On a single staff, for a small instrument, the man writes a whole world of the deepest thoughts and the most powerful feelings. If I were to imagine how I might have made, conceived the piece, I know for certain that the overwhelming excitement and awe would have driven me mad
Thus wrote Johannes Brahms of the Chaconne, composed by J S Bach as the final movement of the Partita No. 2 for solo violin. Throughout much of its three-hundred year existence, the Chaconne has been a source of fascination for composers and performers on instruments other than the violin, inspiring numerous transcriptions by composers as varied as Johannes Brahms, Feruccio Busoni and Leopold Stokowski.
A tour-de-force of instrumental ingenuity, musicianship and virtuosity, cellist and composer Joy Lisney’s own arrangement is the latest response to the Chaconne and attempts to illuminate Bach’s music through the cello, occasionally taking inspiration from the instrument itself but mostly staying as close as possible to the original.
The monumental Chaconne is the centrepiece of a programme including works by Chopin and Brahms, performed by one of the UK’s most exciting cello and piano duos, Joy and James Lisney.
The programme concludes with Brahms’ Regensonate in D; an intensely nostalgic work that Clara Schumann described as “blissful” and “melancholic” – music that she wanted to accompany her “at that passage from here to eternity”.
Joy appeared on BBC Radio 3’s In Tune on Monday 6 May
Praised for her stylish playing, musical maturity, formidable technical finesse and keen advocacy for new music, Joy Lisney is one of the most exciting young musicians to emerge in recent years in a busy career combining the cello with composing and conducting.
She has been performing internationally since her teens, at leading venues including the Leipzig Gewandhaus, Amsterdam’s Concertgebouw, Queen’s Hall Edinburgh, St. George’s Bristol and the Southbank Centre, in concerts featuring some of the best known works for cello as well as specially-commissioned new music and her own compositions. Her first string quartet was premiered by the Arditti Quartet in 2015 and she premiered her own composition ‘ScordaturA’ for solo cello in 2017 at St John’s Smith Square as part of the Park Lane Group concert series. Joy has also given world premieres of works by Judith Weir and Cecilia McDowall.
Artist photos by Krisztian Sipos and Suzie Maeder