‘….simply beautiful choral writing by someone who knows, from a singer’s perspective, how to compose music which every choir will want to sing.’ Sir John Rutter CBE, composer
Following Heaven to Earth, Joanna Forbes L’Estrange’s first album on Signum Classics, Winter Light is an album of works (complete with some world premiere recordings and new arrangements) celebrating the season of Winter, as well as Christmas and Advent. The common themes linking all 19 tracks are of light triumphing over darkness, good overcoming evil and, ultimately, love conquering all.
The first 12 tracks tell the familiar Christmas story, from the eager anticipation of the saviour’s birth (Advent ‘O’ Carol, track 1) and its foretelling by the prophet Isaiah (Isaiah’s Prophecy, track 2) to the Annunciation (I Will Hold Him, track 3, and O Virgo Virginum, track 4), to the birth itself (Carol of the Crib, track 5 and Jesus Christ is Born Today, track 7) and its significance for humankind (In the Bleak Midwinter, track 8, and Love Came Down, track 9). Thereafter, the visitation from the shepherds (Song of the Shepherds, track 10) and the arrival of the magi at Epiphany (A Present for the Future, track 12) remind us that we, like the shepherds and wise men, need also to follow the light (A Story of Light, track 11). In the midst of this nativity narrative sits the title track (Winter Light, track 6) whose words mark the transition from darkness to light.
The second part of the album takes on an altogether different tone to reflect secular winter themes. As a professional singer Joanna Forbes L’Estrange is known for performing in a wide variety of styles and this is reflected in her compositions. Whereas the first half of this album is stylistically largely within the familiar realms of the sacred choral music tradition, the latter leans towards jazz and folk. The Three Wise Women (track 13) was written in response to a commission from St Swithun’s School in Winchester. ‘There are numerous pieces in the Christmas choral repertoire
about the three wise men so it was about time for the women to have their own song,’ says the composer. The remaining six tracks explore various winter themes. Winter Songs (tracks 14-16) was composed for the 60th anniversary of Finchley Children’s Music Group. Though conceived for children’s voices, the songs’ themes of hibernation, homelessness and human kindness are relevant to all ages. Green Christmas (track 17) was written during the first covid lockdown and is a subtle play on Irving Berlin’s classic, White Christmas. Track 18, Spring Will Come Again, is a folk-style song about the cyclical nature of the seasons. The album concludes with an arrangement of Auld Lang Syne (track 19) which Joanna wrote many years ago when she was Musical Director of The Swingle Singers.
Joanna Forbes L’Estrange says, ‘The impetus for recording this album sprang from my desire to present choirs with some contemporary yet singable Winter/Christmas-themed pieces which they might like to add to their repertoire.’
Praise for Joanna Forbes L’Estrange
‘Joanna has an amazing understanding of both the human voice and the human heart. The result: quality music making effective use of the voice, with tunes and harmonies and a wonderful storytelling quality to the songs which lift the hearts of singer and listener heavenward. These will surely be part of the Christmas choral canon for centuries’ – Ken Burton, conductor, composer & arranger
‘…an album of fresh new gems, full of Christmas warmth and great tunes’ – Louise Clare Marshall, singer
‘Forbes L’Estrange seems to have been born with catchy melodies coursing through her veins’ – BBC Music Magazine
Winter Light is released on 18 October on the Signum Classics label on CD and streaming.
Joanna Forbes L’Estrange, composer
London Voices
Ben Parry, conductor
Richard Gowers, organ
Olivia Jageurs, harp
Harry Baker, piano
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