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HERTFORDSHIRE FESTIVAL OF MUSIC 2024, 7-15 June

The Power of 2: Musical and Artistic Dialogues

Principal Artists: Katya Apekisheva & Charles Owen, piano duo

Featured Living Composer: Tom Randle

“The friendly, accessible vibe of Hertfordshire Festival of Music was accompanied by the very highest level of music- making and extremely imaginative programmes in beautiful locations.”
Dame Judith Weir DBE, Master of the King’s Music

Now in its eighth year, the theme of this year’s Hertfordshire Festival of Music is ‘The Power of 2: Musical and Artistic Dialogues. During the course of the Festival,the profound connections and conversations between musicians, artists, and their audiences – and the essence of these interactions – will be explored through a series of concerts, talks and other events with a fascinating range of musicians, artists and original thinkers.

HFoM is honoured to have dazzling piano duo Katya Apekisheva and Charles Owen, one of the most highly-acclaimed piano duos performing today, as this year’s Principal Artists. In addition to a two-piano recital at All Saints’ Church in Hertford, there will also be an opportunity to gain artistic insights and inspiration in a free piano duo masterclass given by Katya Apekisheva at the beautiful Queenswood School in Hatfield.

The festival opens with a dialogue, ‘My Life in Music’ – a conversation and performance with singer/ composer Tom Randle and the Rossetti Ensemble, featuring his own music alongside that of Vaughan Williams and Dvorak.

Violinist Litsa Tunnah returns this year and is joined by Festival Artistic Director James Francis Brown in a lunchtime recital featuring his second Violin Sonata as well as works by Vaughan Williams and Beethoven.

Friday June 14th will be a day of songs and tangos with a documentary on composer David Matthews, performances by the Choir of St Andrew, culminating in a lively evening with Tango Siempre, exploring the rich and passionate history of tango from its origins in the Buenos Aires underworld to the innovative ‘Tango Nuevo’ of Astor Piazzolla. In a special highlight, the ensemble will present unique arrangements of tangos by the esteemed British composer David Matthews.

On the final Saturday, clarinettist Poppy Beddoe and pianist Timothy End join forces for a concert featuring a special world premiere, while the grand finale sees Principal Artists Katya Apekisheva and Charles Owen give a thrilling two-piano recital at All Saints’ Church. This promises to be an event full of dynamic interplay and remarkable artistic unity.

Other Festival highlights:

  • ‘Music and the Divided Brain’ – Artistic Director James Francis Brown will be joined by violinist Sara Trickey in an interview with esteemed psychiatrist and author, Iain McGilchrist
  • ‘Duality in Art,’ at the Hertford Museum with art historian Barry Dodge.
  • Debut of the newly formed Mira Trio.
  • ‘Coffee Concert’ – a new event highlighting young, gifted musicians poised on the cusp of their careers.

This year’s Festival offers an exceptional series of musical dialogues, where each note and every word will tell a fascinating tale of collaboration and inspiration.

BROWSE EVENTS & BOOK TICKETS

HFoM plans 21 events/outreach projects in community venues, anticipating engagement with around 1,500 individuals (performers, audiences, participants/beneficiaries).  Four of the concerts/events are free, the remainder with discounted ticket prices for concessions.  

In addition, HFoM is delighted to continue its vitally important outreach work. Our commitment to musical education continues in collaboration with Queenswood School, delivering the Masterclass for talented young musicians.  During the Festival period, in partnership with Sing from the Heart, specially trained musicians share the gift of music with selected care homes throughout the county of Hertfordshire with those living with dementia, including their carers and families. We are grateful for the support from Durkan Homes for their support of the Music in Mind project.

Full details of this year’s Festival at https://www.hertsmusicfest.org.uk/performances-and-events-2024

Hertfordshire Festival of Music is the vision of the late Tom Hammond and composer James Francis Brown, and is registered as a charity supported by a board of Trustees and a team of volunteers.

Since its founding in 2016, HFoM has grown rapidly from a small weekend event to one of the UK’s major summer music festivals, featuring international artists and ensembles alongside innovative outreach and educational projects, all based in and around the attractive historic county town of Hertford. HFoM has presented concerts that have inspired extraordinary audience responses to artists such as Tasmin Little CBE, Dame Emma Kirkby, Sir Stephen Hough, Steven Isserlis CBE, Ben Goldscheider, the Carducci Quartet, Emma Johnson MBE, Jack Hancher, the Galliard Ensemble, Chloe Hanslip, ZRI and The Prince Consort.

HFoM receives no Arts Council funding and is fortunate to receive support from a number of charitable trusts and foundations, county, district and town councils, local businesses and other organisations. A ‘Deer Friends’ Scheme allows individuals to play an important role in supporting the Festival and furthering its scope and potential. Sponsors include: Hertford Town Council, East Herts District Council, Queenswood School, Durkan Homes, Longmores Solicitors, Hertfordshire County Council, Austins Funeral Service, Azets Wealth Management Limited, The Garrick Charitable Trust, Ware Town Council, Soundbites at All Saints’ Church, Hertford

The Festival offers affordable ticket prices, several free events, concessions for those under 24 in full-time education, free tickets for the under 8s and a complementary ticket for a carer accompanying those patrons with access needs.

HFoM exists to celebrate and nurture exceptional music-making, featuring some of the world’s finest performers. The Festival also supports professional and young musicians from Hertfordshire, presents fascinating music by living composers and devises major, innovative projects for education and participation. Hertford is just over twenty miles from central London, easy to get to by rail and road, but nestled in the beautiful countryside of the Lea Valley. Most concerts take place within a ten-minute stroll of the town’s centre, which boasts excellent restaurants, many independent shops, and pleasant accommodation.

Website: www.hertsmusicfest.org.uk

TwitterX: @HertMusicFest Instagram: @hertsfestofmusic Facebook: facebook.com/Hertsmusicfest/

Registered Charity Number 1175716

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It’s still quite unusual these days to attend a concert where the programme begins with a quiet and/or slow piece. Often performers have a favourite “warm up” piece, one with which they feel very comfortable, which is a helpful way to ease into the main programme, warm up the fingers and settle in for the concert. For some performers, a Prelude and Fugue by Bach, or something similar, is a good opener.

I recently attended a concert where the pianist began his programme (which included Beethoven’s heavenly penultimate piano sonata, the Op 110, and closed with Gershwin’s Rhapsody in Blue) with two very quiet, very slow sonatas by Scarlatti. It helped that the pianist in question can produce the most poetic sound (at any dynamic) on the piano, but there was something about the intimacy and muted sounds of this music that made for a very concentrated listening experience.

In fact, I think beginning a concert in this way is a stroke of genius as it can create an immediate sense of intimacy and focus. The audience is forced to listen closely and pay attention to the nuances of the music – a very effective way of drawing the audience in and engaging them with the performance, and ensuring their attention for the remainder of the concert. Opening with a quiet piece or pieces can also create a sense of anticipation and expectation: the audience may be more likely to be attentive and engaged if they are waiting for something to happen. This can be particularly powerful in a concert setting where the audience is large or the venue is imposing, as it can help to create a sense of connection and shared experience.

A quiet piece can be a very effective way of setting the tone for the entire concert and can establish a mood and atmosphere that will carry through the entire concert. This can be especially effective if the quiet piece is followed by more up-tempo or energetic pieces and the contrast can be very effective in creating a dynamic and varied performance. Beginning with a quiet piece can be a bold and unexpected choice, challenging the audience’s expectations and encouraging them to approach the performance with an open mind.

Finally, starting with a quiet piece can be a very effective way of showcasing the performer’s skill. It’s not easy to perform a quiet piece effectively, and is a real demonstration of the performer’s control, sensitivity, and expressiveness. This can be especially powerful if the performer is able to create a sense of intimacy and connection with the audience.

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17-20 September

CityMusic Live, a new online concert platform, announces its 2020 Piano Fest

Over four days, pianists Warren Mailley-Smith, Yuki Negishi, Daniel Grimwood, Duncan Honeybourne, and Julian Jacobson will present concerts online in a celebration of the piano.

The extended weekend of concerts begins on Thursday, 17 September with Warren Mailley-Smith in a programme featuring works by Beethoven, Brahms and Ravel.

Piano Fest continues on Friday 18 September with Duncan Honeybourne’s programme Forest Idylls featuring enchanting, evocative works by Sibelius, MacDowell and Schumann echoing nature. Known for his technical precision and warm musicality, Duncan Honeybourne has been lauded as “heroic” by Musical Opinion and “a gifted pianist in whom a spirit of adventure meets high musicianship” by MusicWeb International.

Saturday 19 September features two concerts. At 6:00 PM, Daniel Grimwood presents Nocturnes and Variations featuring one of his own compositions, “Variations on a Theme by Field”. Daniel Grimwood’s playing has been characterised as “stimulating and revelatory in equal measure” by The Telegraph, and his programme promises to exhibit both his virtuosity and his intellectual sensibility. Following at 8:00 PM, Yuki Negishi performs a concert entitled Passion, featuring works by Franck, Chopin and Beethoven. Praised for her “Piano Music by Women” series in June and July, Yuki Negishi was chosen in the Top 5 online performances for the week of 29 June by Pianist Magazine.

The weekend continues on Sunday with a matinee performance which celebrates The Piano Sonata by renowned pianist and Royal College of Music professor, Julian Jacobson. The programme features sonatas by Scarlatti, Berg and Beethoven. The weekend comes to a close on Sunday evening with Warren Mailley-Smith’s celebration of Chopin, a composer very close to his heart – he was the first British pianist to perform Chopin’s complete works for solo piano from memory in a series of 11 recitals at St John’s Smith Square in 2016.

Single tickets and festival packages are available. Book tickets

All concerts will be streamed to worldwide audiences through www.citymusiclive.co.uk

City Music Live is in the brainchild of pianist Warren Mailley-Smith. Since lockdown began in March, has presented over 30 online concerts through social media with over 400,000 total views, reaching audiences world-wide.

[source: press release]

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21 January 2020 – Stratford Playhouse, Stratford-upon-Avon

Tom Hammond – conductor

Tamsin Waley-Cohen – violin

Orchestra of the Swan

It was the music of Jean Sibelius that first sparked conductor Tom Hammond’s interest in classical music: he found the mystical world of The Swan of Tuonela entrancing on first hearing it. This haunting tone poem opens Intimate Voices, a concert curated and conducted by Tom Hammond with Stratford-upon-Avon-based Orchestra of the Swan.

In Intimate Voices, Hammond combines his great love of Sibelius’ music with his skill in creating imaginative programmes to explore the musical and personal landscape of Jean Sibelius through his own words and compositions. From the magical sonorities of The Tempest and the stark simplicity of Scene with Cranes to the bold, distilled complexity of the seventh symphony, Sibelius the man is revealed through the intimate thoughts in his letters and the dark, awe-inspiring qualities of his musical imagination.

Tamsin Waley-Cohen joins Hammond and the orchestra as soloist in the rarely-played Humoresques for violin and orchestra – highly virtuosic yet introspective miniatures which reveal the composer’s great love of the violin, and which Hammond believes are musically superior even to the Violin Concerto.

For Tom Hammond, Intimate Voices is “a dream of a programme”, containing some of his favourite music, and an opportunity for audiences to experience Sibelius’ lesser-known works: deeply imaginative and utterly absorbing music that evokes Finnish myths and Shakespeare’s magical isle, pine forests, lakes and snow.

Programme:
The Swan of Tuonela (from Lemminkäinen Suite)
The Tempest, Suite No.1 [excerpts: The Oak Tree, Humoreske, Berceuse, Ariel’s Lied (The Rainbow)]
Humoresques for Violin and Orchestra, Op.89
Kuolema (Valse Triste & Scene with Cranes)
Symphony No.7
Performance date:

21 January 2020 – Stratford Playhouse, Stratford-upon-Avon
orchestraoftheswan.org
tom-hammond.org.uk