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The Upper Class at Bay, tapestry by Grayson Perry

It’s about time we stopped referring to Grayson Perry as “the transvestite potter who won the Turner Prize”. That was then (2003); this is now, and Perry, by his own admission, hasn’t made a pot for ages. Perry, who is articulate and highly engaging on any subject, and who has always used his art and craft to comment on contemporary society’s mores, hypocrisies, and preoccupations, has now turned his keen artist’s gaze and curiosity onto taste and the British (which is, of course, synonymous with class) in a television series and an exhibition at Victoria Miro Gallery in north London of six monumental tapestries inspired by Hogarth’s social commentary ‘The Rake’s Progress’.

Read my full review here

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This post was prompted by a conversation over the weekend with a piano friend of mine: we were discussing ways in which students can free themselves from the constraints that prevent them from giving their all in a performance situation, and the expression “playing naked” came up, which I thought very appropriate. It refers not to a means of dealing with performance anxiety where one imagines that the entire audience is naked (an empowering way of turning the dynamic in a stressful situation), but to giving oneself permission to stand back from the music, to let go, and to play with passion and commitment.

If you are naked at the piano, whether literally or metaphorically, there is nowhere to hide, and you must do everything in your power to distract the audience from your “nakedness”. (Those of us who perform, and who suffer from the anxiety of performance, may well have had the dream/nightmare where we are in a performance situation without the protective carapace of clothes.), So, do you run screaming from the stage, or do you face up to the challenge?

Playing “naked” means:

  • Stripping away inhibitions, over interpretation, unnecessary gestures, and pretentions
  • Giving yourself up to the music
  • Playing with heart and soul
  • Believing completely in what you do
  • Fearless and focussed performance
  • Playing “for the love of music” (Rostropovich), with a vibrant sound and charismatic rhythm which radiates authority and emotion
  • Precise execution from well-honed technique
  • Crafting confidence and developing a positive response to stress
  • Finding meaning, desire and depth in your performance

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by Catherine Shefski

As adult pianists we all know how hard it is to carve out practice time every day. Our days slip by  full of errands, phone calls, appointments and chauffeuring kids. Sometimes whole weeks or even months fly by while we’re bombarded with family emergencies, travel, or job obligations. But we’re constantly nagged by that inner voice that tells us that consistency and time at the piano are required for steady improvement.

For the past few months I’ve been very lucky to have a lull in activity on the home front. With my daughter happily off studying abroad and two sons away at college, I chat with them often and know that they are safe, healthy and independent. For five months I was able to fill my non-teaching hours at the piano preparing for each week’s Go Play Project recording. But now things are heating up. I’m getting ready to launch a new website and learning everything I can about marketing, branding and book proposals. I’m preparing students for their annual National Guild Auditions and Spring recitals. And I’m getting excited about my daughter coming home to finish high school and start the college search and application process. My time at the piano these days is limited.

When I do find the time to sit down at the piano I aim for deliberate practice. But I also find that more often than not, simply finding the easiest way to play a difficult passage is often the best way. The shape of the phrase leads me to find the best fingering or hand movement. Awkward hand positions are  made more comfortable by simply moving the hand into the black keys. Large leaps are spot on when   I move my arm in an arc and look before I leap. Cantabile comes from the fingertips along with a freely suspended arm and close listening. Fast octaves? For me it’s all in the rebound. Playing the piano is not hard work. It’s not about getting in shape or building muscles. In fact it’s the opposite of the “no pain, no gain” rule of sports. When you’re doing it right, it feels good.

So to all those pianists who are bombarded by life’s obligations, take heart. Piano playing is not always about how regularly you practice or how long you practice or even how deliberate you practice. It just might be  about grabbing that half hour before a student arrives at the door, or those first minutes of daylight with your morning coffee, and ‘coming home’ to the piano. It’s about sinking into the keys and expressing yourself through your fingertips. It’s about deep listening and communication. And in the end it just might about the child leaving home for college or the military. Or about the recent break-up or new romance, the death in the family or the new baby’s birth.

 

Catherine Shefski is pianist, teacher and blogger who is currently recording one piano piece a week for The Go Play Project. 

 

 

 

 

 

 

 

 

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Here’s a helpful post from Gretchen Saathoff’s blog Gretchen’s Pianos for those of us who are feel certain parts of our anatomy need some care & attention.

Any type of pain associated with playing an instrument needs to be addressed.

Let’s talk about neck pain in this post, though, to keep things manageable for readers.

Onset

When and how did your neck pain start? What were you doing at the time?

What do you do when not playing the piano? For example, do you drive long distances? Work at a desk? Use a computer for long periods of time?

Possible causes

Your work setup, car seat, steering wheel angle, different mattress, different pillow, bicycle handlebars, even not wearing sunglasses outdoors can all be factors.

Look at your practice setup.

  • Bench too high or too low?
  • Enough light?
  • Music at a comfortable height?
  • Have you had your eyes checked recently?
  • Body alignment
  • Drafty room
  • Cold room
  • A glare on the music
  • Recent changes in technique
  • Practicing too long without a break
  • Learning a lot of notes all at the same time
  • Sight-reading for hours

A look at some other factors

  • Not getting enough sleep.
  • Not eating regular meals.
  • Being under the weather.
  • Anaemia
  • Virus
  • Having a cold
  • Coming down with something
  • Dental issues

Possible solutions

  • Ask a friend to watch you play
  • Videotape yourself playing
  • Make small changes as indicated above
  • Stretch before and after practice
  • See a doctor who treats musicians
  • Get a massage
  • See a chiropractor
  • Work with a physical therapist or sports trainer to strengthen back and shoulder muscles

Letting pain continue while proceeding as usual is not a solution, but will exacerbate the problem. Even if you are busy, have several performances coming up, or can think of a list of reasons not to address the pain, you must. Your longevity as a musician depends on it.

Related posts:

Warming up & keeping fit

Piano Pilates

Piano Yoga