Who or what inspired you to take up the piano/composing/conducting, and make it your career?
Not just a single person has inspired me. I’ve had some great piano teachers before and during my time at university. My last lessons were with Mikhail Kazakevich from Trinity College of Music. I found it amazing that every piece I wanted to learn he was already able play from memory, while looking at me, and could really shake the grand piano playing Liszt. It was a really relaxed environment where I was able to not just ask questions, but also have discussions about the music and I learnt an incredible amount from this. I discovered during this time how to really uncover and convey the music’s narrative as opposed to just learning the technical aspects of a piece.
Do you have a favourite concert venue to perform in?
Unsurprisingly, especially for the people that know me, I relish the spotlight and the idea of putting on a grand performance is always on my mind. However, I do a lot of lounge jazz playing, and I love having an audience who are doing other things and where music isn’t the main focus. I feel completely free to explore music and try new things without the pressure of the spotlight. It’s really easy to make the space a performance for myself.
Favourite pieces to perform? Listen to?
I love the intense emotion and raw power of the late romantic Russians (Rachmaninov, Mussorgsky, Scriabin, etc). I think this is in part due to my style of composition, as I love creating piano works in their style and I can never resist learning a challenging piece of music. However, I’ve always loved the simple beauty and lyricism of Chopin, so I always try and have a piece of his on the go.
Who are your favourite musicians?
Musicians like Vladimir Ashkenazy and Leonard Bernstein I really aspire to, as they are greats in more than just one field. However, for specific pieces, composers and genres I have my favourites. Jazz Trio playing – Brad Mehldau, Rachmaninov’s Third Piano Concerto – Olga Kern, Conducting Stravinsky’s Firebird – Valery Gergiev. The very long list goes on.…
What is your most memorable concert experience?
My first time as a concert pianist, I was performing Gershwin’s Rhapsody in Blue. This was such a fun piece to learn, and even though I was nervous before, the moment I started playing I relaxed into the music and for 15 minutes the audience didn’t exist, it was just the music and me. It was over way to soon, and I felt such an incredible rush I wanted to do it again straight away. However, I wasn’t fully satisfied and I think I will always be looking for bigger and better things to get involved in. After the concert, I was told there where children dancing at the back, a success in my opinion!
What do you consider to be the most important ideas and concepts to impart to aspiring musicians?
Always have a performance to work toward otherwise it’s really easy to put practicing to the side. Keep an open mind to new pieces of music you are introduced to, I know my taste in music has dramatically changed over the last few years. Join in everything!
What are you working on at the moment?
Mussorgsky’s Pictures at an Exhibition for a concert later this year, and Blumenfeld’s Etude for the Left Hand, Op.36 for my birthday party/jam night next week – I want to be able to finish a drink in my right hand before the piece is over!
Where would you like to be in 10 years’ time?
I would love to have my hand firmly in the three things I love, which is Performing, Composing and Conducting. My idea of perfect happiness is centre stage in a grand concert hall abroad with the Berlin Philharmonic performing and conducting a piano concerto I have composed.
Ho Wan Jeremy Leung 梁皓雲
Interview date: September 2013