zhang – handpicked and mentored by Lang Lang, the Competition’s Global Ambassador –perform recitals at both Festival venues, as well as participate in a masterclass led by Steven Osborne at Leeds College of Music.

Speaking at the Finals of the 2018 Competition – where he also presented prizes and was conferred with an Honorary Doctorate from the University of Leeds – Lang Lang stated: “I’m extremely proud of my association with the city of Leeds, and with the Piano Competition – which is doing so much to unite excellence and accessibility”.

Closing the Festival, celebrity pianist Alistair McGowan returns to The Leeds with Introduction to Classical Piano at Besbrode Pianos. An alumnus of the University of Leeds, McGowan previously performed at The Leeds during Piano + events at the 2018 Competition, and his 2017 recording The Piano Album reached Number One in the UK Classical Album Charts.

Learning and Engagement 

In addition to their recitals and masterclass, the Young Scholars participate in many external learning and engagement activities, following the success of similar events at last year’s Festival. As well as performing in the Piano Fantasia to over 1,000 primary schoolchildren, they also visit local primary schools in both Leeds and London, as well as adult care settings.

The University of Leeds, a principal partner of the Competition, hosts a ‘Steinway Experience’ on 30 March as part of Be Curious, the University’s research open day, where families can enjoy these wonderful instruments. Steinway & Sons, also a partner of The Leeds, has provided the pianos for the Competition since its beginnings in 1963.

Coinciding with Piano Day on 29 March, pop-up performances take place on the Leeds Piano Trail, in partnership with Leeds Business Improvement District (BID). These Besbrode pianos, decorated by local artists, were a popular feature of last year’s Competition and encouraged the public to play and experience the pianos at high-profile locations around Leeds city centre; most of the trail pianos stayed in place after the Competition due to the huge popularity of the initiative.

Adam Gatehouse, Artistic Director of the Leeds International Piano Competition, said: “After winning over both the jury and audiences at the 2018 Competition, we’re delighted to welcome Eric Lu back to The Leeds for the second annual Leeds Piano Festival. We’re thrilled too that Steven Osborne, Barry Douglas and the extraordinary Lang Lang Scholars will join him in both Leeds and London, allowing audiences to experience their remarkable talent and help us share in wonderful performances of great piano music. Deepening our roots in our communities by developing fun, diverse and inclusive events to enable more people to discover and fall in love with the piano is also crucial to our mission, and the Festival continues its inspiring work to attract ever-wider audiences.” 

Tickets for the Leeds recitals and the masterclass can be booked here, and the London recitals here.

 

Leedspiano.com

@leedspiano

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This musical and theatrical collaboration between multi-award-winning actress Dame Patricia Routledge and international concert pianist Piers Lane tells the extraordinary, inspiring story of Myra Hess and her famous wartime National Gallery concerts.

Compiled from her press and radio interviews during World War II by Myra’s great-nephew, composer Nigel Hess, ‘Admission: One Shilling’ is Myra in her own words: redoubtable, courageous and inspiring. This acclaimed show has toured for almost a decade yet these 17 November performances at Bishopsgate Institute will mark the first occasion that the pieces are played on Dame Myra Hess’s very own Steinway & Sons piano.

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Through spoken word performance taken from letters, books and interviews given by Myra, interspersed with short piano pieces by Schubert, Schumann, Brahms, Beethoven and JS Bach, hear, how the ‘great adventure’ of these lunchtime concerts began, and how they continued while bombs rained down on London.

It will be a powerful and poignant experience, for both Piers and myself, to be telling the story, through words and music, of Dame Myra Hess’s unique and inspired contribution to the nation, during the anxious years of the Second World War. That our performance is to take place at the Bishopsgate Institute in the company of one of the instruments Dame Myra Hess actually played will, I am sure, make for a significant experience for all of us.

– Dame Patricia Routledge

I am delighted that ‘Admission: One Shilling’, a piece about my great-aunt Dame Myra Hess is being performed at Bishopsgate Institute. These performances will be particularly special as Piers Lane will be playing on the piano given to Myra by Steinway which has been at the Institute for several years and has recently been extensively refurbished in Steinway’s Hamburg workshop. To hear Myra’s own piano telling her own story in this way will be an unique experience, both for her family and, I am sure, for the audience as well

– Nigel Hess

 

Admission: One Shilling
Sat 17 November | 14.00 & 19.00
Price: £21, no concessions
Address: Bishopsgate Institute, 230 Bishopsgate, London. EC2M 4QH

Further information / book tickets

Photo: ©Gussie Welch

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I was delighted to have the opportunity to attend some of the events and concerts at the inaugural London Piano Festival, conceived and directed by pianists Katya Apekisheva and Charles Owen. For the opening edition of the festival, the directors invited artists who they admired and worked with personally. As Charles and Katya stated in the Festival programme:

“Pianists meet each other far too rarely in the real world, mostly at auditions and competitions when we take our first steps in the music profession, and then at each other’s concerts. The professional soloist’s life is, by its very nature, a demanding and often solitary one. [The festival] is especially designed to bring these soloists together…..”

And it was perhaps a mark of the organisers’ success in achieving this aim that so many eminent pianists and music lovers were in the audience for the concerts, including Stephen Hough and Alexandra Dariescu, amongst others.

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Katya Apekisheva and Charles Owen

The festival was held in the stylish, contemporary concert spaces at London’s Kings Place, fast becoming a popular hub for culture and arts in the newly-redeveloped area around King’s Cross station. The sense of “music by friends and for friends” was very clear from the warm atmosphere in and out of the concert halls, and the two-piano gala concert on Saturday evening, which was at the heart of the festival, was a wonderful celebration of musical friendship and collaboration. I attended two concerts with pianist friends, always enjoyable as we discussed what we had heard during the intervals and after the events. As one of my pianist friends remarked when I met her for the two-piano gala concert, “I feel completely intoxicated by music!”. I can think of no better endorsement for this wonderful weekend of piano music.

My reviews are on the Bachtrack.com site – follow the links below to read them:

‘Liszt’s b minor Sonata – from exuberance to asceticism’: lecture by Alfred Brendel and performance by Denes Varjon

A feast of phenomenal pianism: two-piano gala concert