Saturday 1 June 2024, 10am-4.45pm, Coach House Pianos SW6 4SQ
SPECIAL OFFER FOR READERS OF THIS SITE – DISCOUNTED OBSERVER PLACES
A one-day masterclass for advanced adult amateur pianists (Grade 8+) with pianist and pedagogue Dr Michael Low, hosted by Frances Wilson (The Cross-Eyed Pianist) at the sumptuous London showroom of Coach House Pianos. There is much to be gained from observing at a masterclass, including insights into technical and interpretative issues, practicing and performance, in addition to the opportunity to hear a variety of repertoire, including music by Schubert and Debussy.
Observer tickets £10 for the full day (save £5) – click on the image to book or scan the QR code to book

The event will be friendly, supportive and inspiring, and a great opportunity to observe top class teaching in friendly setting, plus the chance to meet other pianists. There will be plenty of time for discussion, Q&As, and relaxed ‘piano chat’ too.
Coach House Pianos is located at 79-91 New Kings Rd, London SW6 4SQ (nearest stations: Fulham Broadway, Parsons Green & Imperial Wharf). Please arrive promptly. Michael and Frances will be at the front entrance of the showroom to greet you.
Praised for his innovative approach and passionate insight into piano playing, Dr Michael Low’s teaching career in Asia and Africa has spanned almost a quarter of a century. As a student, Michael studied piano with Richard Frostick (the current director of the BBC World Voice Programme) before enrolling as a member of London’s prestigious Centre For Young Musician where he studied piano with the international pedagogue Graham Fitch. He obtained his Honours at Surrey University under the tutelage of Clive Williamson before completing his Masters of Music whilst studying with Nils Franke and Niel Immelman. An International Scholarship brought Michael to Cape Town where he completed his Doctorate under the supervision of South African greatest living composer, Hendrik Hofmeyr. Michael has also worked with numerous eminent teachers and pianists including, Nina Svetlanova, Frank Heneghan, James Gibb, Phillip Fowke, Renna Kellaway, Carolina Oltsmann, Florian Uhlig, Gordon Fergus Thompson, Francois du Toit and Helena van Heerden.
Frances Wilson is an advanced amateur pianist and writer under the pen-name The Cross-Eyed Pianist. Established in 2010, The Cross-Eyed Pianist blog has become “an important voice in the piano world” (Peter Donohoe, international concert pianist) and enjoys a wide global readership with c25,000 visitors to the site per month. The Cross-Eyed Pianist is now one of the UK’s leading blogs on classical music, with a special focus on pianists and the piano.
Frances is an advanced amateur pianist who returned to the piano after a gap of some 25 years, achieving Licentiate and Associate Diplomas (both with Distinction) in Piano Performance in her late 40s. She has studied with a number of acclaimed teachers, including Penelope Roskell and Graham Fitch, and participated in masterclasses, workshops and courses with, amongst others, Stephen Savage, Murray McLachlan and Charlotte Tomlinson.
A passionate advocate of amateur pianism, Fran co-founded the London Piano Meetup Group in 2013, which, 10 years, remains hugely popular with adult pianists of all abilities.


In fact, he was a remarkable musician and human being. Sure, as a performer he could be flamboyant and extravagant in his gestures, but he helped shape the modern solo piano concert as we know it today and he also brought a great deal of music to the public realm through his transcriptions (he transcribed Beethoven’s symphonies for solo piano, thus making this repertoire accessible to both concert artists and amateur pianists to play at home). He was an advocate of new music and up-and-coming composers and lent his generous support to people like Richard Wagner (who married Liszt’s daughter Cosima).
His piano music combines technical virtuosity and emotional depth. It’s true that some of his output is showy – all virtuosic flourishes for the sake of virtuosity – but his suites such as the Années de Pèlerinage or the Transcendental Etudes, and his transcriptions of Schubert songs demonstrate the absolute apogee of art, poetry, and beauty combined.
Martha Argerich
Martha Argerich brings fire and fluency to her interpretations, underpinned by a remarkable technical assuredness. Her 1972 recording of the B-minor Sonata and Hungarian Rhapsody No. 6 is regarded as “legendary”.
Leslie Howard
Australian Leslie Howard is the only pianist to have recorded the solo piano music of Liszt, a project which includes some 300 premiere recordings, and he is rightly regarded as a specialist of this repertoire who has brought much of Liszt’s lesser-known music to the fore.
Lazar Berman
Berman’s 1977 recording of the Années de Pèlerinage remains the benchmark recording of this repertoire for many. Berman brings sensibility and grandeur, warm-heartedness, and mastery to this remarkable set of pieces.
Alim Beisembayev
Winner of the 2021 Leeds International Piano Competition, the young Armenian pianist Alim Beisembayev’s debut recording of the complete Transcendental Etudes is remarkable for its spellbinding polish, precision, and musical maturity, all supported by superb technique.
Yuja Wang
Yuja Wang has been praised for her breath-taking interpretations of Liszt’s First Piano Concerto which combine force and filigree, emotional depth, and technical mastery to create thrilling and insightful performances.
Other noted Liszt pianists include Georges Cziffra, Jorge Bolet, Krystian Zimerman, Lang Lang, Daniil Trifonov, Sviatoslav Richter, Marc-André Hamelin, Nelson Freire, Claudio Arrau, and Vladimir Horowitz.




