Who or what inspired you to take up the cello, and pursue a career in music?
I’m not from a musical family. My parents and I never thought that I would become a cellist. It all started randomly as my first cello was a gift from my mom’s friend. However, we never took it too seriously and I was not especially curious to learn how to play the cello until a friend of mine came to my home to play games with me. She showed a great interest in the cello and my mom was about to give it to her but that definitely triggered something in me and it was the moment I decided to pick up the cello and learn to play it. I perhaps would never have become a cellist if this didn’t occur and I have never stopped playing the cello ever since then.
Who or what have been the most important influences on your musical life and career?
Curiosity coupled with a willingness to push myself out of my comfort zone. I always strive to broaden my perspective on life as a global citizen and to be resilient.
What have been the greatest challenges of your career so far?
As a cellist, the challenge is to reach people with my instrument who don’t necessarily know much about cello and classical music. I hope to continue to make classical music more accessible to a wider audience and that my instrument will be appreciated as much as the piano or voice.
Which performance/recordings are you most proud of?
My first recording of French Cello Concertos with the London Symphony Orchestra. It was a dream come true as a musician.
Which particular works do you think you play best?
I play everything from my heart. Works that speak to me the most are the pieces I play so that can change with time.
How do you make your repertoire choices from season to season?
When I choose repertoire for concerts, I do this by consensus and after discussion with the artistic director, fellow musicians and the conductor. I do always try to include some new pieces so that I can expand my repertoire and bring something new to audiences.
Do you have a favourite concert venue to perform in and why?
I do love playing in Seoul in particular because it’s my hometown. It is always special to perform in my home country.
Who are your favourite musicians?
I love the work of Yannick Nézet-Séguin, former chief conductor of the Rotterdam Philharmonic, with whom I used to work.
What is your most memorable concert experience?
It was one of my most recent concerts in the UK – a recital at the Bridgewater Hall in Manchester. I was so honoured to be there to and felt privileged to play in this wonderful hall.
As a musician, what is your definition of success?
For me, I feel most rewarded when I overcome difficulties or discover new ways to interpret a piece I have been practicing. Finding my own way to play a piece means a lot to me. It gives me a confidence and I am full of joy to play the music.
What do you consider to be the most important ideas and concepts to impart to aspiring musicians?
For myself, I always look for an inspiration so I visit art exhibitions, I travel a lot, I look for new partnerships, I seek out new repertoire…I like discovering new things. Life is full of surprises that open up my mind and I would encourage aspiring musicians to always be curious about the world.
Where would you like to be in 10 years’ time?
I would hopefully be in a place where I can continue to follow my passion of music-making.
What is your idea of perfect happiness?
I’m not sure if such perfection exists, but for me I definitely feel most happy when I can immerse myself in music.
What is your most treasured possession?
What is your present state of mind?
I live in the present
Hee-Lim Young’s recording of French Cello Concertos with the London Symphony Orchestra is available now on the Sony Classical label.
Hee-Young Lim was appointed as the Principal Solo Cellist of the Rotterdam Philharmonic Orchestra under Yannick Nézet-Séguin. She was one of the first female Asian cellists ever to lead a section in a major European orchestra. In 2018, she was invited to join the teaching faculty of the Beijing Central Conservatory, the first Korean professor ever appointed to this prestigious conservatory. Praised by the Washington Post as “a deeply gifted musician, with a full, singing tone, near- flawless technique and a natural lyricism that infused nearly every note she played,” cellist Hee- Young Lim has quickly established herself as one of the most charismatic and fast-rising cellists of her generation.
Born in Seoul, she was accepted to the Pre-College division of Korean National University of Arts and Yewon Arts School, winning prizes for Excellence in Music and the Most Distinguished Alumni Award. She entered the Korean National University at age 15, as the youngest student ever to be accepted. She moved to the United States to further her education at the New England Conservatory. Upon graduation, she went on to study at the Conservatoire National Supérieur de Musique de Paris, studying with Philippe Muller, where she graduated with ‘Highest Distinction’. She is also a graduate of Hochschule für Musik ‘Franz Liszt’ Weimar, where she earned her degree summa cum laude.
In-demand as a soloist, she has in recent years performed with distinguished ensembles including the German Berlin Chamber Orchestra, the Budapest Radio Philharmonic, the Warsaw National Philharmonic, the Jena Philharmonie, the Houston Symphony Orchestra, the KBS Symphony Orchestra, the Seoul Symphony Orchestra, the Baden-Baden Philharmonie, the Württembergische Philharmonie Reutlingen, the Bandung Philharmonic, the Korean Chamber Orchestra, the Incheon Symphony Orchestra, the Ningbo Symphony, Zagreb Soloists and many others.
As an enthusiast advocate of contemporary music, Hee-Young Lim is privileged to champion the work of today’s composers. Most recently, Columbia University in New York commissioned her to give the European premiere of Peter Susser’s Cello Suite in Paris and in 2019 she will give the Asia premiere of Jakub Jankowski’s Aspects of Return at the Tong Yeong International Music Festival.
Teaching has been a very significant aspect of Hee-Young Lim’s career. She has held master classes at Seoul’s Ewha University, Rotterdam Conservatory, Paris Reuil-Malmaison Conservatoire and Jakarta University, among others.
She plays on a 1714 Joseph Filius Andrea Guarneri Cello graciously given by a private donor and a Dominique Peccatte bow.